The Berlin Philharmonic: the unique formula of the most democratic orchestra in the world

Kirill Petrenko leads the Berlin Philharmonic Orchestra for three concerts at the Teatro Colon in Buenos Aires from Wednesday through Friday. The Russian conductor guides the ensemble through two distinct programs featuring works by Johannes Brahms, Richard Strauss, and Pyotr Ilyich Tchaikovsky. Icelandic pianist Vikingur Olafsson serves as the soloist for the first program, performing Brahms Piano Concerto No. 1. This visit marks the orchestra’s return to Argentina after twenty-six years, concluding its American tour which began in New York. The Berlin Philharmonic was founded in 1882 and has historically been led by figures such as Wilhelm Furtwangler, Herbert von Karajan, Claudio Abbado, and Simon Rattle. In June 2015, the orchestra’s board of members selected Petrenko as their new chief conductor by broad majority. The selection process involved a long, reserved series of ties between two favored candidates before the board chose a third candidate who would not divide the membership into irreconcilable factions. The announcement drew international media attention because the orchestra named its leader four years before he assumed the post. A violinist representing the board stated that the choice focused on a musician whose attention rests on the music rather than his person, possessing charisma capable of transforming the concert hall. Orchestra representatives explained the logistics of the trip in interviews with local media. Eva Maria Tomasi, a violinist serving as head of the board responsible for artistic matters and hiring, noted that the group remembers well its previous days in Buenos Aires, specifically praising the acoustic qualities of the Teatro Colon and its audience. She described the Berlin Philharmonic as a cultural ambassador that attempts to perform in many countries, though planning tours involves significant work. While the organization often favors Asia and the United States, this South American tour was decided several years ago. Philipp Bohnen, a violinist representing the media committee who handles recordings and digital projects, joked that Buenos Aires is unfortunately located several kilometers away from Berlin, making inclusion in plans difficult despite limited touring time. He added that he is visiting Argentina for the first time after nineteen years with the orchestra and hears colleagues speak fondly of the venue. Repertoire decisions rest ultimately with Petrenko, although the process is democratic. Tomasi explained that the conductor selects the works, reflects on ideal combinations, and considers what can be offered to the public. The second program includes Tchaikovsky’s Fourth Symphony and variations by Edward Elgar. The orchestra operates as a self-managed entity, with musicians participating directly in governance. The current tour represents the culmination of multi-year planning efforts to bring the ensemble back to the region.