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VIDEO: Why I dance to promote my movies — Funke Akindele
NG🏛️ PoliticaCentro9 h fa

VIDEO: Why I dance to promote my movies — Funke Akindele

Nollywood actress and filmmaker Funke Akindele explained that she began promoting her movies through dance videos due to financial constraints, as she couldn't afford a proper marketing budget for her film 'Battle on Buka Street.' In an interview with BellaNaija shared on X.com, she described how she used her home as a makeshift studio, with the help of her cinematographer and brother, to create promotional content by dancing repeatedly to the film's soundtrack. Akindele defended her approach against critics who dismissed her promotional style as trivial, emphasizing that it required significant effort and was part of her creative process. She also expressed concern over the working conditions of younger actors, noting signs of exhaustion and health issues similar to her early career, and pledged to support emerging talent by fostering opportunities for future generations of female filmmakers.

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VIDEO: Why I dance to promote my movies — Funke Akindele

Nollywood actress and filmmaker Funke Akindele explained that she began promoting her movies through dance videos due to financial constraints, as she couldn't afford a proper marketing budget for her film 'Battle on Buka Street.' In an interview with BellaNaija shared on X.com, she described how she used her home as a makeshift studio, with the help of her cinematographer and brother, to create promotional content by dancing repeatedly to the film's soundtrack. Akindele defended her approach against critics who dismissed her promotional style as trivial, emphasizing that it required significant effort and was part of her creative process. She also expressed concern over the working conditions of younger actors, noting signs of exhaustion and health issues similar to her early career, and pledged to support emerging talent by fostering opportunities for future generations of female filmmakers.

Lettura del bias (Centro): The article presents Akindele's personal narrative and professional challenges without overtly endorsing or criticizing specific political ideologies. While it touches on cultural and economic issues within the Nigerian entertainment industry, it does not frame the discussion in a politically biased

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