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Omaggio alla Città Vecchia con l'obiettivo di Stéphane Georges:
Croatia🏛️ Politica3 gg fa

Omaggio alla Città Vecchia con l'obiettivo di Stéphane Georges:

An exhibition titled 'Istog Žorž Hommage Starom gradu' opened at the VBZ Bookstore in Rijeka, featuring 30 black-and-white analog photographs taken between 1969 and 1977. The images document the 'sinking' Old Town of Rijeka, capturing architecture before the construction of new buildings designed by Igor Emili, which led to the demolition of older structures. The exhibition highlights the contrast between past and present, emphasizing the loss of historical elements during urban renewal. Photographer Istog Žorž notes that these photos offer a unique opportunity to see the city as it was before major renovations. The event is organized in collaboration with the Maritime and Historical Museum of the Croatian Coast and aims to preserve a segment of the city’s history through documentary photography.

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Novi list logoNovi listIndipendenteCentroFattualità 85Obiettività 703 gg fa
Omaggio alla Città Vecchia con l'obiettivo di Stéphane Georges:

An exhibition titled 'Istog Žorž Hommage Starom gradu' opened at the VBZ Bookstore in Rijeka, featuring 30 black-and-white analog photographs taken between 1969 and 1977. The images document the 'sinking' Old Town of Rijeka, capturing architecture before the construction of new buildings designed by Igor Emili, which led to the demolition of older structures. The exhibition highlights the contrast between past and present, emphasizing the loss of historical elements during urban renewal. Photographer Istog Žorž notes that these photos offer a unique opportunity to see the city as it was before major renovations. The event is organized in collaboration with the Maritime and Historical Museum of the Croatian Coast and aims to preserve a segment of the city’s history through documentary photography.

Lettura del bias (Centro): The article focuses on cultural heritage and urban development, which are politically charged topics due to their implications for identity, preservation, and modernization. However, the framing remains neutral, presenting facts about the exhibition, its purpose, and the historical context without明显

Perché questi punteggi (Fattualità 85 · Obiettività 70): Factuality is high as the article accurately describes the exhibition, the timeframe of the photographs, and the collaboration between institutions. Objectivity is lower due to the emotive language used to describe the photographs as 'usahnuli' and the personal reflection from Istog Žorž suggesting

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