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U praznom, napuštenom paviljonu tržnice u Rijeci doživjeli smo divno iskustvo, dugo ostaje u mislima
Croatia🎭 Culturahace 17 h

U praznom, napuštenom paviljonu tržnice u Rijeci doživjeli smo divno iskustvo, dugo ostaje u mislima

The article discusses an event held at an abandoned pavilion in Rijeka, where the Fifth Ensemble, a group associated with the Rijeka National Theatre (HNK), performed their play 'TO=TO'. The pavilion, once part of the local market but now unused due to pressure from nearby shopping centers, was transformed into a temporary performance space. The Fifth Ensemble is highlighted for its inclusive approach, bringing together artists of diverse backgrounds, including those with disabilities and intellectual challenges. The play 'TO=TO' was created through collaboration with various organizations and explores themes of creation, attention, and collective emergence. The performance took place during the Rijeka Summer Nights festival.

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Jutarnji list logoJutarnji listIndependienteCentroVeracidad 75Objetividad 65hace 17 h
U praznom, napuštenom paviljonu tržnice u Rijeci doživjeli smo divno iskustvo, dugo ostaje u mislima

The article discusses an event held at an abandoned pavilion in Rijeka, where the Fifth Ensemble, a group associated with the Rijeka National Theatre (HNK), performed their play 'TO=TO'. The pavilion, once part of the local market but now unused due to pressure from nearby shopping centers, was transformed into a temporary performance space. The Fifth Ensemble is highlighted for its inclusive approach, bringing together artists of diverse backgrounds, including those with disabilities and intellectual challenges. The play 'TO=TO' was created through collaboration with various organizations and explores themes of creation, attention, and collective emergence. The performance took place during the Rijeka Summer Nights festival.

Lectura del sesgo (Centro): The article focuses on cultural activities and artistic expression, specifically highlighting an inclusive theater ensemble and a theatrical production. There is no direct political commentary, framing, or bias evident in the content. The piece emphasizes the cultural significance of the event and赞s

Por qué estas puntuaciones (Veracidad 75 · Objetividad 65): The article provides detailed information about the Peti ansambl and its role within HNK, supported by historical references like the 2015 program 'Kazalište naroda'. It describes the ensemble's inclusive practices and current operations. However, the language is somewhat promotional and emotionally

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