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On Anxiety and a World Going to Hell: 'They Make Billions and Are Morally Deficient'
Croatia🏛️ PoliticsCenter8 hr. ago

On Anxiety and a World Going to Hell: 'They Make Billions and Are Morally Deficient'

The article discusses the release of a new novel by Croatian writer Želimir Periš titled 'g vb', which is described as a hybrid of British satire, science fiction, and romantic comedy. The book explores themes of societal collapse, communication breakdown, and the loss of human meaning in a technologically dominated world. Periš, known for his socially engaged writing, presents this work as part of a broader literary project called 'Kodovi' (Codes), focusing on redefining how we communicate and assign meaning to the world. The novel was published by Frakture and will be presented at the 14th World Literature Festival in Zagreb. The piece highlights Periš’s ongoing exploration of linguistic and cultural boundaries through his innovative narrative style.

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tportal logotportalIndependentCenter8 hr. ago
On Anxiety and a World Going to Hell: 'They Make Billions and Are Morally Deficient'

The article discusses the release of a new novel by Croatian writer Želimir Periš titled 'g vb', which is described as a hybrid of British satire, science fiction, and romantic comedy. The book explores themes of societal collapse, communication breakdown, and the loss of human meaning in a technologically dominated world. Periš, known for his socially engaged writing, presents this work as part of a broader literary project called 'Kodovi' (Codes), focusing on redefining how we communicate and assign meaning to the world. The novel was published by Frakture and will be presented at the 14th World Literature Festival in Zagreb. The piece highlights Periš’s ongoing exploration of linguistic and cultural boundaries through his innovative narrative style.

Bias read (Center): While the article touches on themes relevant to contemporary society, such as technological control, communication breakdown, and the erosion of human values, it does not take a clear ideological stance. It focuses on Periš’s artistic and literary contributions rather than promoting a specific policy,

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