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How a Viennese singer revolutionized the world of cosmetics
Austria🏛️ Politics5 hr. ago

How a Viennese singer revolutionized the world of cosmetics

The article discusses the invention of the first waterproof mascara by Helene Winterstein-Kambersky, known professionally as 'Nussy,' in the 1930s. Frustrated by the poor quality of stage makeup made from vaseline and soot, she developed a water-resistant formula through extensive experimentation. Her creation, patented in 1935, used a combination of wax, water, and oil, resulting in a film that remained on the lashes while being easily removable with soap. She founded the company La Bella Nussy, which continues to operate today in Lower Austria. The product remains available in a tube with a plastic applicator, priced around €14 per pack. The family-run business focuses on niche marketing and sells primarily through their online shop, avoiding mass-market distribution. The company has received recognition, including a special postage stamp from the Austrian Post in 2013.

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Kurier logoKurierParty-alignedCenter5 hr. ago
How a Viennese singer revolutionized the world of cosmetics

The article discusses the invention of the first waterproof mascara by Helene Winterstein-Kambersky, known professionally as 'Nussy,' in the 1930s. Frustrated by the poor quality of stage makeup made from vaseline and soot, she developed a water-resistant formula through extensive experimentation. Her creation, patented in 1935, used a combination of wax, water, and oil, resulting in a film that remained on the lashes while being easily removable with soap. She founded the company La Bella Nussy, which continues to operate today in Lower Austria. The product remains available in a tube with a plastic applicator, priced around €14 per pack. The family-run business focuses on niche marketing and sells primarily through their online shop, avoiding mass-market distribution. The company has received recognition, including a special postage stamp from the Austrian Post in 2013.

Bias read (Center): The article presents a historical account of a woman's innovation in cosmetics without any overt political commentary or ideological framing. It focuses on the technical development and commercial success of a product, with no mention of political parties, policies, or societal debates beyond the bi

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