Curiosità della settimana: "Horrible Habsburger" nel bunker e "Viennese Blood" nel castello.

Two new cultural productions have opened this week in Austria, drawing attention to both historical themes and contemporary issues within the performing arts. “Horrible Habsburger,” a satirical theater production, has begun its run in the Mödlinger Luftschutzstollen, a former air raid shelter turned venue for experimental performances. The show, which explores the eccentricities and taboos of the Habsburg dynasty, will be available from August 9th. Meanwhile, the operetta “Wiener Blut” by Johann Strauss is set to perform at Schloss Tabor in southern Burgenland starting August 5th. These two events highlight the continued fascination with Austrian history and the ongoing efforts to promote gender equality in the arts. “Horrible Habsburger,” directed by Paul Barna, is staged in a long, converted air raid bunker located in Mödling. The production features a range of provocative and humorous elements, including portrayals of lesbian archduchesses, cross-dressing royal brothers, and mentally challenged pasta lovers. The show includes figures such as Empress Elisabeth and her nephew Franzl, offering a critical and entertaining look at the imperial family’s legacy. The performance is scheduled to begin on August 9th and is already sold out, with a waiting list in place. The cool temperatures inside the bunker, ranging from twelve to fourteen degrees Celsius, provide a unique setting for the audience. In addition to these theatrical offerings, there is an initiative aimed at increasing the presence of women in the Salzburg Festival. A research focus titled “Frauen*Festspiele.Salzburg” is conducting an online survey to gather opinions on which female authors should be represented at the festival and what measures could enhance gender equality. This effort precedes the annual Festspiel-Academy, which takes place on August 15th and 16th. The academy aims to examine the absence of women in key roles within the festival, such as organizers, composers, and directors. Participants include notable figures like Melanie Unseld, Sophie Reyer, Johannes Maria Staud, and others, who will discuss strategies for improving representation. The Salzburg Festival's programming also includes the premiere of Elfriede Jelinek’s play “Unter Tieren.” Jelinek, a renowned Austrian playwright, is known for her sharp critiques of society and politics. Her work is set to debut during the festival, adding another layer to the discussion around gender and artistic expression. The festival continues to serve as a platform for both established and emerging voices in the arts, reflecting broader societal conversations about inclusivity and diversity. Schloss Tabor, a historic building in southern Burgenland, is hosting the operetta “Wiener Blut.” Originally owned by the Hungarian noble family Batthyány, the castle has been repurposed for year-round cultural events. Under the general direction of Alfons Haider, the opera will take place as part of the festival's schedule. The choice of this location underscores the importance of preserving and utilizing historical sites for modern artistic endeavors. Both the Salzburg Festival and the Mödlinger Luftschutzstollen demonstrate how cultural institutions are adapting to current social values while maintaining their traditional roots. As these events unfold, they invite audiences to engage with complex narratives and contribute to ongoing dialogues about identity, power, and representation in the arts.