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NOCulture13 days ago

Renate Reinsve has beaten Timothée Chalamet

The article reports on box office earnings for several films over the weekend in the US. 'Scary Movie' topped the charts with $55 million, followed by 'Masters of the Universe' with $29.3 million. 'Backrooms,' which features Norwegian actress Renate Reinsve in a leading role, earned $25.9 million in its second week and has grossed $212 million globally so far. The article also notes that 'Backrooms' has become A24 Studios' highest-grossing film, surpassing previous records set by 'Marty Supreme,' which starred Timothée Chalamet.

«Scary Movie» toppet helgens kinobesøk i USA. På 2. plass fulgte «Masters of the Universe». Førstnevnte spilte inn 55 millioner dollar i USA, mens He-Man-filmen tjente 29,3 millioner i premierehelgen.

«Backrooms» med norske Renate Reinsve i en av hovedrollen toppet listen i forrige uke, men er fortsatt på pallen på en 3. plass. I USA spilte filmen inn 25,9 millioner dollar i sin andre helg.

The Hollywood Reporter melder at «Backrooms» har blitt den mest innbringende filmen noensinne for studioet A24. Forrige rekord hadde «Marty Supreme» med Timothée Chalamet i hovedrollen.

Globalt har Reinsve-filmen spilt inn 212 millioner dollar så langt.

Read the full article at NRK Nyheter →
Source document: The Hollywood Reporter

1 reports

NRK NyheterState / PublicCenter13 days ago
Renate Reinsve has beaten Timothée Chalamet

The article reports on box office earnings for several films over the weekend in the US. 'Scary Movie' topped the charts with $55 million, followed by 'Masters of the Universe' with $29.3 million. 'Backrooms,' which features Norwegian actress Renate Reinsve in a leading role, earned $25.9 million in its second week and has grossed $212 million globally so far. The article also notes that 'Backrooms' has become A24 Studios' highest-grossing film, surpassing previous records set by 'Marty Supreme,' which starred Timothée Chalamet.

Bias read (Center): The article provides factual information about movie box office performance without any apparent ideological framing or bias. It presents data objectively and does not take a stance on any political or social issue.

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