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Spain🎭 Culture6 days ago

The restoration of the candelabra of the passage of the Christ of Love of Cordoba concludes

The restoration of the four golden tree-shaped candlesticks of the 'Santísimo Cristo del Amor' procession in Córdoba has been completed. The work was carried out by local artist José Antonio Cabello under the supervision of Inmaculada Páez. These candlesticks were created by Seville sculptor Manuel Guzmán Bejarano and gilded in the 1990s by the Manuel Calvo workshop using 23 3/4 karat gold. Over time and due to usage, the gilding had deteriorated, prompting the restoration. The process marks the first phase of an overall restoration project for the procession, which also faced significant conservation challenges.

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ABC (España) logoABC (España)IndependentCenterFactual 85Objective 786 days ago
The restoration of the candelabra of the passage of the Christ of Love of Cordoba concludes

The restoration of the four golden tree-shaped candlesticks of the 'Santísimo Cristo del Amor' procession in Córdoba has been completed. The work was carried out by local artist José Antonio Cabello under the supervision of Inmaculada Páez. These candlesticks were created by Seville sculptor Manuel Guzmán Bejarano and gilded in the 1990s by the Manuel Calvo workshop using 23 3/4 karat gold. Over time and due to usage, the gilding had deteriorated, prompting the restoration. The process marks the first phase of an overall restoration project for the procession, which also faced significant conservation challenges.

Bias read (Center): The article reports on the cultural and historical restoration of religious artifacts without any political commentary or framing. It presents factual information about the restoration process, the artisans involved, and the condition of the artifacts without taking a stance or showing bias.

Why factuality (85): The article provides detailed information about the restoration of the candelabras of the Paso del Cristo del Amor in Córdoba, mentioning the artist involved, the supervision by Inmaculada Páez, and the historical background of the candelabras' creation. It aligns with typical reporting on religious

Why objectivity (78): The article presents the restoration as a positive development, using terms like 'acaban de someterse a un proceso de restauración' and mentions the problems caused by time and usage. The tone is generally informative but slightly celebratory of the completion of the work, showing a mild preference

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