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"Nekaj" - zabavna filmska lekcija o empatiji
Austria⚽ Športpred 8 urami

"Nekaj" - zabavna filmska lekcija o empatiji

Avstrijski časopis Der Standard pregleduje nemški komedijski film "Das gewisse Etwas" v režiji Marca Rothemunda. Film sledi draguljarju po imenu Alex in njegovemu očetu, ki poskušajo ukrasti dragocene predmete, vendar končajo v poletnem kampu z invalidi. Skozi interakcije s temi liki Alex začne razvijati empatijo in samozavest.

A German comedy film titled Das gewisse Etwas has opened in theaters, offering a light-hearted yet thoughtful exploration of empathy through the lens of a group of young people with disabilities and a pair of jewel thieves. The film, directed by Marc Rothemund, is based on the French hit Qu'est-ce que c'est que d'être normal?, and stars Max von der Groeben as Alex, a thief who finds himself in a unique situation during a summer retreat. The story follows Alex, who has stolen valuable items from his father’s jewelry store. In an attempt to escape, he and his father, played by Florian Lukas, find themselves stranded after their getaway car is towed away by authorities. They discover that the group of people they had planned to meet, part of a summer camp organized by caregivers and residents of a care facility, is missing one member, Otto. Seeing an opportunity, Alex pretends to be Otto, while his father takes on the role of his guardian. During the journey to the summer retreat, Alex interacts with a diverse group of individuals living with disabilities. These interactions become pivotal as they challenge his initial perceptions and lead to personal growth. One particularly memorable scene occurs in the bathhouse, where Alex, pretending to be Otto, is confronted by Charlie, another resident. In a humorous yet poignant moment, Charlie accuses Alex of not being disabled, to which Alex responds with a fabricated claim of being “super disabled.” Charlie, however, quickly sees through the deception and playfully demands that Alex scrub his back, leading to a lighthearted yet revealing exchange. As the film progresses, Alex begins to experience a gradual transformation. His time with the group teaches him the value of honesty, self-expression, and emotional connection. Through shared activities such as shopping and playing football, rather than traditional therapeutic exercises, the characters develop a sense of camaraderie and mutual understanding. Each individual brings their own unique perspective and aspirations, whether it be becoming a superhero or idolizing a football star, highlighting the diversity within the group. The film's tone remains upbeat throughout, even as it delves into deeper themes of identity and acceptance. The characters' lives are neither romanticized nor diminished; instead, their experiences are portrayed with authenticity and respect. Their individuality is celebrated, and their challenges are acknowledged without overshadowing their strengths. The climax unfolds when the police arrive at the summer retreat, uncovering the presence of the two thieves. The situation leads to a courtroom appearance, where the resolution seems almost too perfect, akin to a holiday miracle. The film concludes with a series of happy endings, suggesting that even in unexpected circumstances, kindness and understanding can lead to positive change. The film has been well-received for its balance of humor and heart, offering audiences a fresh take on disability representation and interpersonal relationships. It serves as a reminder of the potential for human connection and growth, even in the most unlikely of settings.

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Der Standard logoDer StandardNeodvisenSredinapred 8 urami
"Nekaj" - zabavna filmska lekcija o empatiji

Avstrijski časopis Der Standard pregleduje nemški komedijski film "Das gewisse Etwas" v režiji Marca Rothemunda. Film sledi draguljarju po imenu Alex in njegovemu očetu, ki poskušajo ukrasti dragocene predmete, vendar končajo v poletnem kampu z invalidi. Skozi interakcije s temi liki Alex začne razvijati empatijo in samozavest.

Ocena pristranskosti (Sredina): Članek obravnava film in njegove tematske elemente, ki ne vključujejo politike, vlade ali javne politike.

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