Santiago has once again made headlines as it ranks third globally in terms of YouTube views for Spanish singer Rosalía, according to recent data released by YouTube Charts. The city recorded 5.98 million views over the past 90 days, placing it behind Mexico City and Buenos Aires. This marks another milestone in Rosalía’s growing international influence, with her music continuing to resonate strongly among fans in South America. The latest figures reveal that Rosalía's music has been consumed extensively across multiple cities worldwide. Mexico City leads the list with 7.27 million views, followed by Buenos Aires with 6.44 million. Santiago holds the third position, while Madrid comes in fourth with 4.82 million views, and Lima fifth with 4.75 million. Other notable cities include Bogotá, Barcelona, Guatemala City, Paris, Montevideo, Milan, New York, Cordoba, Santa Cruz de la Sierra, and Valencia. These numbers underscore the widespread appeal of Rosalía’s work beyond Spain, particularly in Latin American markets. In total, Rosalía has amassed 241 million views on YouTube during the last three months, averaging around 2.68 million daily plays. This figure reflects both the enduring popularity of her existing catalog and the continued relevance of her new releases. In Chile specifically, several of her tracks have stood out among audiences. “La Perla” led the pack with 2.11 million views, followed by “Relación (Remix)” with 934,000 views. “DESPECHÁ,” “Besos Moja2,” and “Yo x Ti, Tu x Mi” also performed well, each recording more than half a million views. The top ten list includes other popular songs such as “Con Altura (feat. El Guincho)” with 471,000 views, “LA NOCHE DE ANOCHE” with 424,000, “BESO” with 362,000, “LA FAMA (Live) (feat. The Weeknd)” with 343,000, and “Berghain” with 289,000. These results highlight the balance between Rosalía’s solo hits and successful collaborations. The success of her music in Chile is further reflected in her upcoming tour schedule. The singer will perform four shows in the country starting July 24, with additional dates scheduled for July 25, 27, and 29. Tickets remain available through the Puntoticket platform, indicating strong public interest in her performances. Fans who have followed her career will likely see these concerts as a chance to experience her live energy and connect with her music in person. Chile continues to play a key role in Rosalía’s global fanbase, with her presence in the region contributing significantly to her overall streaming statistics. Her ability to maintain high engagement levels in diverse markets underscores her versatility as an artist and her deep connection with listeners across different cultures. As she prepares for her Chilean tour, the anticipation surrounding her performances suggests that her impact on local audiences will continue to grow. Rosalía’s ongoing success highlights the power of digital platforms in shaping the reach and reception of contemporary artists. With millions of views and active fan engagement, she remains one of the most influential voices in modern music, capable of bridging cultural gaps and inspiring new generations of listeners. Her upcoming shows in Chile are expected to draw large crowds and reinforce her status as a leading figure in the global music scene.
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La TerceraIndépendant🔒CentreFactualité 65Objectivité 80il y a 5 h Une autre marque: Santiago est la troisième ville au monde qui écoute le plus RosalíaL'article indique que Santiago, au Chili, est la troisième ville au monde où la musique de Rosalía est la plus écoutée, selon les données de YouTube Charts des 90 derniers jours. Il répertorie les villes avec le plus grand nombre de vues, plaçant Santiago à 5,98 millions, derrière Mexico et Buenos Aires.
Lecture du biais (Centre): L'article présente des données factuelles sur la consommation de musique de Rosalía sans cadrage idéologique manifeste. Il se concentre sur les mesures de l'industrie du divertissement et ne s'engage pas dans un discours politique ou ne prend pas position au-delà de la couverture des tendances culturelles.
Pourquoi factualité (65): The article reports on Rosalía's popularity based on YouTube Charts data, which aligns with the primary source document. However, it does not mention the ticket sale details or pricing information from the primary source. It focuses on streaming numbers rather than concert specifics, so it partially
Pourquoi objectivité (80): The article presents information in a neutral tone, focusing on statistical data and music consumption trends. There is no evident bias or emotional language, though it emphasizes Rosalía's international reach and success.
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