The musician Andrija Bajić died at the Military Medical Academy in Belgrade after a severe illness in his ninth decade of life. His wife, Mala Cana, spoke emotionally before the hospital, expressing her grief over losing her husband. She revealed that he believed he would recover until the end and had a final wish for things to change. Cana then made serious allegations against his daughters, claiming she possesses messages, documents, and a video showing the older daughter hitting him. She described a conflict at home where the daughter insulted her, feared taking the house away, and was physically abusive toward Bajić. Cana stated that the conflicts continued even after Bajić was hospitalized, with the daughters trying to separate them by questioning her legitimacy as his spouse. The daughters have not publicly responded to these accusations, leaving Cana's claims unchallenged for now.
Lecture du biais (Progressiste): The article frames the situation through the perspective of the grieving widow, emphasizing emotional distress and personal grievances rather than objective legal or medical facts. The narrative leans into the victimhood of Mala Cana and portrays the daughters as antagonists, using emotive language.




