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SloveniaCulture15 days ago

321: Zdenko Matoz (Work) We live in a time of struggle for attention

The article introduces Zdenko Matoz, a journalist and cultural chronicler at the newspaper Delo, who has been covering music, concerts, and interviews throughout his career. It highlights his role as a music journalist and mentions topics such as concert accessibility, ticket prices, and the presence of artists like Chris Eckman in Slovenian commercial radio. The text also promotes an episode of the podcast 'Metin Čaj,' which discusses media practices, technology trends, and features guests from the media industry.

Na prvi pogled je Zdenko Matoz “zgolj” glasbeni novinar. Večina njegovega medijskega dela se vrti okoli glasbe, koncertov in intervjujev. A morda bi ga bilo pravičneje opisati kot kronista slovenske glasbe. Panker po duši se počuti doma v številnih glasbenih zvrsteh. Njegov domači seznam predvajanja glasbe traja tedne ali celo mesece dolgo. Dolga pa je tudi njegova kariera pri časniku Delo, saj je član njegove ekipe že od samega začetka svoje poklicne poti.

Kam se gre v Sloveniji na koncert? So vstopnice predrage in koncerti prekratki? Kdo je Chris Eckman in zakaj se je na slovenskih komercialnih radijskih postajah praktično nemogoče pogovarjati o glasbi.

#MetinČaj S13E20

Podcast: Play in new window | Download (Duration: 57:23 — 26.3MB)

ZDENKO MATOZ – Novinar, pisatelj, kronist in član kulturne redakcije časnika Delo. Glasbenega novinarstva se je oprijel zato, ker je želel zastonj vstopnice na koncerte.

Metin čaj  je podkast o medijih, dobrih in slabih praksah, novih tehnologijah in trendih prihodnosti. Gostje v medijih delajo, z njimi živijo in o njih razmišljajo.

Gostitelja sta  Nataša Briški  (Metina lista) in  Aljaž Pengov Bitenc (pengovsky.com). Komentarji in predlogi dobrodošli tudi na info@metinalista.si. #MetinČaj

Read the full article at Metina lista

1 reports

Metina listaIndependentCenter15 days ago
321: Zdenko Matoz (Work) We live in a time of struggle for attention

The article introduces Zdenko Matoz, a journalist and cultural chronicler at the newspaper Delo, who has been covering music, concerts, and interviews throughout his career. It highlights his role as a music journalist and mentions topics such as concert accessibility, ticket prices, and the presence of artists like Chris Eckman in Slovenian commercial radio. The text also promotes an episode of the podcast 'Metin Čaj,' which discusses media practices, technology trends, and features guests from the media industry.

Bias read (Center): The article focuses on cultural journalism and does not present any overtly political stance or controversial framing. It provides factual information about Zdenko Matoz's professional background and work without taking a position on political issues.