Barbara Jaki: Los museos son la piedra angular de la sociedad civil

Barbara Jaki, director of the National Gallery, has emphasized that museums form the cornerstone of a civil society. At the end of her current mandate, which will mark four decades of leadership, she reflects on the role of the National Gallery in shaping cultural identity and public engagement through its exhibitions and collections. The National Gallery, located within three interconnected palaces spanning nearly 13,000 square meters, has undergone recent renovations aimed at enhancing visitor experience and preserving historical significance. A newly renovated permanent exhibition in the New Wing showcases works created from 1870 onwards, offering insight into Slovenia’s artistic evolution. According to Jaki, these pieces are more than mere artifacts of their time, they serve as collective memory, guiding markers of national identity, and reflective surfaces through which visitors can view history. Jaki's tenure has been marked by numerous achievements, including the renovation of the National House palace, international exhibitions in Paris, Prague, and Vienna, and the recent revitalization of the gallery’s core collection. Her vision has centered on integrity, responsibility to the public, curiosity, creativity, and courage, values that have guided the institution’s development over the years. As a key cultural institution, the National Gallery plays a vital role beyond its physical space. Jaki describes museums as democratic institutions essential to civil society, stating they are among the most important public spaces. In an increasingly fragmented world, she argues, museums must act as connectors, working responsibly to establish and reinforce ethical standards for public life. The renewed exhibition in the New Wing exemplifies this mission. It presents a curated selection of Slovenian art from the late 19th century onward, highlighting both the continuity and transformation of artistic expression. The display aims to engage diverse audiences while maintaining academic rigor and accessibility. Visitors are encouraged to explore how these works reflect broader social and political contexts, fostering deeper understanding and appreciation. Public reaction to the new exhibition has been largely positive, with many praising the thoughtful curation and the opportunity to connect with Slovenia’s visual heritage. Educational programs accompanying the exhibit further support this goal, offering workshops and lectures designed to enrich the visitor experience. Looking ahead, the National Gallery plans to continue expanding its outreach efforts, leveraging digital platforms to make its collections more accessible to global audiences. These initiatives align with Jaki’s long-term vision of making the gallery a dynamic and inclusive space for cultural dialogue and learning. As she prepares to step down after four decades of service, her legacy will undoubtedly shape the future direction of one of Slovenia’s most cherished cultural landmarks.