Godard, Ford and Baker

The re-release of Le Mepris (Le Despre) at the Cine Arte Normandie has been hailed as a cinematic milestone. The film, directed by Jean-Luc Godard and starring Michel Picolli and Brigitte Bardot, marks a rare return to theaters after six decades. It is considered one of Godard’s finest works, filmed when he was just 33 years old. The newly restored print corrects flaws present in earlier DVD versions, offering audiences a more authentic experience. Based on a novel by Alberto Moravia, the film explores the fragile dynamics of a marriage under strain. The protagonist, a screenwriter selling his work, possibly his soul, to an American producer determined to adapt The Odyssey, is married to a beautiful typist who feels her husband is gradually giving her away to the producer. He insists he loves her, yet their relationship is riddled with misunderstandings and emotional distance. Godard’s direction captures the vulnerability of human emotions, and Brigitte Bardot delivers what many believe to be one of her greatest performances. The film also features a memorable role played by Fritz Lang, a master of classical cinema, whose portrayal adds depth to the narrative. Filmed in the extraordinary home of Curzio Malaparte on the island of Capri, the setting enhances the story's romantic and tragic elements. Beyond its romantic plot, Le Mepris serves as a profound reflection on cinema itself, questioning the nature of artistic creation and personal sacrifice. Richard Ford, known for his literary contributions, has recently come to terms with the political dimensions of his novels. This realization came after the turn of the millennium, though he acknowledges having explored such themes since 1989. During a conversation in Hamburg, a young German man asked him whether a story he had just read could be classified as “social realism.” Ford initially dismissed the notion, claiming his work was entirely apolitical. However, this exchange sparked deeper contemplation, leading him to reconsider the broader impact of historical and public life on individual experiences. His new book, In Simple Words, edited by Feltrinelli, blends autobiography with literary analysis, offering insights into how fiction can reflect societal changes. Though some critics find the text occasionally confusing and densely referenced, Ford’s calm and sincere writing style makes the work accessible. Despite occasional lapses in clarity, his contribution to American literature remains undeniable, particularly through works like The Sportswriter and Incendios. Among Ford’s shorter works, collections such as Rock Spring, De Mujeres Con Hombres, and Pecados Sin Cuento have also received critical acclaim. Yet, In Simple Words does not quite match the stature of his earlier achievements. Meanwhile, a YouTuber has praised a recent horror film titled Obsession, describing it as a modest yet effective entry in the genre. The film, which focuses on teenage horror, has garnered attention for its atmospheric tension and relatable characters. While not a major release, it has found a niche audience among fans of independent cinema.