C'est une sorte de noirceur de l'esprit.

Nina Dragičević, a Slovenian writer and activist, has recently published an essay titled Čisti mrk uma (Clear Black Mind) in the publication Rekli so, which was released on July 20, 2026. The piece explores themes of societal neglect toward marginalized groups, the historical marginalization of women in literature and art, and the broader implications of systemic bias within political discourse. Dragičević critiques the persistent failure of society to recognize and address these issues, arguing that such oversight reflects a deeper intellectual and ethical failing. The essay draws parallels between contemporary societal attitudes and the dystopian narratives found in classic literature. Dragičević references Margaret Atwood’s The Handmaid’s Tale, originally published in 1985, as a cautionary tale that became increasingly relevant over time. She notes that while the novel was once viewed as speculative fiction, its themes have become disturbingly familiar in modern contexts. Atwood's work, set during the presidency of Ronald Reagan, serves as a reminder that dystopia is not always distant, it can exist in the present, particularly for vulnerable communities who experience exclusion and erasure. Dragičević extends this critique to the arts, highlighting how female artists and creators have historically faced systematic dismissal and marginalization. She points to the role of scientific institutions, historians, and even some members of the public in perpetuating this pattern. Rather than acknowledging the absence of certain voices, she argues, society often ignores their contributions entirely. This results in a cycle where the lack of recognition reinforces the very biases that exclude these individuals from mainstream narratives. In her analysis, Dragičević also addresses the current political climate, specifically referencing the stance of supporters of the president of the National Assembly. She criticizes their inability to see that statements regarding “pocestnice” (a term used in Slovenia to refer to opposition figures) apply not just to individual politicians, but to all women, all citizens, and indeed, all people. According to Dragičević, these individuals fail to grasp the connection between personal identity and collective struggle, leading to a complete disconnect from the realities faced by marginalized groups. She describes this phenomenon as a form of “clear black mind”, a state of cognitive blindness where critical thinking is absent, and progress is hindered. Dragičević suggests that this mindset is not new but rather a recurring challenge for progressive societies. She emphasizes that the fight for freedom, social justice, and economic stability is ongoing, requiring continuous effort and awareness. Dragičević cites the work of activists like Angela Davis, who have long advocated for the rights of oppressed communities. She underscores the importance of sustained activism, noting that the struggle for equality is not a one-time endeavor but a marathon that demands perseverance. Her essay calls for greater engagement with historical and contemporary movements, urging readers to reflect on the ways in which society continues to overlook and marginalize certain voices. As the discussion surrounding gender, representation, and political accountability intensifies, Dragičević’s work stands as a powerful contribution to the ongoing dialogue about equity and inclusion. Her insights challenge readers to confront uncomfortable truths about societal structures and to consider the broader implications of intellectual and ethical responsibility.