L'Inde va manquer la vraie vision de 70 mm de Christopher Nolan pour L'Odyssée

India will miss out on Christopher Nolan's true 70 mm vision for The Odyssey, according to reports from local media. As audiences worldwide prepare for actor Matt Damon’s return to the big screen in the upcoming film, Indian fans are eager to see the movie in IMAX, willing to pay up to Rs 1,000-3,000 for the experience. However, they will not be able to witness the film in the format Nolan intended, his signature 1570 format, or 70mm film with 15 perforations per frame. This format, used for the first time in a full-length feature film, offers a cinematic experience described as akin to the “vinyl record” of cinema, yet it remains inaccessible to Indian audiences. Only 41 cinemas globally are equipped to project the 1570 format, with just one located in the Southern Hemisphere, IMAX Melbourne in Australia. The venue, which initially removed its film projector in 2015, reinstated it following Nolan’s urging to show his 2017 film Dunkirk in the format. IMAX Melbourne has since become a sought-after destination for cinephiles, offering the only opportunity in the southern hemisphere to view The Odyssey in its full 1570 form. The film reel, over 17 kilometers long and weighing 240 kilograms, is considered a rare and valuable asset by the venue’s technical team. Indian viewers, meanwhile, lack access to even a single 1570-capable IMAX theater. Those hoping to see the film must settle for standard digital IMAX screenings, which fail to display the full frame of Nolan’s work. The top and bottom portions of the image are cropped to accommodate the wider and shorter digital screen, resulting in a loss of visual detail. Key scenes, including Odysseus and his crew’s journey, the Trojan War sequences, and encounters with mythical creatures, will appear incomplete. The grandeur of the oceanic landscapes, the scale of battle scenes, and the overall immersive experience Nolan aimed to create will be diminished. Nolan’s commitment to the 1570 format stems from his belief in its superior image quality. The format, named for the 70mm film stock and the 15 perforations per frame, represents the highest resolution available in current filmmaking. Shooting The Odyssey in this format presented numerous challenges. The cameras were heavy, noisy, and required frequent reloading, with film stock needing replacement every three minutes. To address these issues, Nolan collaborated with IMAX to develop a soundproof “blimp” for the 180kg camera, allowing for the recording of dialogue directly onto the 1570 film for the first time. Despite these hurdles, the film promises to deliver an unparalleled visual spectacle. For Indian audiences, the closest alternative is one of the country’s 34 functioning IMAX theaters. These include locations in major cities such as Delhi, Mumbai, Pune, Bengaluru, Chennai, Kolkata, and others. Specific venues range from PVR Select City Walk in Delhi to Cinepolis Nexus in Navi Mumbai, ensuring that the film will attract a wide audience. However, none of these theaters offer the full 1570 experience, leaving Indian viewers with a less-than-complete cinematic encounter. While the film may still draw crowds to IMAX theaters, the absence of the 1570 format means that the full artistic vision Nolan has crafted will remain unattainable for many. As the release date approaches, Indian cinema enthusiasts will continue to seek ways to experience the film in its intended form, though the path to that goal remains limited.