2026 "Xinjiang, une terre de merveilles" Exposition sur le thème du soutien au Xinjiang par le patrimoine culturel immatériel ouvre ses portes à Shihezi

A major cultural event titled “Xinjiang, A Land of Wonders” has opened in Shihezi City, Xinjiang, on July 30, 2026. Organized as a thematic exhibition aimed at promoting intangible cultural heritage, the event runs until August 3 and marks the largest such gathering to date. Held at the Shihezi Convention and Exhibition Center, the exhibition includes six distinct sections designed to highlight the richness and diversity of China’s intangible cultural traditions. These include music and dance, local cuisine, technology and innovation, education and transmission, creative markets, and an interactive section focused on poetry and performance. Over 650 intangible cultural heritage items are being displayed, with organizers anticipating more than 200,000 visitors during the five-day period. The exhibition aims to foster greater understanding and appreciation among different ethnic groups within Xinjiang and beyond. Central to its theme is the concept of “integration and co-creation,” which emphasizes the value of diversity and mutual respect in preserving and transmitting cultural practices. Traditional performances, such as the Chaoshan Yingge dance and Xinjiang Muqam, are featured prominently alongside modern interpretations using extended reality (XR) digital experiences. Interactive educational activities allow attendees to engage directly with artisans and practitioners who demonstrate techniques passed down through generations. At the secondary venue, the Bayi Sugar Factory Cultural and Creative District, several intangible cultural heritage items will be showcased permanently. This initiative seeks to shift the focus from temporary exhibitions to long-term preservation efforts. Among these items are notable examples such as Nanjing Yunjin brocade and Hainan Li brocade, both recognized for their intricate weaving techniques and historical significance. The inclusion of these elements underscores a broader effort to ensure that cultural heritage continues to thrive beyond the confines of special events. The event was inaugurated with a traditional Chinese opera performance, drawing attention to the role of performing arts in maintaining cultural continuity. Attendees were able to sample regional delicacies, participate in workshops, and explore exhibits that highlighted technological advancements in the preservation of intangible heritage. The organizers emphasized that the exhibition serves as a platform for collaboration between cultural practitioners, allowing them to share knowledge and skills that contribute to the ongoing safeguarding of these traditions. Participants included representatives from various ethnic communities living in Xinjiang, reflecting the region’s multicultural fabric. The exhibition also attracted scholars, artists, and educators interested in exploring how intangible cultural heritage can be preserved and adapted for contemporary audiences. Discussions held during the opening days addressed challenges related to documentation, funding, and public engagement, with many participants expressing optimism about the future of cultural preservation initiatives. Visitors to the exhibition had access to a wide array of experiences, ranging from hands-on demonstrations of traditional crafts to immersive digital displays that brought ancient practices to life. The interactive nature of the event encouraged active participation, making it accessible to people of all ages and backgrounds. As the exhibition progresses, it is expected to draw continued interest from both domestic and international audiences, further enhancing its impact on cultural awareness and intercultural dialogue.