Alberto Lecchi: "It's easier to make a film than to manage a football club"

Alberto Lecchi, a veteran Argentine filmmaker known for directing movies such as Perdido por perdido, Nueces para el amor, and Apariencias, has found himself navigating another complex world: the presidency of Club Atlético Temperley. In an interview conducted at his office located along Avenida 9 de Julio in Temperley, Lecchi reflected on how managing a football club shares similarities with making films, though he admits the latter can sometimes feel simpler. Lecchi's journey into cinema began during a time of personal exploration. After graduating from high school in 1971, he experimented with different fields, including Economics and Sociology, before eventually finding his place in the arts. He exhibited paintings in Lomas de Zamora and Victoria, Entre Ríos, but felt disillusioned when his audience preferred works he did not personally value. This experience led him away from painting and toward cinema. His passion for film was ignited early on. As a teenager, he would sneak into movie theaters, often missing the opening credits, and later recount the stories to his classmates, adding endings he imagined. This deep interest in storytelling propelled him to seek formal training. He enrolled in a free course offered by the Museum of Cinema, where he listened to lectures by notable figures like Claudio España and Andrés José Rolando Fustiñana, better known as Roland. Despite initially being excluded from practical filming groups, Lecchi persisted, eventually earning the opportunity to direct a short film after demonstrating his dedication. Lecchi’s determination continued as he sought opportunities within the industry. Frustrated by the lack of response to his applications, he once stood in front of cars belonging to Productora Aries, refusing to let them depart until he could speak with directors Fernando Ayala and Héctor Olivera. His persistence paid off, leading to further opportunities in the field. Now, Lecchi balances his career in cinema with his role as president of Club Atlético Temperley, a position he inherited from his grandfather. He views both endeavors through similar lenses: leadership requires listening, persuasion, team-building, and decision-making. However, he acknowledges that running a sports club presents unique challenges that can surpass those faced in filmmaking. The conversation flowed effortlessly between the worlds of cinema and sports, touching upon themes ranging from artistic expression to community involvement. Lecchi discussed the enduring impact of certain films, as well as the transient nature of projects that fade once the cameras stop rolling. He emphasized the importance of legacy, both in his cinematic work and in the ongoing development of Temperley. Reflecting on his career, Lecchi highlighted the diverse range of roles he has undertaken, from directing feature films to working on television series such as Mujeres asesinas and Epitafios. Additionally, he has directed over thirty commercial shorts, showcasing his versatility and commitment to the craft. As he continues to lead Temperley, Lecchi remains focused on building a sustainable future for the club while maintaining his creative pursuits. The dual responsibilities have shaped his perspective, reinforcing the idea that whether one is behind the camera or on the field, the core principles of leadership remain consistent. Lecchi’s story illustrates the intersection of passion and perseverance, revealing how a life dedicated to storytelling can extend beyond the screen into the realm of sports management.