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IndiaCulture3 days ago

Horror fiction: As hauntings intensify in a haveli, the legend of a cursed queen starts to feel real

The article introduces three characters—Maanas, Samika, and Nivaan—who are traveling to the Aravalli region. The narrative begins with their journey from Jaipur, highlighting differences in their personalities and backgrounds. Maanas is described as more outdoorsy and pragmatic, while Samika is portrayed as curious and introverted. The setting suggests an impending supernatural experience, hinted at by references to 'hauntings' and a 'cursed queen.'

Maanas drove his jeep. Samika sat next to him, while Nivaan made himself comfortable in the backseat. The bags were dumped at the back of the vehicle. It was barely 7 am, yet the mid-May sun had already begun throwing fire. The wind hitting their faces did nothing to allay the rising feverish warmth in the air. Maanas reassured them that it would be better once they left the Jaipur city limits and got on the national highway that led to the Aravallis.

Pleasantries were set aside quickly. The comparisons of the cousins’ lives in Jaipur and Delhi were dispensed with, each party thinking that their city was leagues ahead of the other. The conversation would have gained some debating heat if the cousins knew each other better, but their unfamiliarity proved advantageous, and things didn’t escalate to conflicting arguments. But their lack of familiarity had its flipside too – their conversations fizzled out rather quickly.

There was also the question of their ages – at 26, Maanas was six years older than Samika. Plus, their interests were poles apart. While Samika was the studious, introverted kind, Maanas was outdoorsy. Samika’s interests went way beyond what was shoved in front of her eyes; she had the curiosity to explore and find out about things. Maanas, on the other hand, relied on learning only what was needed. Samika wasn’t surprised that her royal cousin didn’t know half the things she spoke about – not many did – but she didn’t expect him to be so reticent and, in fact, boring.

If this had been a date, Samika would have walked away by now, citing some excuse. But this was family; it had to be endured.

Soon Nivaan went back to his phone, muttering something about making the most of it till it had network, and Maanas focused on driving, with old romantic songs blaring on the jeep’s radio. Samika now had time to think and contemplate; she could not recollect the last time she had been on a trip outside the city.

“The haveli, Maanas,” she said, breaking the silence between them, “tell me about it.”

“It’s a haveli like a haveli.” Maanas lowered the volume of the radio and laughed. “Endless rooms and windows, the smell of dust and damp everywhere. Quaint, maybe not suitable for your modern tastes. The wires are old, the switches are those round push-up-push-down ones, the metal bathtubs and faucets are all ancient. There’s a lot of art everywhere – statues and paintings and all of that.”

“Art…art is nice,” Samika said. It was a sufficient answer to the question, or a good description, rather. But there was no soul in it. Samika had had enough experiences with Nivaan who needed everything to be spelt out explicitly. Maanas seemed to be an older version of Nivaan.

“I have also heard some nasty stuff about it,” she said. Maanas’s cheer deflated like a balloon. Samika observed his profile as he stroked his fashionably manicured beard, as if deciding on a response. “What have you heard?”

Samika chose her words carefully. “There’s talk about an ancient queen who is still in the haveli.” In the mirror, she noticed that Nivaan had fallen asleep.

Maanas’s eyes narrowed for a moment, but otherwise he did not flinch. “Yes, I know. I have heard those stories. There are tons of websites mentioning our haveli as a haunted location, some even listing it among the top ten haunted havelis in India. But, let me put it this way,” he said, his eyes on the road. “I’ll be happy to see the haveli get converted into money.”

“So you believe the legend is true…”

“Over the past year, Papa has been sending me to Samantipur often,” Maanas said. “He was hesitant initially, but since the offer for the haveli’s purchase came along, he has become more casual about it.”

“What happens at the haveli, Maanas? I don’t believe in ghosts, so you may feel free to tell me.”

Maanas’s face darkened. For a moment, he lost control of the steering wheel. Struggling to bring the jeep back in control, he said, “I don’t know what to tell you. I mean, you shouldn’t be hearing this from me.”

“Hearing what?”

The atmosphere turned deathly silent as Maanas uttered in his slow, calculated baritone, “The Maharani is very much in the haveli; that much I can tell you.”

Samika realised that she had stayed silent too long.

His pronouncement shook her; it made things all the more real. “What do you know about it?” she said, shaking herself out of her stupor.

“Okay, it’s a long drive, and since we are headed there anyway, I better tell you about it. I don’t want to scare you unduly but consider it a fair warning. Things are going to happen at the haveli. Weird things. It’s better you be prepared.”

Samika couldn’t say if her cousin was scaring her silly or simply stating the truth. “Tell me then,” she said. She turned slightly to face Maanas, loosening her seatbelt a bit.

Maanas kept his eyes firmly on the road ahead and began.

“Our great-grandfather, Maharana Ambuj Pratap Ruhera, ruled Samantipur in the 1920s. Samantipur was an independent princely state then, its gover…

Read the full article at Scroll.in

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Scroll.inIndependentCenter3 days ago
Horror fiction: As hauntings intensify in a haveli, the legend of a cursed queen starts to feel real

The article introduces three characters—Maanas, Samika, and Nivaan—who are traveling to the Aravalli region. The narrative begins with their journey from Jaipur, highlighting differences in their personalities and backgrounds. Maanas is described as more outdoorsy and pragmatic, while Samika is portrayed as curious and introverted. The setting suggests an impending supernatural experience, hinted at by references to 'hauntings' and a 'cursed queen.'

Bias read (Center): The article is a fictional narrative with no explicit political content or commentary. It focuses on character development and setting without taking a stance on any political issue.