Among the novelties on the bookshelves is Igor Harb's science fiction novel

The 19th edition of the Panč comedy festival opened under rainy skies at the Festival Hall in Ljubljana, marking the start of what promises to be one of the most diverse and entertaining editions yet. The festival, known for its celebration of stand-up comedy, brought together both established and emerging comedians, offering audiences a mix of seasoned performers and fresh talent. Among them was Tin Vodopivec, whose sharp wit and engaging style captivated the audience during the opening night. Vodopivec emphasized the importance of improvisation in stand-up comedy, noting that while some comedians prefer sticking strictly to their prepared material, others thrive on spontaneity and interaction with the crowd. He described the essence of stand-up as being “truthful,” where the comedian’s life, emotions, and stories take center stage, something he believes sets it apart from other forms of performance. The evening began with a mix of laughter and rain, as the festival moved indoors due to the weather. The atmosphere was lively despite the damp conditions, with the audience fully engaged in the performances. Among the notable acts were Zala Đurič, who brought her unique blend of humor from the film industry, and Jure Jamnik, whose social media presence has made him a familiar face to many. The festival also featured appearances from well-known figures such as Miha Brajnik, Saša Staret, and Klemen Bučan, each bringing their distinct comedic styles to the stage. Bučan, known for his role as the character “Ceco,” entertained the audience with his humorous take on Balkan culture, even though he himself is Slovenian. In addition to stand-up performances, the festival included a range of other artistic contributions. Boštjan Gorenc Pižama, known for his witty commentary on literature and language, delivered a thought-provoking talk on the nuances of translation and interpretation. His presentation explored how poetry can transcend linguistic boundaries and how the act of translating a poem can be a deeply personal experience. Meanwhile, Alen Borišek surprised the audience with a new direction in his comedy, focusing on themes of domestic life and relationships, particularly through the lens of cat ownership. His performance highlighted the unexpected depth and emotional resonance that can emerge from everyday situations. The festival also showcased a variety of other creative works, including a discussion on the challenges and rewards of translating poetry. This panel, featuring Jason Allen-Paisant, a Jamaican poet and writer, and translator Miljana Cunta, examined the complexities of preserving the poetic essence of a work when translated into another language. The conversation touched on the balance between fidelity to the original text and the need for adaptation to make the work accessible to new audiences. Allen-Paisant, who writes in seven languages, shared insights into how different cultural contexts influence the reception of poetry and the role of translators in shaping the narrative. Meanwhile, the international competition at the FeKK Short Film Festival saw several standout entries. The film Kar je skrito od začetka sveta (Things Hidden Since the Foundation of the World), directed by Kevin Walker and Irene Zahariadis, won the prestigious FeKK Grand Prix. The jury praised the film for its ability to blur the lines between fiction and documentary, capturing moments of intimacy and connection amidst the backdrop of decay and memory. Another notable winner was Hiška, directed by Nika Jurman, which received both the public award and the FeKK SLO prize. The film was celebrated for its subtle exploration of themes such as housing and emancipation, presented with a light-hearted tone that belied the deeper social commentary embedded within. Other awards went to Overnight Coup by Marina Xenofontos, which was recognized for its poignant portrayal of teenage life, and Naši zidovi (Our Walls) by Živa Divjak, which was commended for its nuanced depiction of generational dynamics. The festival also introduced a new category dedicated to children's short films, with winners in the 5+ and 8+ age groups. These films, ranging from animated tales to imaginative storytelling, reflected the creativity and diversity of young filmmakers from across Europe. Throughout the festival, the focus remained on the power of storytelling, whether through stand-up comedy, poetry, or cinematic expression. Each performance and discussion added a layer to the rich tapestry of artistic voices present, reinforcing the festival’s commitment to fostering creativity, dialogue, and cultural exchange. As the final days of the event approached, the energy remained high, with audiences eager to witness more of the talents and ideas that had already left a lasting impression.