La Chine déclare la guerre à Hello Kitty pour une collaboration télévisée japonaise

Sanrio, the Japanese corporation responsible for global franchises such as Hello Kitty and Kuromi, severed its commercial partnership with the Japanese television drama Vivant following intense pressure from Chinese state media. The company announced the termination of the collaboration on Thursday, stating that the series contained elements inconsistent with its core values. This decision came after weeks of condemnation from Beijing, which accused the show of promoting an anti-China narrative through its depiction of Chinese intelligence officers. The dispute centers on a specific episode of Vivant, a high-profile spy thriller broadcast by the TBS network. In an episode aired on October 4, a Chinese agent is depicted torturing a Japanese intelligence officer. According to reports, the scene involves the Chinese agent cutting off the victim's fingers and stabbing him in the abdomen. Chinese state media argued that these methods bore striking similarities to the torture inflicted on Chinese civilians by Japanese troops during World War II. The state-run Global Times described the drama as a vehicle for "right-wing forces" in Japan, claiming it deliberately distorted historical truths by attributing wartime atrocities to modern Chinese characters. Sanrio initially launched the merchandise collaboration in July. The plan was to feature popular characters, including Hello Kitty, My Melody, and Cinnamoroll, dressed in costumes resembling key figures from the series. However, the timing of the release coincided with rising tensions between Beijing and Tokyo. The first season of Vivant, which was set in a fictional Central Asian country, had not previously attracted significant political scrutiny. The second season, however, aired amid a diplomatic freeze that reached its lowest point in recent history. The broader geopolitical context intensified the backlash. Relations between China and Japan deteriorated sharply following remarks made by Japanese Prime Minister Sanae Takaichi in November of the previous year. During a parliamentary session, Takaichi suggested that Japan might activate its self-defense forces if China attacked Taiwan and the conflict posed an existential threat to Japan. Since those comments, Beijing has applied economic and cultural pressure on Tokyo, including restrictions on rare earth exports, curbs on tourism, and the retrieval of pandas housed in China. Despite the lack of a direct institutional link between the drama and the Japanese government, Chinese media attempted to associate the show with Takaichi’s administration. The Global Times asserted that the series reflected the historical outlook of the current conservative leadership. While no evidence indicated a direct government role in producing the drama, Takaichi publicly acknowledged her interest in the show. Earlier this month, she told parliament that she had recorded episodes of Vivant and intended to watch them during the year-end holidays. State media seized upon this comment to argue that the program catered to right-wing extremism in Japanese society. Sanrio responded to the growing hostility with a formal apology posted on Weibo, a major Chinese social media platform. In the statement, the company emphasized its long-standing commitment to conveying values of care, connection, and harmony. It noted that it took the feedback regarding the incident very seriously and pledged to strengthen review processes for all future collaborative projects. The company framed the cancellation as a necessary step to protect its brand integrity and maintain positive relationships with its global audience. The reaction within China was swift and severe. Social media platforms flooded with criticism directed at Sanrio, with users demanding the company distance itself from what they viewed as offensive content. The Global Times warned that Sanrio risked losing more than just short-term sales revenue. The publication argued that the trust and emotional bond the brand had cultivated over decades would suffer irreparable damage if it continued to align with "anti-China content." The outlet characterized the Chinese market as indispensable to Sanrio’s profitability, implying that failure to act immediately would result in significant financial repercussions. A spokesperson for the Chinese Foreign Ministry addressed the situation on Thursday. When asked about the scrapped partnership, the official stated that the incident should serve as a warning to the international community and to discerning individuals in Japan. This comment underscored the broader strategy of using cultural and commercial leverage to influence foreign entities operating within China’s sphere of influence. This controversy followed another high-profile instance of cultural friction involving a Western celebrity. Last week, French soccer star Kylian Mbappé faced condemnation from Beijing after referring to Mao Zedong as a "dictator." Although Mbappé was referencing humorous online memes in which he was portrayed as a dictator within his football team, the remark triggered a wave of criticism in China. Several sponsors dropped the athlete, and he subsequently issued an apology to the Chinese people. The sequence of events highlighted the sensitivity surrounding historical figures and national narratives in cross-cultural interactions. The Vivant case illustrates the complex dynamics between Japanese pop culture and Chinese regulatory expectations. While the drama remains a top-rated series in Japan, its international collaborations face increasing scrutiny. Sanrio’s withdrawal marks a significant concession to external political pressure, prioritizing market access over artistic partnership. The company’s move signals a cautious approach to future ventures, particularly those involving themes that touch upon sensitive historical or geopolitical issues. Observers note that the delay in the initial backlash can be attributed to the air date of the controversial episode. Because the problematic scene aired in October, while the merchandise launch occurred in July, there was a gap before the specific content became a focal point for criticism. Once the episode aired, the alignment between the show’s plot points and Chinese grievances regarding historical memory became impossible to ignore for state commentators. The outcome leaves Sanrio navigating a delicate balance between its global brand identity and the demands of one of its largest consumer markets. By ending the tie-up, the company aims to mitigate further reputational harm. However, the episode reinforces the perception among some analysts that cultural products originating from Japan face heightened risks when interpreted through the lens of contemporary Sino-Japanese diplomatic disputes. The resolution does not erase the underlying tensions that drove the initial condemnation, leaving the door open for similar incidents in the future.