On Saturday, October 10th, the short film 'Volčja' was premiered at the Kino Dom cultural center in Kamnik. The film follows a female character named Diano who is drawn into the forest by an unusual vision, where she meets 'Njo.' It blends modern reality with motifs from folk tradition, exploring themes related to the cyclical nature of women's bodies and spirits through natural symbolism and rituals. The film also opens up space for reflection on the influence of the menstrual cycle on women's lives and reconnecting with internal rhythms and nature. The main creators of the film are Kamničan women Tanita Rose and Neža Pele, who are also co-screenwriters and producers. Tanita Rose directed the film and narrated the background story, while Neža Pele plays the role of Diano. The film features music by Jelena Soro and voices of traditional singers from Etno zbora Ljelje. After the screening, there was a discussion with both main creators, joined by guest Pia Škulj, a specialist in Jungian psychotherapy. The event was moderated by Ajda Špacapan Korenčič, and the conversation touched on symbolic and archetypal meanings in life, including reflections on what a male companion could be for
Cultural Unions Urge Libraries in Slovenia to Avoid AI-Illustrated Books Two cultural unions in Slovenia have called on all libraries to stop purchasing books, especially picture books illustrated using artificial intelligence. The Syndicate of Culture and Nature of Slovenia, Glosa, and the Syndicate for Creativity and Culture, Zasuk, issued this appeal to all libraries, their directors, and librarians responsible for acquiring materials. They urged them to reject books, particularly picture books, that were not created by human illustrators. The unions cited several reasons for their call. One was that public institutions, which use public funds, should support human creativity and ensure children grow up with picture books created by artists with heart and soul. They also warned that AI-generated picture books, which are priced similarly to those created by real illustrators and for which publishers pay royalties, represent a violation of copyright. Additionally, these AI-created picture books are often of poor content quality, featuring inconsistent and inaccurate illustrations. "Libraries are defenders of creativity," the unions stated, emphasizing that Slovenia has long been proud of its legendary illustrators such as Marlenka Stupica, Ančka Gošnik Godec, Jelka Reichman, and Marjanca Jemec Božič, as well as legends of comics and caricatures like Miki Muster and Hinko Smrekar, and masters of humor such as Marjan Manček and Zvonko Čoh. They also highlighted internationally renowned illustrators like Lila Prap, Alenka Sottler, Marija Lucija Stupica, Polona Lovšin, and Kristina Krhin, along with voices from younger generations like Maja Kastelic and Hana Stupica. They added that libraries serve as protectors of rich Slovenian cultural heritage and provide equal access to creative wealth for all children. Supporting illustrators and their work sets a positive example for children and supports artistic labor. --- A one-day painting event took place in Dolnji Slaveči on October 10, 2026, organized by members of the Local Association of the Blind and Visually Impaired in Kranj under the guidance of academic painter Irene Gayatri Horvat. The event, known as Ex-tempora Goričko 2026, brought together painters who created art on-site. The event attracted local residents and colleagues, with the local community and officials showing support. The organizers received assistance from the Sports and Recreational Society of Dolnji Slaveči, which lent fire tables and benches to facilitate outdoor creation. Participants included painters from Kranj, including Vesna Markoč, who proudly represented Gorenjska and broke the myth of Gorenjska's supposed stinginess. She invited guests to enjoy traditional Prekmurian dishes, including homemade eggs and authentic Goričko oil, collected from local residents. After the creative day, participants visited nearby Ferencovi Farm for a traditional meal, enhancing their inspiration for future creations. The project, supported financially and organizationally by the Public Fund for Cultural Activities of the Republic of Slovenia (JSKD), was led by mentor Irene Gayatri Horvat. Participants began with a common technical challenge, painting an apple motif, before moving on to individual interpretations inspired by the Gorička region and its landscapes. The resulting works featured motifs such as olive oil bottles, the blue Lake Ledava (Kraško), and the hilly silhouette of Gorička, all rendered in warm colors. Vesna Markoč emphasized that the event demonstrated how art knows no limits, even for individuals with less than five percent vision remaining, who can create remarkable artworks with technical aids and dedicated support. --- On October 10, 2026, the short film Volčja premiered at the Kamniški Club Kino Dom in Kamnik. Directed by Tanita Rose, the film follows a female character named Diano, who is drawn into the forest by an unusual sight, where she meets Njo. The film blends modern reality with motifs from folk tradition, exploring the relationship between the cyclical nature of women’s bodies and spirits through symbolism and rituals. The main creators of Volčja are Kamniški residents Tanita Rose and Neža Pele, who also served as co-screenwriters and producers. The film features music composed by Jelena Soro and vocals by the Etno Zbor Ljelje. Following the screening, a discussion took place with both main creators, joined by guest speaker Pia Škulj, a specialist in Jungian psychotherapy. The discussion explored the significance of symbolic and archetypal elements in life and touched upon questions regarding the role of a male companion in the journey of a woman undergoing transformation. The film drew inspiration from the book Women Who Run With the Wolves by Clarissa Pinkola Estés, which tells the story of La Loba, the wolf-woman, also known as the bone collector. While Volčja is not an adaptation of the story, it stands as an independent artistic piece that reflects themes found in the book.
5 reports
Gorenjski glasIndependentCenterFactual 85Objective 902 days ago
On Saturday, October 10th, the short film 'Volčja' was premiered at the Kino Dom cultural center in Kamnik. The film follows a female character named Diano who is drawn into the forest by an unusual vision, where she meets 'Njo.' It blends modern reality with motifs from folk tradition, exploring themes related to the cyclical nature of women's bodies and spirits through natural symbolism and rituals. The film also opens up space for reflection on the influence of the menstrual cycle on women's lives and reconnecting with internal rhythms and nature. The main creators of the film are Kamničan women Tanita Rose and Neža Pele, who are also co-screenwriters and producers. Tanita Rose directed the film and narrated the background story, while Neža Pele plays the role of Diano. The film features music by Jelena Soro and voices of traditional singers from Etno zbora Ljelje. After the screening, there was a discussion with both main creators, joined by guest Pia Škulj, a specialist in Jungian psychotherapy. The event was moderated by Ajda Špacapan Korenčič, and the conversation touched on symbolic and archetypal meanings in life, including reflections on what a male companion could be for
Bias read (Center): The article discusses a cultural event centered around a short film with thematic elements related to feminism and nature, but does not engage with political issues, figures, or policies. There is no evident framing or slant toward any particular political ideology.
Why factuality (85): The article provides detailed information about the premiere of the film 'Volčja' at the Kino dom in Kamnik, including the director, cast, themes, and post-screening discussion. The facts appear consistent with the general context of cultural events and are not contradicted by other sources. However
Why objectivity (90): The article presents the event in a neutral and descriptive manner, focusing on the content of the film and the participants involved. It avoids overtly biased language or subjective commentary, maintaining an objective tone throughout.
Gorenjski glasIndependentCenterFactual 80Objective 902 days ago
On October 19, 2026, members of the Inter-Municipal Association for the Blind and Visually Impaired in Kranj participated in a one-day painting event called 'Ex-tempora Goričko 2026,' led by academic painter Irene Gayatri Horvat. The event took place at the home of Vesna and Mihael Markoč in Dolnji Slaveči, where participants created paintings inspired by local themes such as the Prekmurje region and autumn harvests. Local community members and representatives from various organizations attended, including Slavica Potočnik, president of the Sports and Recreation Society of Dolnji Slaveči, and members of the Inter-Municipal Association for the Blind and Visually Impaired in Murska Sobota. The event was supported by the Public Fund for Cultural Activities of the Republic of Slovenia (JSKD). Participants explored both collective technical challenges and individual creative freedom, producing works that captured elements of the Goriška landscape and seasonal produce. The day concluded with an exhibition of all the artworks created.
Bias read (Center): The article focuses on a cultural event involving visually impaired artists and does not engage with political issues, policies, or figures. It provides a balanced account of the event without apparent bias or ideological framing.
Why factuality (80): The article describes an art event involving blind and visually impaired artists in Kranj, mentioning locations, participants, and the community support received. These details are plausible and consistent with typical cultural event reporting. No direct contradictions exist between this article and
Why objectivity (90): The article remains largely neutral, describing the event and its outcomes without injecting personal views or advocating for any particular perspective. It focuses on the experience and participation of the artists and the community response.
Žurnal24IndependentCenterFactual 75Objective 6517 hr. ago
Two cultural unions in Slovenia, Glosa and Zasuk, have called on all libraries across the country to stop purchasing books, especially picture books illustrated by artificial intelligence. They argue that public institutions using taxpayer money should support human creativity and ensure children grow up surrounded by illustrations created with heart and soul. The unions claim AI-generated picture books, which are often priced similarly to those made by human illustrators, represent a violation of copyright laws. Additionally, they criticize AI-generated illustrations as generally low quality, inconsistent, and inaccurate. The unions emphasized the importance of preserving Slovenia’s rich cultural heritage and highlighted notable Slovenian illustrators and artists who have contributed significantly to the nation’s artistic legacy. They stated that libraries play a crucial role in protecting creativity by providing equal access to high-quality artistic works for all children.
Bias read (Center): The article presents a call from two cultural organizations urging libraries to avoid AI-generated content, emphasizing support for human creativity and copyright concerns. It does not exhibit overtly biased language, one-sided sourcing, or omission of opposing viewpoints. The framing remains fact-l
Why factuality (75): The article accurately reports the call from two syndicates for libraries to stop purchasing books illustrated by AI. It cites specific names of illustrators and provides context about the reasons behind the call. However, some details such as the exact nature of the copyright issues are not elabora
Why objectivity (65): The article has a clear stance against AI-generated illustrations and promotes human creativity, which introduces a degree of bias. While it presents facts, the tone is more opinionated and lacks neutrality in favoring human-created art over AI-generated work.
Gorenjski glasIndependentCenterFactual: no official source document/info detectedObjective 95yesterday
The article discusses the diverse forms of art, emphasizing that it is not limited to traditional mediums like paintings or sculptures but can also be found in everyday activities. It highlights how different individuals express creativity through various tools and tasks, such as using a brush, a chisel, or a mop and bucket. The piece suggests that artistic expression can occur in mundane settings and that the results of such efforts are equally deserving of admiration, even if they are not displayed in galleries.
Bias read (Center): The article focuses on cultural themes related to art and creativity without addressing any political issues, figures, policies, or controversies. There is no evident framing that favors one side over another, and the content remains neutral and descriptive.
Why factuality: no official source document/info detected
Why objectivity (95): The article maintains a highly neutral and reflective tone, discussing art in a broad sense without taking sides or expressing personal opinions. It encourages appreciation of creativity in daily life without bias or judgment.
MladinaIndependentProgressiveFactual: no official source document/info detectedObjective 60yesterday
The cultural and nature union Glosa, along with the creativity and culture union Zasuk, have called on all libraries in Slovenia to stop purchasing books, especially illustrated books created using artificial intelligence. The groups are concerned about the impact of AI-generated illustrations on the creative industry and cultural values. This call comes amid growing debates over the role of AI in art and intellectual property rights.
Bias read (Progressive): The article highlights a call by progressive cultural organizations to resist AI-generated content, which aligns with left-leaning concerns about technological disruption and the protection of human creativity. The framing emphasizes cultural preservation and resistance to corporate or technocratic
Why factuality: no official source document/info detected
Why objectivity (60): The article takes a clear position against AI-generated illustrations and supports human creativity, which introduces a noticeable bias. It lacks balance by not presenting counterarguments or perspectives that might challenge the stated position.
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