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When the menace helps fill the blank canvas
Slovenia🎭 Culture8 days ago

When the menace helps fill the blank canvas

The article describes the eighth edition of the international painting gathering 'Fecit' held at the municipal gallery Fonticus in Grožnjan, Istria, Slovenia, during July. Eleven artists from Serbia, Slovenia, Croatia, and the Štěrže Mountains participated, creating nine paintings, two sculptures, and other works. The event was attended by various cultural figures, including mayor Claudio Stocovaz, who praised Grožnjan’s continued status as an artistic city. The event also highlighted the town’s rich cultural heritage through art and music, including the International Cultural Center of Croatian Youth Music and festivals like Jazz is Back!. Curator Eugen Borkovsky emphasized the tradition-building aspect of Fecit, noting the collaborative spirit among participants. Selector Ivan Perić noted that fewer artists joined this year, but they had more time to engage and create, resulting in high-quality artworks.

In late July, the town of Grožnjan on the Istrian peninsula hosted its eighth international painting gathering known as Fecit. The event took place at the municipal gallery Fonticus, where eleven artists from Serbia, Slovenia, Croatia, and Montenegro, nine painters and sculptors, created new works over the course of seven days. Their completed pieces will remain on display until next week. The gathering brought together artists of different generations, all tasked with drawing inspiration from Grožnjan’s artistic legacy and either completing or creating entirely new artworks during their stay. The tradition of Grožnjan as an artist's haven dates back to 1965, according to Mayor Claudio Stocovaz, who spoke at the exhibition opening last Wednesday. He highlighted how the town has maintained its identity as a small summer capital of universal art despite political changes over time. This has been largely due to visual arts, but also music, including the International Cultural Centre for Croatian Youth, which has operated since 1969. Additionally, the annual Jazz is Back! festival, first organized in 1999 by renowned Croatian musician Boško Petrović, and other major cultural events such as the autumn Ex Tempore festival have contributed to Grožnjan’s reputation. Eugen Borkovsky, curator of the Fonticus Gallery and art critic, noted at the opening that the tradition continues through the desire to create new cultural achievements. With this year’s gathering marking the eighth consecutive event, the Fecit meetings have brought together 71 artists from six former Yugoslav countries since 2018, producing a total of 125 artworks. Among the participants were Jernej Forbici, Edita Kadirić, Saša Marjanović, Jovanka Mladenović, Maja Obradović, Ivan Gračner, Marijana Rakićević, Milena Vukoslavović, Jovana Tucović Borovac, Teo Kiš, and Luisa Pascu. Ivan Perić, selector and collector, mentioned that fewer artists attended compared to previous years, but this did not affect the quality of the event. He observed that the smaller group allowed more time for interaction and collaboration among the artists, resulting in excellent artistic output. Nine paintings and two sculptures were presented, some using more realistic approaches. The presence of younger artists added energy to the gathering. The Milan Tucović Award, named after one of the event’s founders and given annually since 2021, was awarded this year to Montenegrin artist Milena Vukoslavović. She received the award based on her peers' votes, with Jovanka Mladenović taking second place and Jovana Tucović Borovac third. Milena Vukoslavović, attending the event for the first time and visiting Grožnjan for the first time, described the experience of meeting new friends and being inspired by the town itself, Istria, and the studio work. She had already completed approximately 80% of her painting before arriving and finished it within three to four days. Similarly, Jovanka Mladenović shared her first-time experience at Fecit, highlighting the unique atmosphere and creative opportunities offered by the event.

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3 reports

RTV Slovenija (MMC) logoRTV Slovenija (MMC)State / PublicCenterFactual 85Objective 7811 days ago
K lur from Luft: Art That Once Shocked the Viewer, Now Shocks the Artist

The article reports on an art exhibition titled 'K’r iz lufta' by local artist Jurij Cvitan, showcasing his 20-year career in visual arts. The exhibition, held at the Gallery of Contemporary Art in Celje, features key paintings that blend personal and social critique with unconventional approaches to the medium of painting. Cvitan discusses his artistic journey, noting a shift from shocking viewers in his youth to now surprising himself through his creative process. He emphasizes the importance of experimentation and self-discovery in his work. The exhibition also includes recent works created since 2022, marking the beginning of a new phase in his artistic development characterized by a radical turn towards abstraction and color.

Bias read (Center): The article focuses on an art exhibition and the career of a local artist, which does not involve politically charged topics such as government, elections, or public policy. Therefore, the framing is neutral and balanced, resulting in a center lean.

Why factuality (85): The article provides a detailed description of an art exhibition featuring Jure Cvitan's work, including his artistic approach and recent projects. It cites the artist directly, quoting him about his intent to shock viewers and his current focus on self-surprise. The information aligns with typical

Why objectivity (78): The tone remains informative and descriptive, focusing on the artist's background and creative process. While it presents the artist's statements as direct quotes, it does not introduce any overt bias or emotional language. However, the emphasis on the 'shocking' nature of the art may subtly frame t

Delo logoDeloIndependent🔒CenterFactual 85Objective 7213 days ago
When the menace helps fill the blank canvas

The article describes the eighth edition of the international painting gathering 'Fecit' held at the municipal gallery Fonticus in Grožnjan, Istria, Slovenia, during July. Eleven artists from Serbia, Slovenia, Croatia, and the Štěrže Mountains participated, creating nine paintings, two sculptures, and other works. The event was attended by various cultural figures, including mayor Claudio Stocovaz, who praised Grožnjan’s continued status as an artistic city. The event also highlighted the town’s rich cultural heritage through art and music, including the International Cultural Center of Croatian Youth Music and festivals like Jazz is Back!. Curator Eugen Borkovsky emphasized the tradition-building aspect of Fecit, noting the collaborative spirit among participants. Selector Ivan Perić noted that fewer artists joined this year, but they had more time to engage and create, resulting in high-quality artworks.

Bias read (Center): The article focuses on a cultural event with no political implications. It presents information about the Fecit gathering, the participating artists, and the cultural significance of Grožnjan without taking a partisan stance. The tone remains neutral, providing factual descriptions of the event and其

Why factuality (85): The article provides detailed information about the Fecit art gathering at the Fonticus Gallery in Grožnjan, including the number of artists involved, the duration of the event, and the types of artworks created. It references local officials and cultural events like the Jazz is Back! festival and E

Why objectivity (72): The article presents the event in a positive light, emphasizing the cultural significance of Grožnjan and the contributions of various artists. While informative, it uses emotionally charged language ('svetovna prestolnica', 'legendarni hrvaški glasbenik') and frames the city as a timeless artistic

Gorenjski glas logoGorenjski glasIndependentCenterFactual 65Objective 708 days ago
Between drawing, music and improvisation

The article discusses an art exhibition featuring the works of Slovenian artist Martin Ramoveš at the Galerija Prečna in Kranjska. The exhibition showcases his comic drawings and sketches, offering insight into his creative process. A four-meter charcoal drawing, created specifically for the exhibition, highlights his artistic approach, blending traditional methods with improvisation. Ramoveš explains that while comics require careful planning, he also enjoys spontaneous, free-form drawing. The exhibition includes sketches that provide a glimpse into the development of his comic strips, which often draw inspiration from his father's poetry and their shared experiences in the Poljanska Dolina region. The article emphasizes the connection between visual arts and music in Ramoveš’s work, noting his role as both a cartoonist and musician.

Bias read (Center): The article focuses on an art exhibition and does not address politically charged topics such as government, elections, or social policies. It provides a neutral description of the event, the artist's creative process, and his interdisciplinary work without taking a clear ideological stance.

Why factuality (65): The article provides factual information about an art exhibition featuring Martin Ramoveš's work at Galerija Prečna, including details about the exhibition's content, themes, and some artistic techniques. However, there is no primary source document to verify these claims directly, so the factuality

Why objectivity (70): The article presents the exhibition and artist's statements in a neutral manner, focusing on the artwork and creative process. It avoids taking sides or expressing strong personal opinions, maintaining a balanced tone throughout.

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