The exhibition of photographer Stanko Abadžić's work titled '100 photographs' opens officially in Laub on September 12th at 7 PM. The exhibition showcases a collection of photographs that reflect Abadžić's unique black-and-white photographic style, which explores the relationship between humans, cities, time, and memories over decades. The photographs are drawn from his book '100 Photographs,' representing a synthesis of his previous cycles and monographs. The exhibition includes images from cities such as Prague, Budapest, Berlin, Paris, Istanbul, Marmaris, and Odessa, among others, portraying them not just as geographical locations but as emotional coordinates that convey personal and collective memories. Abadžić's photographs focus on moments often overlooked, emphasizing everyday life with cinematic quality and a strong interplay of light and shadow. His work challenges viewers to slow down, observe, and remember, offering a counterpoint to the visual noise of modern life.
A photography exhibition featuring the work of Stanko Abadžić opens officially at Lauba, House for People and Art on Saturday, September 12, at 7 p.m. The exhibit showcases photographs collected around his book “100 Photographs,” which synthesizes his previous cycles and monographs. Abadžić’s recognizable black-and-white photographic language has explored the relationship between human beings, cities, time, and memory for decades. The photographs feature cities such as Prague, Budapest, Berlin, Paris, Istanbul, Marmaris, and Odesa, among others. These locations are not merely geographical points but emotional coordinates through which Abadžić observes the world and himself. His approach focuses on capturing moments often overlooked, gestures, shadows, passersby, empty spaces, chance encounters, or moments of silence. His images imbue everyday life with almost cinematic quality, while reduced composition and strong contrast between light and shadow open space for personal interpretation. One of the key themes of the exhibition is a series of photographs taken in Odesa shortly before the outbreak of war. Viewed from today's perspective, these images take on new meaning, transforming ordinary scenes into testimony of a world soon to change. This ability of photography to later alter our perception of reality is one of the greatest values of Abadžić's work. Abadżić positions himself as a flâneur, a quiet observer who listens to the city rather than conquering it. His scenes require no explanation. The photograph remains open, sufficiently quiet for the viewer to insert their own experience. In an age saturated with images, Abadžić’s photographs call for slowing down, looking, pausing, and remembering. “100 Photographs” is not just a review of Abadžić’s past work but also a confirmation of the continuity of an intensely personal photographic poetry, where light and shadow, presence and absence, human being and city engage in continuous dialogue. The exhibition at Lauba invites precisely this kind of gaze: slower, more careful, and more personal. The exhibition runs from September 12 to 20, 2026, at Lauba, House for People and Art located at Prilaz baruna Filipovića 23a, Zagreb. Stanko Abadžić is one of the leading representatives of contemporary Croatian photography. His photographic oeuvre is marked by black-and-white aesthetics, a strong sense of composition, and a particular interest in the daily scenes of urban life. His photographs have been exhibited and published both in Croatia and abroad, and his cycles represent an important continuity between the tradition of authorial photography and modern photographic expression. In addition to the photography exhibition, the Green River Festival in Zagreb offers a variety of cultural activities throughout the week. On Monday, the last August screening of the Kin na Savi cinema takes place, featuring three films including Par Nepar, Jeste li to htjeli and Stambeno pitanje. Tuesday features a literary-musical evening dedicated to poetry, followed by a concert by Cona, a singer-songwriter known for his acoustic performances. Wednesday brings a painting session themed “Mornari sa Save” at Book‘N‘Paint Ivane Jerković. Thursday sees the arrival of Neki Novi Klinci, a band paying tribute to Đorđe Balašević, performing songs that many still remember by heart. Friday is reserved for a tribute to Magazin by DJ Mag, playing hits from one of the country's most popular pop bands. Saturday includes an art market and a musical performance by Tanja and Marko, enhanced by drumming from Commi Balde. Sunday begins with an evening art market, continues with a white belt tournament, and ends with a free ceramic workshop offered by Jeramika. Meanwhile, public education programs in Zagreb prepare for a new autumn cycle of workshops and courses. Participants can learn pottery, knitting, crocheting, weaving, photography, jewelry making, and playing drums or guitar. The Public Open School Zagreb is accepting registrations for its new autumn cycle of artistic workshops and courses within the framework of the new platform Kultura u Pučkom. Workshops include pottery, knitting, crocheting, weaving, photography, jewelry making, and playing drums or guitar. The school also offers guitar and synthesizer courses at the Rock Academy, with instructors Eduard Jimmy Matešić and Hrvoje Marjanović respectively. Pottery workshops are among the longest-running artistic workshops at the Public Open School. They cover theoretical knowledge of the history of ceramics, materials, tools, and practical work with clay in the beginner level, progressing to more complex forms and techniques in advanced levels. Experimental workshops allow participants to create their own ceramic pieces under professional guidance. Workshops are led by Dijana Rajković and Mirjana Rajković. Jewelry-making workshops aim to develop creative expression through designing unique pieces and introduce participants to various materials, tools, and techniques needed for independent creation. Advanced workshops focus on developing an individual approach to design and craftsmanship. Workshops are led by Davor Šuk, emphasizing personalized mentoring and small group work. Photography workshops are also available, offering training in black-and-white analog and digital photography. Analog workshops involve mastering the use of film cameras and lenses, developing film in darkrooms, and learning about different types of film. Digital workshops cover basics of digital photography, including familiarity with digital cameras, lenses, lighting equipment, and practical work on assigned themes. Both workshops are led by Roman Avdagić, a long-time collaborator of the Public Open School Zagreb and mentor to young talents. Weaving workshops teach participants how to create textiles using traditional methods similar to those used by grandmothers. The workshops provide an introduction to the history of weaving and hands-on experience with looms.
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The exhibition of photographer Stanko Abadžić's work titled '100 photographs' opens officially in Laub on September 12th at 7 PM. The exhibition showcases a collection of photographs that reflect Abadžić's unique black-and-white photographic style, which explores the relationship between humans, cities, time, and memories over decades. The photographs are drawn from his book '100 Photographs,' representing a synthesis of his previous cycles and monographs. The exhibition includes images from cities such as Prague, Budapest, Berlin, Paris, Istanbul, Marmaris, and Odessa, among others, portraying them not just as geographical locations but as emotional coordinates that convey personal and collective memories. Abadžić's photographs focus on moments often overlooked, emphasizing everyday life with cinematic quality and a strong interplay of light and shadow. His work challenges viewers to slow down, observe, and remember, offering a counterpoint to the visual noise of modern life.
Bias read (Center): The article discusses a photography exhibition and does not engage with politically charged topics such as government, elections, or social policies. It focuses on artistic expression and cultural commentary, which are generally considered apolitical. Therefore, the framing of the article is neutral
Why factuality (85): The article presents a comprehensive overview of the photography exhibition by Stanko Abadžić, including the location, date, and description of his work. It accurately reflects the content of the exhibition as described in promotional materials and aligns with the broader context of contemporary Cro
Why objectivity (85): The writing maintains a neutral and descriptive tone, focusing on the artistic and thematic elements of the exhibition without introducing subjective commentary or emotional language.
The article promotes the first week of the Green River Festival along the Sava River in Zagreb, highlighting various cultural and artistic activities scheduled from Monday to Sunday. Events include film screenings at Kino na Savi, poetry readings, concerts by bands like Neki Novi Klinci and Tribute to Magazin, art fairs, workshops on painting and ceramics, and performances by local artists. The festival emphasizes accessibility, offering free entry, and encourages attendance through a diverse range of creative experiences.
Bias read (Center): The article presents a balanced overview of cultural events without overt ideological slant. It focuses on promoting the festival’s offerings without favoring any particular political group or agenda.
Why factuality (80): This article details various cultural events happening at Green River, including concerts, poetry readings, and an art market. It accurately reports on the schedule and participating artists, matching the cross-source consensus of similar event listings. No contradictions or inaccuracies were noted.
Why objectivity (75): The article has a promotional tone, especially around the 'Art bazaar' and 'belo' (white) section, which may suggest some editorial influence. While not overtly biased, the emphasis on certain events might slightly skew the reader’s perception.
The article reports on upcoming art workshops and courses offered by Pučko Otvoreno Učilište Zagreb during the autumn season. These include classes in ceramics, weaving, jewelry making, music, photography, and more. The programs are designed to teach both basic and advanced skills, with some courses offering multiple levels. Notable instructors include Eduard Jimmy Matešić for guitar and Hrvoje Marjanović for synthesizer. The ceramic workshop has been running for a long time and offers three stages of learning, while the jewelry-making course focuses on creative expression through metalwork techniques. Both ceramic and jewelry workshops emphasize individualized mentorship and small group settings.
Bias read (Center): The article presents information about cultural education opportunities without taking a political stance. It describes available courses and their structure objectively, focusing on artistic development rather than any ideological or political message.
Why factuality (75): The article provides detailed information about upcoming art workshops and courses at Pučko Otvoreno Učilište Zagreb, including specific activities like ceramics, weaving, jewelry making, and music. It lists instructors and describes the structure of the classes. While there is no primary source, th
Why objectivity (80): The tone is informative and neutral, focusing on the offerings of the workshop program without expressing personal opinion or bias. The language remains objective throughout, presenting facts about the events and participants.
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