The last interview with Misha for Jutarnji: "You've always remained the same" was a banned song, both in Zagreb and Belgrade
The article reports on the death of Croatian music legend Mišo Kovač, who passed away at the age of 86, causing widespread mourning across the country. To commemorate his life, the publication republishes an interview conducted five years prior, during which Kovač discussed his career, personal habits, and relationship with his audience while staying in Strožanac near Split. In the interview, the singer reflects on his 57-year career, noting he has sold over 20 million records, and emphasizes his commitment to authenticity by performing alone on stage without dancers or elaborate staging. He explains that his recent work involves creating new video versions of classic hits specifically because his fans love them, asserting that the audience created him and remains his primary motivation. The piece highlights his down-to-earth demeanor, describing his daily routine of enjoying fresh figs, coffee, and the Mediterranean climate alongside his wife Lidija and their dog.
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Croatian singer Mate 'Mišo' Kovač died at the age of 86, prompting widespread mourning across Dalmatia. News of his passing was announced during a football match at the Poljud stadium in Split, where fans spontaneously sang his songs before a funeral procession began. The coffin traveled along the Adriatic highway from Split to his hometown of Šibenik, stopping in various towns including Zadar, where large crowds gathered to pay their respects. In Zadar, residents lined the streets, singing his hits and displaying flags of local football clubs, creating a vibrant yet emotional farewell atmosphere. The body was eventually transported to Zagreb for burial at Mirogoj Cemetery, where he will rest alongside his son, Edo.
Bias read (Center): The article focuses entirely on cultural mourning and personal legacy, using sentimental but non-partisan language typical of obituaries, with no political angles or contested issues present.
Thousands of fans gathered across Dalmatia to bid farewell to the late Croatian singer Mate 'Mišo' Kovač, whose coffin traveled through several cities before arriving in Split. Over 30,000 people attended a ceremony at the Poljud stadium in Split, where Prime Minister Andrej Plenković and various musical colleagues paid their respects. As the procession moved through towns such as Primošten, Vodice, Murter, and Pirovac, citizens lined the roads with torches and sang his hits to honor him. The journey concluded in Zadar, where local officials marked the final stop before his burial in Zagreb. A commemorative concert is scheduled for November 11 at the Vatroslav Lisinski Concert Hall.
Bias read (Center): The article reports on a cultural tribute with neutral, descriptive language regarding the crowd size and specific locations, avoiding political commentary despite the presence of a political figure.
The farewell ceremony for Croatian music legend Mate Miša Kovač at the Poljud stadium in Split sparked debate online regarding its appropriateness. While many attendees described the event involving over 30,000 people as dignified and emotional, some critics labeled it a circus or a disgrace. Journalist and travel writer Robert Pauletić, who attended the event, defended the organizers against these criticisms in a lengthy social media post. He argued that the tribute was fitting for an artist known for grand gestures and compared the occasion to stadium farewells held for global sports icons like Pelé, Eusébio, and Ivica Osim. Pauletić expressed strong frustration toward those criticizing the ceremony before the burial had taken place, urging them to show respect.
Bias read (Center): The article neutrally reports on a cultural controversy and presents both the organizer's defense and the existence of public criticism without adopting a partisan stance.
Croatian singer Dražen Zečić performed at the farewell ceremony for late pop star Mate Mijo Kovač at the Poljud stadium in Split. During his rendition of the song 'Ti si pjesma moje duše', Zečić’s voice cracked due to overwhelming emotion, but he continued the performance to honor the deceased artist. The event was attended by numerous citizens who gathered to pay their final respects. Following the musical tribute at the stadium, a funeral procession carrying Kovač’s coffin traveled through Dalmatia, where residents lined the roads to bid him goodbye.
Bias read (Center): The article reports on a cultural mourning event using neutral, descriptive language regarding the emotional nature of the performance and the public turnout, devoid of any political framing or ideological slant.
On Tuesday afternoon, a large farewell ceremony was held at the Poljud stadium in Split for Mate Miso Kovac, a legendary figure in Croatian music. Approximately 34,000 free tickets were distributed, filling the stands with musicians and fans who sang his greatest hits together. The event featured emotional moments, including the arrival of Kovac's coffin onto the field, which was announced by the host as a collective embrace of gratitude and love. As the crowd sang 'Poljubi zemlju,' the vehicle carrying the coffin made an honorary lap around the athletics track, accompanied by performing musicians. Following a prayer, the coffin left the stadium while the song 'Samo nas nebo rastavit može' played, marking the end of the tribute.
Bias read (Center): The article reports on a cultural memorial event using descriptive but emotionally resonant language typical of obituaries, with no political content or partisan framing present.
The Poljud stadium in Split hosted a large-scale farewell ceremony for the late Croatian singer Misa Kovac, attended by thousands of fans who sang his hits and chanted his name. Supporters from the Torcida fan group lit torches and displayed banners containing poetic messages honoring the artist's legacy. The event transformed the football venue into a stage for collective mourning and celebration, highlighting Kovac's status as a cultural icon whose music deeply influenced Croatian identity. The atmosphere was described as a blend of sadness, pride, and immense love, marking a final tribute to a legend who passed away recently.
Bias read (Center): The article focuses entirely on emotional crowd reactions and cultural legacy within a sports venue, using celebratory but non-partisan language typical of entertainment or sports obituaries.
All tickets for the farewell ceremony dedicated to late singer Misa Kovac at the Poljud stadium in Split were reported as sold out shortly before the event began. Attendees who wished to participate had already collected their complimentary passes through the official website of HNK Hajduk Split. The city is preparing for this final tribute to the legendary musician, who passed away on Saturday, October 31. The gathering serves as a commemorative occasion for fans and locals to honor his legacy.
Bias read (Center): The article reports on a cultural and sports-related memorial event using neutral language and factual details regarding ticket distribution and attendance.
The article announces a live broadcast by N1 television covering the final farewell ceremony for Croatian singer Misa Kovac at the Poljud stadium in Split. It states that thousands of people are expected to attend the event to sing in tribute to the music legend. The piece provides specific timing for the coverage, noting that news reports will begin at 15:00 and a special live transmission from the stadium will start at 16:00. The text emphasizes Kovac's status as a figure whose songs marked generations and invites viewers to follow the proceedings via the channel's platforms.
Bias read (Center): The content is a neutral promotional announcement for a cultural event and live broadcast schedule, containing no political arguments, controversial framing, or partisan language.
The article reports that all free admission tickets for Misa Kovac's farewell concert at the Poljud stadium in Split have been claimed. Initially, 13 tickets remained available on the north stand during the writing process, but they were quickly taken, resulting in a complete sell-out despite the entry being cost-free. Social media users began requesting spare tickets, while some questioned who would benefit financially from the event, though these queries were dismissed by others noting the lack of ticket costs. The piece concludes that the only remaining hope for attendance lies in individuals voluntarily giving up their free passes via social networks.
Bias read (Center): The article covers a cultural and sporting event with no political implications, using neutral language to report on ticket availability and social media reactions.
Hundreds of citizens gathered in Šibenik to pay tribute to the late Croatian music icon Misa Kovac, singing his songs together despite strong winds. The city held an emotional farewell ceremony where fans lit torches and chanted his name, marking him as a significant cultural symbol for the region. Preparations are underway for a large-scale memorial event at the Poljud stadium in Split, organized by HNK Hajduk, the Torcida fan club, and the Croatian Music Union. Free tickets have been released for the event, which has a capacity limit of 33,000 attendees and features performances by artists who collaborated with Kovac during his career. The program includes a procession where a vehicle carrying Kovac's coffin will drive around the stadium track before heading toward Šibenik and Zadar.
Bias read (Center): The article reports on a cultural mourning event using neutral, descriptive language focused on logistical details and community sentiment without political commentary.
Music critic Peca Popovic published an extensive tribute to late singer Misa Kovac, who died at age 86, describing him as a unique figure who remained consistent yet constantly evolving throughout his career. Popovic highlighted Kovac's deep connection to Dalmatia, noting how his music served as the soundtrack to regional life and evoked specific cultural memories such as local landscapes and traditions. While acknowledging Kovac's status as a legendary performer and 'media samurai,' the author did not shy away from mentioning criticisms leveled against him over the years, including accusations of narcissism, poor manners, and shifting political allegiances. Despite these flaws, Popovic argued that Kovac possessed an authentic soul and a distinctive stage presence that could not be faked, particularly his ability to engage audiences through simple gestures. The piece concludes by positioning Kovac as the last representative of a bygone era of musical authenticity.
Bias read (Center): The article presents a balanced retrospective that explicitly acknowledges both the artist's legendary status and the valid criticisms regarding his personality and politics, avoiding strong ideological framing.
The Clinical Hospital Center (KBC) in Split issued a statement clarifying that legendary singer Mate Mišo Kovač did not die in their facility nor was he admitted there for medical treatment, despite initial reports suggesting otherwise. The hospital stated they were obligated to correct inaccurate information circulating in the media regarding his final hours. While confirming that Kovač passed away at the age of 86, the article notes that his death was officially announced via a broadcast at the Poljud stadium during a football match. Tributes from colleagues such as Tereza Kesovija and Miroslav Škoro were shared, expressing deep sorrow and honoring his legacy as a significant figure in domestic music.
Bias read (Center): The article neutrally reports a factual correction by a hospital and shares standard tributes, using respectful but non-partisan language typical of celebrity obituaries.
In a June 2022 interview with Croatian Radio, singer Mišo Kovač recalled his friendship with the late Oliver Dragojević. Kovač described Dragojević as humble and respectful, stating he was 'half a man' in terms of character. He recounted a specific conversation during their early careers at the Jugoton record label where Dragojević sought advice on changing his singing style. Kovač advised him to sing sincerely, as if performing for himself rather than an audience, predicting this approach would lead to career success. Kovač believed this advice helped shape Dragojević's distinctive interpretation style. He concluded by expressing confidence that Dragojević's music would endure beyond his death.
Bias read (Center): The article reports on a retrospective cultural interview regarding musicianship and personal relationships, containing no political content or controversial policy issues.
The article reports on the death of Croatian music legend Mišo Kovač, who passed away at the age of 86, causing widespread mourning across the country. To commemorate his life, the publication republishes an interview conducted five years prior, during which Kovač discussed his career, personal habits, and relationship with his audience while staying in Strožanac near Split. In the interview, the singer reflects on his 57-year career, noting he has sold over 20 million records, and emphasizes his commitment to authenticity by performing alone on stage without dancers or elaborate staging. He explains that his recent work involves creating new video versions of classic hits specifically because his fans love them, asserting that the audience created him and remains his primary motivation. The piece highlights his down-to-earth demeanor, describing his daily routine of enjoying fresh figs, coffee, and the Mediterranean climate alongside his wife Lidija and their dog.
Bias read (Center): The article focuses entirely on cultural commemoration and personal anecdotes regarding a musician's legacy, containing no political arguments, policy debates, or partisan framing.
The article announces a farewell event for the late Croatian singer Mate 'Mišo' Kovač, who was born in Šibenik in 1941 but lived in Split. Friends, colleagues, and citizens have organized gatherings across the country to honor his memory, including a specific event in Šibenik scheduled for Monday, November 2, at 5 PM in the square between St. James Cathedral and the City Hall. The piece includes a social media call inviting musicians and residents to join in singing his songs as a final tribute. It notes that candles were lit outside his former home in Šibenik and mentions that another farewell ceremony is planned at the Poljud stadium in Split. The article concludes by stating that Kovač will be buried next to his son Edi at the Mirogoj cemetery in Zagreb.
Bias read (Center): The article reports on a cultural figure's death and funeral arrangements using neutral, respectful language typical of obituaries, with no political framing or controversial policy implications.
Following the death of legendary Croatian singer Mišo Kovač at age 86 on October 31, the Clinical Hospital Center Split issued a statement denying reports that he had been hospitalized there. The hospital clarified that Kovač did not die in their facility nor was he admitted for medical treatment during the day, contradicting earlier media claims. Initial reports suggested he had been taken to a hospital before passing away at his home in Podstrani, but the specific institution involved remains unconfirmed by this statement. His longtime manager, Ivica Bubalo, previously stated that Kovač felt unwell and died after a hospital stay, though the exact location of that care has not been officially verified beyond the denial from Split.
Bias read (Center): The article neutrally reports conflicting information regarding the circumstances of a celebrity's death, citing both the hospital's denial and previous statements from associates without taking a side.
The city of Split plans to hold a final farewell ceremony for the late Croatian singer Miso Kovac at the Poljud stadium. This location was chosen because it hosted his famous 1993 concert titled 'Night of Candles,' which gathered over 40,000 people and honored his deceased son Edie along with fallen Croatian defenders. Long-time manager Ivica Bubalo confirmed the venue selection to Jutarnji list, noting that local musicians believe this site is appropriate for Dalmatia to say goodbye to the legend. Kovac passed away after being discharged from a hospital where he had gone due to feeling unwell earlier in the week. He will be buried in Zagreb next to his son, while another memorial event is scheduled for Monday in front of the Sibenik Cathedral.
Bias read (Center): The article focuses entirely on cultural mourning and biographical details regarding a musician's death, using neutral language and citing personal associates rather than political actors.
Croatian Minister of Culture and Media Nina Obuljen Koržinek issued a statement expressing condolences following the death of singer Mate 'Mišo' Kovač. She described his passing as the symbolic end of a brilliant era in the Croatian entertainment music scene, highlighting his unique talent, charismatic stage presence, and ability to connect with audiences through emotion and authenticity. The minister noted that Kovač recorded over 30 albums and sold more than 20 million records, achieving sales milestones unmatched by other artists in Croatia. Her remarks acknowledged his personal tragedy involving the loss of his son, stating that music and public affection helped him recover. The statement concluded by emphasizing how Kovač’s songs connected Croatian communities both domestically and among diaspora populations abroad.
Bias read (Center): The article reports a standard official condolence statement regarding a cultural figure, using respectful but non-partisan language typical of such announcements.
The article reports on the widespread social media tributes paid by fellow musicians following the death of Croatian singer Misa Kovac. It notes that his songs have marked the lives of several generations and that he is viewed as a phenomenon that transcended standard music genres. Specific artists mentioned who shared their memories include Sandi Cenov, Josko Cagalj Jole, and Goran Karan. The piece highlights that these figures described him as more than just a star, emphasizing his significant cultural impact. The report serves as a brief overview of the immediate artistic reaction to his passing.
Bias read (Center): The article covers a cultural event regarding a musician's death using neutral, respectful language and lacks any political framing or controversial policy elements.
Croatian singer Misa Kovac has died, reportedly passing away in his sleep at his home in Podstran where he lived with his wife Lidija. His longtime manager, Ivica Bubalo, confirmed that the city of Split plans to hold a final farewell ceremony for the artist at the Poljud stadium. This venue holds historical significance for Kovac, who performed a major concert there in 1993 dedicated to his late son and fallen soldiers. While the specific date for the Split event was not detailed in the report, the city mayor stated that efforts would be made to demonstrate the local community's affection for the musician. Kovac is scheduled to be buried in Zagreb next to his son, while a separate memorial service is planned for Monday in Sibenic.
Bias read (Center): The article focuses exclusively on cultural mourning and logistical arrangements for a music icon's death, using respectful and celebratory language typical of obituaries without engaging in political debate or partisan framing.
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