**Skupna razstava sedmih umetnic, ki jim ni treba "najti skupnega jezika"**
V ljubljanski galeriji Equrna je odprla razstavo *Sanje, ki jih ne pozabiš*, ki predstavlja delo sedmih umetnic, vsake s svojim unikatnim svetom. Razstava, kurirana z Arne Brejcem, ne izhaja iz koncepta, ampak iz stavka, ki ga ne pozabiš, kot je poudaril kurator. Naslov razstave je nastal po naključju, iz pogovora, kjer je Sambolec dejala, da je njeno delo nastalo iz sanj, ki jih ne pozabiš. To je postalo osnova za naslov, ki ohranja nekakšno mistično in nejasno podobo, ki se vključuje v samoumečenost razstave.
Razstava vključuje delo Uršule Berlot, Nina Čelhar, Ksenije Čerče, Metke Krašovec, Dube Sambolec, Nataše Segulin in Neje Zorzut. Vsaka umetnica ima svoj pristop k ustvarjanju, ki se ne zmanjšuje na skupni jezik ali tematiko. Umjetniška dela ne iščejo skupnega jezika, temveč ustvarjajo tišino, v kateri vsak glas slišiš posebej. Tako se razstava ne zadržuje v tradicionalnem smislu, ampak postavi gledalca v stanje lebdenja med materialnim in projiciranim, med telesom in svetlobo.
Uršula Berlot ustvarja kinetične objekte, ki so nastali na osnovi fizikalnih vizualizacij magnetnih skirmionov, toplotnih kvazidelcev v obliki vrtincev v strukturi magnetnih materialov, ki lahko prenašajo informacije in imajo specifični tehnični potencial v razvoju napredne svetlobne in ekološko odgovorne tehnologije. To je primer tega, kako umetnost lahko prehaja v praktično uporabno obliko, hkrati pa ohranja svojo estetsko vrednoto.
Metka Krašovec je nekoč govorila o škripanju v svoji sliki *Prehod*, ki bo na ogled na razstavi. Ta slika predstavlja prehod med različnimi realnostmi, kjer se umetniško delo ne zadržuje v eni točki, ampak se premika med različnimi dimenzijami. To je ena izmed ključnih idej, ki se pojavljajo v razstavi, kjer se umetniška izjava ne omejuje na eno smer, ampak se razširi v več različnih perspektiv.
Razstava ne gre za feministično razstavo v deklarativnem smislu, ampak razstavo o tem, da ženska ustvarjalnost ne potrebuje tematskega opravičila. Sedem zgodb, ki si ne delijo niti jezika niti materiala niti časa, si deli neuklonljivo lastnost, da so brezpogojno svoje. To poudarja, da umetniško delo ni le o izražanju identitete, ampak tudi o samostojnosti in neodvisnosti.
V drugem prostoru galerije, ki ni nadaljevanje, ampak soočenje, se gledalec nahaja v prostoru, ki ne predstavlja le naravne prehoda, ampak tudi izpostavljanje umetniškega izraza. Razstava je torej nekakšna izpostavitev, kjer se umetniško delo ne zadržuje v enem mestu, ampak se razširi v več različnih prostorih, kjer vsak del ustvarja svojo lastno vrednost.
Razstava bo v galeriji Equrna na ogled do konca julija, kar pomeni, da bo ostala dostopna še dolgo časa. To omogoča gledalcem, da lahko vsak dan obiščejo razstavo in se spoznajo s delom umetnic, ki so se odločile za razstavo, ki ne izhaja iz koncepta, ampak iz stavka, ki ga ne pozabiš. To je eden izmed največjih izrazov umetniškega izraza, kjer se umetniško delo ne omejuje na eno izbrano temo, ampak se razširi v več različnih perspektiv.
5 reports
DružinaParty-alignedCenteryesterdayThe article reports on an art exhibition at Galerija Družina featuring the works of Istrian painter Mirjana Matić titled 'Dialogi med oblikami'. The exhibition opened the previous night and showcases Matić's artwork, which is closely tied to her living space and creative environment. The exhibition was introduced by art critic Anamarija Stibilj Šajn, who highlighted Matić's unique approach to landscape themes, blending symbolic elements with introspective notes. The event was hosted by Galerija Družina's director Manica Ferenc, who previously met Matić at an artists' colony. The exhibition includes paintings that explore geometric forms, light and shadow, and the relationship between earthly and transcendent realms. The exhibition runs until August 22nd, open daily from 8 AM to 5 PM. The article emphasizes the artistic style and thematic depth of Matić's work without overtly expressing a political stance.
Bias read (Center): The article focuses on an art exhibition and does not address any politically charged topics such as government policies, elections, or social issues. It provides a descriptive account of the exhibition, the artist, and the critical perspectives offered by the art critic, without taking a clear side
RTV Slovenija (MMC)State / PublicCenter4 days agoThe exhibition 'Sanje, ki jih ne pozabiš' at the Equrna Gallery in Ljubljana features seven female artists whose works do not seek a common theme or language. Each artist presents their unique world through distinct mediums and concepts. The exhibition challenges traditional notions of art by emphasizing individual expression rather than unifying themes. It highlights the autonomy of female creativity without requiring thematic justification. The exhibition runs until the end of July.
Bias read (Center): The article provides an objective overview of an art exhibition without taking a stance on any political issue. It focuses on artistic interpretation and does not involve political figures, policies, or controversies.
STA – Slovenska tiskovna agencijaState / PublicCenter4 days agoThe article announces that a special exhibition on the art of portraiture will take place at the Berlin Art Gallery. The event is being organized by the Slovenian news agency STA, which is providing coverage of the cultural event. The exhibition focuses on the techniques and significance of portrait painting, highlighting its role in capturing individuality and historical narratives. While the event itself is a cultural celebration, the involvement of STA suggests a broader interest in promoting Slovenian media presence in international artistic contexts.
Bias read (Center): The article reports on a cultural event without any political implications or controversy. It presents information about an exhibition without taking sides or using biased language.
RTV Slovenija (MMC)State / PublicCenter5 days ago Jump, stand, push as the gallery space transforms into a temporary game worldAn art exhibition titled 'Gumi Twist' by Slovenian artist Aleksandra Saška Gruden and Croatian artist Željko Beljan explores the phenomenon of children's play through interactive installations at Zagreb's Gallery Karas. The exhibit transforms the gallery space into an immersive playground where visitors engage with the artwork through movement and interaction rather than passive observation. The artists use objects and video to create guidelines for visitor engagement, such as jumping, standing, pushing, and announcing oneself, leaving interpretation open to participants. The exhibition runs until July 3rd. Both artists have backgrounds in contemporary visual arts, with Gruden focusing on identity, historical memory, and social position, while Beljan examines manual labor and its relationship to amateur sports and community participation.
Bias read (Center): The article provides a neutral description of an art exhibition focused on cultural themes, with no political commentary or framing that suggests a particular ideological stance.
Gorenjski glasIndependentCenter5 days agoOn June 15, 2026, artist Ejti Štih opened two exhibitions at Blejski Grad (Bled Castle), featuring her work 'Muzika' in Gallery Stolp and 'Vida' in Bitenčeva Hall. Štih, who has lived and created in Bolivia for over four decades, presented two distinct artistic narratives that connect different worlds through themes relevant to all viewers. During the opening, Štih expressed gratitude for the support she received and highlighted the unique opportunity to showcase her art in such a historic location. The exhibition includes vibrant red canvases depicting musicians playing various instruments, reflecting her deep passion for musical art. Štih also humorously remarked on the accessibility of the castle galleries compared to modern art spaces. The cultural organization Zavod za kulturo Bled praised Štih’s dedication and the significance of bringing her work to Bled.
Bias read (Center): The article focuses on an art exhibition and does not engage in political commentary, framing, or controversy. It provides a neutral description of the event, the artist's background, and reactions from involved parties without any apparent ideological slant.
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