The Ulibro 2026 book fair in Bucaramanga entered its sixth day with more than 461 activities and over 500 guests participating in the eight-day event. The fair has brought together literature, journalism, art, and historical memory through a diverse schedule of events. In its 24th edition, Ulibro has created spaces for reflection on the publishing ecosystem in Santander, featuring discussions led by editors and writers who examined the role of the regional industry. The University of Bucaramanga (UNAB) introduced the Libros Nuestros project, aimed at highlighting and strengthening local publishing production. The fair has also served as a platform for launching new works. Maria Jose Sanguino Villamizar, a student and writer, presented her novel Malnacida, set in the 16th century and exploring themes such as fear, guilt, and religious persecution. Meanwhile, graphic designer Ivan Onatra shared Macondo York, a photo-typographic project inspired by Gabriel Garcia Marquez’s vision of New York. On the fourth day, author and lawyer Victor Cabezas presented Debora Arango de perfil, a narrative analysis of the controversial work of Antioquia painter Debora Arango. The Communication Studies program at UNAB awarded the Silvia Galvis Journalism Prize, recognizing works in categories including young journalism, regional reporting, and opinion writing. The fourth day also featured Mexican filmmaker and writer Guillermo Arriaga presenting his novel El Hombre, alongside research by Sergio Andres Duarte Pimiento on the La Rochela massacre and a book by journalist Paola Herrera on corruption in Colombia. With more than 500 participants and 467 activities, Ulibro 2026 continues to solidify its position as one of the country's most significant cultural gatherings. The fair will conclude on September 6 with a concert by Los Prisioneros, marking the end of six days dedicated to literature, journalism, and cultural reflection in Bucaramanga. The event began with a focus on the publishing landscape in Santander, drawing attention to the challenges and opportunities within the region’s literary scene. Editors and authors discussed how local publishers can adapt to changing market dynamics while maintaining their unique voices. This theme continued throughout the week, with panels and workshops addressing issues such as digital transformation, diversity in publishing, and the role of independent presses. Several notable launches took place during the early days of the fair. Malnacida stood out for its historical setting and exploration of complex emotional and social themes. Similarly, Macondo York combined visual art with literary inspiration, offering a fresh perspective on urban life through a Latin American lens. These projects reflect the broader trend of blending traditional storytelling with contemporary artistic expression. The inclusion of multimedia elements has become increasingly prominent in recent editions of Ulibro. Graphic design, photography, and film have been integrated into the programming, allowing attendees to experience literature through multiple sensory channels. This approach aligns with the growing interest in interdisciplinary creative practices among both emerging and established artists. As the fair progresses, organizers continue to emphasize community engagement and educational outreach. School groups, university students, and local cultural organizations have participated in various programs designed to foster a deeper appreciation for reading and writing. Workshops on creative writing, bookbinding, and digital publishing have attracted a wide audience, underscoring the fair’s commitment to nurturing future generations of readers and creators. The final day of the event promises to be a culmination of the week’s activities, with the concert by Los Prisioneros serving as a fitting tribute to the cultural vibrancy of Bucaramanga. The band’s music, known for its introspective lyrics and melodic structure, is expected to resonate deeply with the audience, providing a memorable closing to the fair.
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