CLThe article discusses two distinct topics. The first part reviews the film 'Tardes de soledad' by Albert Serra, focusing on its graphic portrayal of bullfighting through close-up footage of 30 bullfights led by Arturo Roca Rey. The reviewer criticizes the film's depiction of animal suffering but acknowledges its artistic merit and provocative nature. The second part reflects on the legacy of Italian historian Carlo Ginzburg, particularly his book 'El queso y los gusanos,' which explores the life of Menocchio, a 16th-century miller whose unconventional beliefs led to persecution by the Inquisition. Ginzburg’s work emphasized microhistory, focusing on ordinary people rather than historical elites.
Lecture du biais (Centre): The article focuses on cultural topics—film critique and historical scholarship—which are not inherently politically charged. There is no evident ideological framing or bias in the discussion of either the film or Ginzburg's work.
Pourquoi ces scores (Factualité 85 · Objectivité 70): The article discusses the film 'Tardes de soledad' and its portrayal of bullfighting, providing details about the director, the number of bullfights, and critical reception. It presents some subjective opinions but aligns with general consensus on the film's controversial nature. Objectivity is lowe
