Following a large protest in Zagreb supporting the 'Liku' movement, social media platforms were flooded with reactions and various perspectives on the events that took place in the city streets. Activist Iva Davorija from Rijeka described the atmosphere at the scene, noting that the apparent reconciliation between left and right was distorted. According to her account, groups gathered attacked and insulted the anti-fascist part of the column at multiple locations in the city, including shouting slogans like 'to war to war,' throwing full bottles of water, and violently taking and trampling a flag. She added that people on Ban Jelačić Square experienced insults such as 'stupid communist' directed at individuals with alternative appearances and emphasized that there were not enough police officers present to protect them. In response to these claims, controversial Zagreb entrepreneur Enimark Ponjević commented sharply on the protesters and political dissidents, using offensive language toward them, including calling them 'mother communist' and saying 'well done to our boys who taught you.' He also mentioned 'Možemo' in a derogatory tone. Ponjević has previously been known for sharp冲突
Bias read (Conservative): The article presents the actions of the protesters through the lens of a controversial businessman, Enimark Ponjević, who uses derogatory language towards the protesters and political opponents. The framing emphasizes the negative behavior of the protesters while highlighting the controversy around
Why factuality (85): The article provides specific details about the protest atmosphere, including alleged attacks on the anti-fascist group, the use of phrases like 'u boj u boj', and the throwing of water bottles at the main station. These claims are attributed to activist Iva Davorija, though no direct verification o
Why objectivity (70): The article presents the incident from the perspective of activist Iva Davorija and then quotes Enimark Ponjević’s inflammatory remarks. While it reports both sides, the tone leans toward portraying Ponjević as controversial and provocative, using terms like 'kontroverzni' early on, which may subtly



