Photographer Boris Stajduhar: 'We have become more conservative as a society. I'm sorry that this has spread to art.Boris Štajduhar, jedan od najpoznatijih hrvatskih modnih i umjetničkih fotografa, razgovarao je uoči izložbe 'Golo tijelo/Naked Body', koja će se otvoriti 23. listopada u Oktogonu NMMU-a. U intervjuu je objasnio da je prihvatila ponudu za izložbu jer cijeni trud kolega koji vole izlagati, iako je ranije izjavio da ne voli izložbe zbog poteškoća u organizaciji. Izložba će uključivati fotografije Štajduhara, kao i radove drugih fotografa Rina Gropuzza i Almina Zrne. Tema izložbe su aktovi, a Štajduhar će prikazati miks poznatih i nepoznatih žena i muškaraca, sa crno-bijelim i nekoliko bojenih fotografija. Također je naglasio važnost povjerenja između fotografa i modela kao temelja dobre fotografije.
Bias read (Center): The article discusses an art exhibition featuring photographs by Boris Štajduhar and other photographers, focusing on artistic expression and creative process. There is no mention of politics, policy, or public figures, and the content remains focused on cultural and artistic themes without any slan
Today, in Zagreb, he celebrates his 99th birthday. It's obvious what her secret is...The article celebrates the 99th birthday of Slavka Pavić, a renowned photographer and cultural figure in Zagreb. It reflects on her vitality, artistic passion, and ongoing engagement with photography despite her age. Pavić continues to photograph daily, using both digital cameras and smartphones, capturing social scenes and changes in Zagreb’s urban landscape, particularly around Marulićev Trg where she has lived for decades. She emphasizes the importance of understanding and accepting people, and remains active in cultural events such as gallery openings. The piece highlights her enduring creativity, modesty, and deep connection to the city.
Bias read (Center): The article focuses on cultural themes, celebrating a prominent artist, her creative work, and her contributions to Zagreb’s cultural life. There is no political framing, discussion of policies, or mention of political figures. The tone is neutral and celebratory, focusing solely on Pavić’s personal,
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