He had a brilliant career, and he only received the Porin award in 2012. Of course, he commented on it in his own unique style.
This article profiles the career of Croatian singer Mišo Kovač, highlighting his late recognition with the Poreč Award in 2012 despite a decades-long history of commercial success. It traces his origins to 1964, when producer Pero Gotovac discovered him through sevdalinka singer Himo Polovina and signed him to the Jugoton record label. Although his initial sales were modest compared to contemporaries like Ivica Šerfezija, Kovač achieved major breakthrough status after winning the Sarajevo festival 'Vaš šlager sezone' in 1969 with the song 'Više se nećeš vratiti.' The piece emphasizes his prolific partnership with composer Đorđe Novković, noting that their collaboration produced numerous chart-topping hits until Novković's death in 2007. Kovač is quoted describing Novković as the greatest composer in the region, while the article notes that Kovač typically comments on such accolades in his characteristic style.
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Croatia bid farewell to legendary singer Mato 'Mišo' Kovač, with tens of thousands attending his funeral procession across Dalmatian cities including Split, Trogir, and Zadar. Singer Maja Šuput shared previously unseen private photographs on her Instagram story, depicting Kovač sitting with her late father, Boris Šuput, who passed away eight years ago. In her tribute, Šuput described herself as a lifelong fan who knew Kovač both professionally and personally, expressing deep sadness over the loss of one of Croatia's greatest artists. She emphasized that while she was heartbroken as a colleague, she felt the pain most acutely as the young girl who grew up listening to his music. The article highlights the widespread public mourning and the personal connection between two prominent figures in Croatian music history.
Bias read (Center): The article reports on a cultural figure's death and shares personal tributes without engaging in political debate or using partisan framing.
Croatian singer Maja Šuput shared a nostalgic family photograph on Instagram featuring her late father, Boris Šuput, alongside the recently deceased music legend Mišo Kovač. This post occurred during a period when thousands of fans gathered at the Poljud stadium in Split for a large-scale musical farewell ceremony honoring Kovač. The article notes that many other celebrities have similarly shared memories and tributes to Kovač on social media platforms following his death. It highlights that Kovač’s decades-long career produced numerous hits that remain integral to Croatian music history, such as 'Ostala si uvijek ista' and 'Poljubi zemlju'. The piece emphasizes the emotional connection between the artist and the public, describing the stadium event as a moment where generations reflected on his legacy.
Bias read (Center): The article uses neutral, respectful language to report on a cultural tribute and celebrity social media activity, lacking any political framing or controversial elements.
More than 30,000 people gathered at the Poljud stadium in Split to bid farewell to Croatian music legend Mišo Kovač. The event was characterized by loud singing, torches, and strong emotional displays, which the article describes as typical of Dalmatian culture. The coffin made a final lap around the stadium track while fans sang popular songs such as 'Poljubi zemlju' and 'Samo nas nebo rastavit može.' Fans of the local football club Hajduk Split played a significant role, raising scarves and chanting traditional supporter songs like 'Kada umrem umotan u bilo.' A prayer service was held under the north stand before the funeral procession continued along the coast toward his hometown of Šibenik.
Bias read (Center): The article focuses entirely on cultural mourning and fan traditions within a sports venue, using celebratory and nostalgic language rather than political commentary.
The city of Šibenik held two consecutive evening ceremonies to bid farewell to the late Croatian pop star Mišo Kovač. On Monday, thousands of citizens gathered in the square between the Cathedral and City Hall to sing his hits and honor their fellow citizen. On Tuesday night, the hearse carrying Kovač’s body passed through the streets of his birthplace en route from Split to Zagreb. Residents lined the route from Vidik to the Health Center with lit candles and lanterns to create a symbolic corridor of light. The procession stopped briefly at the central Poljana square, where hundreds of people sang and applauded before the vehicle continued its journey. This event marked the final time Kovač traveled through his hometown, passing near his childhood home and former workplace.
Bias read (Center): The article focuses entirely on cultural mourning and community sentiment regarding a music icon, using emotional but non-political language without referencing any political figures or policies.
This article reports on a large-scale musical farewell ceremony held at the Poljud stadium in Split for the late Croatian singer Mišo Kovač. The event was organized by HNK Hajduk, the Torcida fan club, and the Croatian Music Union, distributing approximately 34,000 free tickets to fans. The piece features interviews with several attendees who described their lifelong connection to Kovač’s music, noting that his songs accompanied major life milestones such as weddings, births, and funerals. Various colleagues, including Dražen Zečić, Mladen Grdović, and Giuliano, performed during the tribute, which concluded with a hearse carrying Kovač’s coffin driving around the stadium track. The report confirms that Kovač will be buried at the Mirogoj cemetery in Zagreb on Wednesday, November 4th.
Bias read (Center): The article focuses exclusively on cultural mourning and personal anecdotes regarding a musician's legacy, containing no political arguments, policy debates, or partisan framing.
The city of Šibenik held two consecutive evening ceremonies to bid farewell to the late Croatian pop star Mišo Kovač. On Monday, thousands of citizens gathered in the square between the Cathedral of St. James and the City Hall to sing and honor their fellow citizen, marking a rare large-scale public assembly since 1983. On Tuesday night, the funeral procession traveled through the city streets, passing within hundreds of meters of his childhood home in the Varoš district. Residents lined the route with lit candles and lanterns to create a symbolic corridor of light for the hearse. The vehicle paused briefly at the central Poljana square, where several hundred people sang popular songs associated with Kovač before continuing the journey toward Zagreb.
Bias read (Center): The article focuses entirely on cultural mourning and community sentiment regarding a music icon, using celebratory and respectful language without any political commentary or partisan framing.
Croatian Prime Minister Andrej Plenković posted on social media praising the dignified farewell concert held at the Poljud stadium in Split for late singer Miša Kovač. He described the event as a moment of pride and emotion where thousands of fans bid their final goodbye to the music legend. Plenković highlighted Kovač’s impact on generations and his status as an integral part of Dalmatian and Croatian identity. The former pop star died on Saturday in Podstrana at the age of 86 after a six-decade career. During the Tuesday afternoon ceremony, tens of thousands of attendees and fellow musicians performed Kovač’s songs in his honor. The Prime Minister also shared personal anecdotes about his favorite tracks by the artist.
Bias read (Center): The article reports on a cultural tribute and quotes a politician's respectful remarks regarding a deceased musician, containing no partisan conflict or ideological framing.
Croatian Prime Minister Andrej Plenković posted on social media praising the dignified farewell concert held at the Poljud stadium in Split for late music legend Mišo Kovač. The Prime Minister described the event as a moment of pride and emotion where thousands of fans bid their final goodbye to the artist who passed away at age 86. He highlighted Kovač’s significant impact on Croatian identity and culture, noting that his work transcended mere entertainment. During a separate statement to journalists, Plenković shared his personal favorite songs by Kovač, emphasizing the singer's deep connection to Dalmatia. The article notes that Kovač’s six-decade career influenced multiple generations and that his music remains a vital part of the nation's cultural heritage.
Bias read (Center): The article neutrally reports the Prime Minister's public tribute and quotes his statements without adding critical commentary or partisan framing.
A farewell ceremony and commemorative concert were held at the Poljud stadium in Split to honor the late musician Miša Kovač, who passed away on October 31. Thousands of fans filled the stands to sing his hits, while his widow, Lidija Kovač, attended the event accompanied by family members. The article describes her emotional reaction, noting that she broke down in tears as the hearse carrying the coffin drove past the stadium. Several prominent Croatian musicians, including Dražen Zečić, Alen Nižetić, and Joško Čagalj, performed Kovač’s greatest hits during the tribute. The piece provides background on the couple’s relationship, stating they met in 1998 and married in 2002 after Kovač had previously lost his son and ended a prior marriage. It includes quotes from Kovač praising his wife’s support and their spiritual connection, highlighting her role as his main pillar during difficult times.
Bias read (Center): The article covers a cultural memorial event using neutral, descriptive language focused on personal grief and artistic tribute, devoid of political framing or controversial policy angles.
The city of Split organized a grand farewell ceremony for the late singer Miša Kovač at the Poljud stadium, which was broadcast live by N1 television. The event was coordinated by the City of Split, HNK Hajduk, and the Croatian Music Union, featuring performances by friends such as Giuliano, Klapa Rišpet, and Mladen Grdović. Prime Minister Andrej Plenković attended the tribute, describing Kovač as a fundamental part of Croatia's identity and noting his massive record sales. Fans displayed banners honoring the artist, while the ceremony concluded with a prayer led by a local priest. A private funeral service for Kovač is scheduled to take place at Mirogoj Cemetery.
Bias read (Center): The article uses reverent but standard journalistic language to describe a cultural tribute, balancing the presence of a political figure with the focus on musical performance and community mourning.
Croatian Prime Minister Andrej Plenković attended the farewell ceremony for singer Mišo Kovač at Poljud stadium, sitting next to the late artist’s widow, Lidija. In an interview with RTL, Plenković described Kovač as a central figure in Croatian identity and noted his status as the best-selling musician in the country. He shared a personal childhood memory of seeing Kovač in Tučepims, recalling how the singer’s style influenced local fashion trends during the 1970s. The Prime Minister praised Kovač’s ability to connect with the public through his music and highlighted specific songs that resonate deeply with the nation. Plenković also commented on the government’s decision to declare a day of national mourning, comparing it to previous tributes for other cultural icons like Oliver Dragojević.
Bias read (Center): The article reports on a state official’s tribute to a deceased cultural icon using neutral, descriptive language without critical commentary or partisan framing.
The article reports on the emotional farewell ceremony held at the Poljud stadium in Split for the late Croatian musician Mišin. Fans gathered in the stands sang along to the song 'Only Heaven Can Separate Us' as his coffin was carried out of the venue. Performers joined the audience on stage, contributing to the collective singing during the tribute. Witnesses noted visible tears among the fans, highlighting the deep emotional impact of the event. The piece concludes by stating that the Croatian music scene has lost another major figure.
Bias read (Center): The article covers a cultural mourning event with purely descriptive language regarding the crowd's emotions and musical tributes, lacking any political framing or contested policy elements.
The article reports on the emotional farewell ceremony held at the Poljud stadium in Split for the late Croatian singer Mate 'Miša' Kovač. Fans filled the stands singing his hits while his coffin was driven past the tribines, accompanied by religious rites led by Father Ivan Utješinović. Prominent musicians including Mladen Grdović, Dražen Zečić, and Jole performed tribute songs, expressing their grief and admiration for Kovač's legacy. Lidija Kovač, the deceased's widow, attended the event wearing her husband's signature sunglasses, alongside Prime Minister Andrej Plenković who observed from a VIP box. The Torcida ultras displayed a banner honoring Kovač, and the atmosphere was described as deeply moving, with many attendees visibly crying during the performance of his ballads.
Bias read (Center): The article focuses entirely on the cultural mourning of a music icon, using descriptive language for the crowd's emotions rather than political commentary, despite the incidental mention of a political figure attending.
This article revisits a video from August 2016 showing then-newly appointed HDZ leader Andrej Plenković singing a song by Mišo Kovač during a campaign event on the island of Hvar. The piece notes that this moment occurred shortly after Kovač’s death on October 31, 2025, at age 86. It includes recent statements from Prime Minister Plenković mourning Kovač, describing him as a legend and icon of Croatian music whose work has become part of the national cultural heritage. The article highlights Plenković’s personal connection to Hvar through his family roots and quotes his remarks emphasizing Kovač’s symbolic role in fostering community pride and identity.
Bias read (Center): The article neutrally juxtaposes archival footage of a politician with current official condolences, using direct quotes without editorial judgment or critical framing.
Vojmir Roša, the longtime drummer for Croatian singer Mišo Kovač, shared personal memories of their nearly decade-long collaboration in an interview. He described Kovač as a unique artist deeply connected to his audience and his hometown of Šibenik, firmly rejecting claims that the star disliked his city. Roša highlighted the profound impact of the death of Kovač’s son, Edo, stating that the tragedy fundamentally altered the singer’s personality and vocal performance. He noted that Kovač became increasingly isolated in his final years, withdrawing from social interactions due to health issues and personal circumstances. The former band member expressed regret over this withdrawal but remembered Kovač as a charismatic, stubborn, and accessible individual who prioritized his fans above all else.
Bias read (Center): The article focuses entirely on personal anecdotes and musical legacy regarding a cultural figure, containing no political arguments, policy debates, or partisan framing.
This article reports on a special episode of the Croatian Radio Television show 'Otvoreno' dedicated to remembering the late singer Mišo Kovač. Long-time collaborators and friends, including Tomislav Mrduljaš and Želimir Babogredac, discussed his career, charisma, and unique connection with audiences across generations. They highlighted his professional preparation, his uncompromising personality, and his ability to convey pure emotion, which distinguished him from other performers. The piece notes that Kovač sold over 20 million records during his career and maintained strong ties to his roots in Split and Dalmatia. His legacy is described as transcending music itself, cementing his status as a national legend who remained faithful to his fans.
Bias read (Center): The article covers a cultural tribute to a deceased musician using purely celebratory and nostalgic language, lacking any political controversy or partisan framing.
This article explores the deep cultural bond between legendary singer Mišo Kovač and the football club Hajduk Split, noting that his music has become an integral part of the team's fan tradition. Composer and Croatian Music Union deputy president Tomislav Mrduljaš discusses this relationship in an interview on the HRT program 'Otvoreno,' highlighting how Kovač was embraced by Split fans despite being originally from Šibenik. Mrduljaš attributes this connection to the emotional resonance of Kovač's lyrics and the shared temperament between the artist and the city of Split. The piece references Kovač's early career milestone, his 1971 performance at the Split Festival, and his philosophy that his audience serves as his backing vocals. It concludes by describing how concerts often evolved into collective singing experiences, mirroring the atmosphere found at the Poljud stadium.
Bias read (Center): The article presents a nostalgic cultural profile using single-source interviews without controversial political angles or biased framing.
Croatian singer Mišo Kovač has died, prompting the government to declare a national day of mourning similar to those held for other cultural icons like Oliver Dragojević and Ćiro Blažević. Described as a charismatic icon of Dalmatia who sold over 20 million albums, Kovač famously donated his earnings to fund the construction of the Zagreb-Split highway. His final farewell ceremony is being organized by Hajduk football club, the Torcida fan group, and the Croatian Music Union, featuring performances by prominent artists such as Giuliano and Dražen Zečić. The event will take place at the Poljud stadium in Split before his coffin travels to Šibenik and Zadar, while flags across the country will fly at half-mast.
Bias read (Center): The article uses reverent, celebratory language typical of obituaries but presents factual information regarding the death and funeral arrangements without taking a stance on any political issue.
This article reports on a tribute program titled 'Otvoreno' dedicated to the late Croatian singer Mišo Kovač, describing him as one of the country's greatest musical figures who sold over 20 million records. The piece highlights his unique cultural status, noting that while many singers were popular, he was considered an 'idol of the masses' due to his deep connection with fans and his association with the football club Hajduk Split. Contributors including composer Dušan Šarac and producer Siniša Škarica discuss their decades-long collaborations, emphasizing Kovač's selective approach to lyrics and his independent artistic identity. The report also mentions a recent emotional farewell event in his hometown of Šibenik, where local musicians gathered to honor his legacy.
Bias read (Center): The article focuses entirely on cultural heritage and personal anecdotes regarding a musician's career, containing no political arguments, policy debates, or partisan framing.
The city of Šibenik held an emotional farewell ceremony for the late Croatian singer Mišo Kovač, who passed away recently. Citizens gathered in a central square between the cathedral and the town hall to sing his timeless hits, paying tribute to a figure who significantly shaped Croatia's musical history. The song 'Ako me ostaviš' resonated particularly strongly during the event, with lyrics about love and loss taking on new meaning in the context of his death. Released in 1986, this ballada was composed by Đorđe Novković and became one of Kovač's most recognizable tracks over his six-decade career. In 2021, a new music video for the song featured both Kovač and his wife Lidija, adding a layer of personal symbolism to the track's themes of enduring love.
Bias read (Center): The article focuses entirely on cultural mourning and biographical details regarding a musician, containing no political arguments, policy debates, or partisan framing.
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