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Mariela Asensio, actriz, dramaturga y directora, presenta su nueva obra teatral titulada 'La generación cansada', que explora el impacto de la tecnología y la hiperconexión en la sociedad contemporánea. En la obra, Asensio aborda conceptos como el agotamiento físico y mental, la automatización, la pérdida de comunidad y la salud mental, destacando cómo la tecnología ha integrado su vida cotidiana. La producción utiliza elementos analógicos y se integra con inteligencia artificial, reflejando una crítica a la delegación excesiva de pensamiento y sensibilidad a sistemas automatizados.

Lettura del bias (Sinistra): The article frames the discussion around societal issues caused by technology and capitalism, emphasizing concerns about automation, hyperconnectivity, and their psychological effects. The critique leans toward a leftist perspective by highlighting systemic issues and questioning the delegation of '

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The article discusses the impact of social media during major events like the World Cup, arguing that constant connectivity fragments our attention and leads to anxiety and reduced emotional engagement. It highlights how the human brain is not designed to process multiple stimuli simultaneously, leading to issues such as FOMO (fear of missing out). The piece critiques the way social platforms transform live experiences into content to be consumed and reacted to instantly, which overstimulates the nervous system and diminishes rational thought. While acknowledging the value of social networks in connecting people, the author advocates for mindful usage and suggests strategies to combat FOMO by recognizing selective representation online and practicing JOMO (joy of missing out).

Lettura del bias (Centro): While the article touches on broader societal concerns related to technology and behavior, it does not take a clear ideological stance. It presents both the benefits and drawbacks of social media without overtly favoring either side. The tone remains balanced, focusing more on psychological and soci