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‘It’s not easy. It’s not glamorous’: How Matt Preston found a renewed sense of purpose on TV
Australia🎭 CultureCenter15 days ago

‘It’s not easy. It’s not glamorous’: How Matt Preston found a renewed sense of purpose on TV

In August 2026, former MasterChef Australia judge Matt Preston is filming his new television series, 'Matt Preston’s Plating Locally,' which focuses on local food producers across Australia and New Zealand. The show highlights the challenges faced by these producers, such as oyster farmers impacted by algal blooms in South Australia who felt abandoned during crises. Preston emphasizes the hard work and lack of glamour involved in food production, contrasting it with his previous high-profile roles in cooking competitions and entertainment. He travels to various regions, including Kangaroo Island, Margaret River, and New Zealand’s Milford Sound, exploring everything from wineries to seafood farms. Preston aims to tell meaningful stories through his work, focusing on the passion behind local food production.

Matt Preston, former MasterChef Australia judge, is currently immersed in the rugged realities of coastal life on South Australia’s Fleurieu Peninsula, gathering pipis at dawn for his new television series, Plating Locally. The show, which began filming in late July 2026, features Preston cooking with local fishermen using ingredients sourced directly from the region. Wearing a signature cravat to protect against the wind, he prepares a simple dish, shellfish with pasta, on the beach, with a minimal film crew documenting the process. This hands-on approach marks a dramatic shift from the opulent kitchen sets and polished studio environments where he previously built his career in television. Preston's recent appearances on SBS' The Hospital: In the Deep End, where he witnessed the challenges faced by frontline medical workers, inspired him to pursue projects that connect audiences with real-life struggles and passions. “Plating Locally has a purpose, in that these stories need to be told,” he explains. His focus is on highlighting the often-overlooked efforts of local food producers, emphasizing that their work is neither easy nor glamorous. Whether it involves fishing in shark-infested waters off Kangaroo Island, tending flocks at dawn, or working in challenging environmental conditions, the reality of producing food is both demanding and deeply personal. During his time on Kangaroo Island, Preston met oyster farmers impacted by the South Australian algal bloom, a phenomenon that disrupted their ability to work and sell their products. “When they couldn’t work, they couldn’t sell,” he notes. “There was that sense of them feeling abandoned, forgotten and unsupported.” These encounters underscore the broader theme of resilience and community within the agricultural sector, themes that Preston aims to bring to the forefront through his storytelling. Over the course of six episodes, Plating Locally takes viewers across diverse landscapes, from the wine regions of Margaret River and the Barossa Valley to the Limestone Coast, the Tamar and Yarra valleys, and even the scenic beauty of Marlborough in New Zealand. Each location offers unique insights into the production of food, whether it’s sampling artisanal butter, attending a cheese festival, or learning about sustainable fishing practices. In one memorable segment, Preston visited a remote area where he tasted freshly caught King George whiting, describing the experience as “magical” due to its freshness and flavor. Preston’s commitment to authenticity extends beyond taste. He insists that every ingredient featured on the show is genuinely exceptional, a principle rooted in his long-standing journalism career. “Following to the source the produce I've written about for my newspaper columns over the years proves a great joy, and an eye-opener,” he reflects. For instance, he marveled at the quality of hazelnuts from the Tamar Valley and the sustainability practices of salmon farms in New Zealand’s Milford Sound, noting that the product there is “unbelievable.” His experience as a judge on MasterChef Australia has equipped him with skills in drawing out compelling narratives from individuals who might otherwise remain quiet. “Put them in an environment where they’re comfortable and then they’ll tell you stuff,” he says. “The story can be massive or it can be really small, but equally powerful and touching.” This philosophy is evident in the intimate moments captured during filming, such as the unscripted exchange with a pilot’s mother who prepared scones for the crew on a remote island. “Having a cup of tea and a warm scone on an island, those are the moments when you pinch yourself,” he recalls. As the series progresses, Preston hopes viewers will come away with a deeper appreciation for the land, sea, and the people who sustain them. “Hopefully, that sense of calm is what you’re going to get when you watch the show,” he says. “I hope people think, ‘Gee, aren’t we lucky, with this amazing landscape and seascape and the produce that comes from it?’ But also how hard it is to turn a buck because even the simplest things require immense effort and dedication.”

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The Sydney Morning Herald logoThe Sydney Morning HeraldIndependentCenterFactual 85Objective 7815 days ago
‘It’s not easy. It’s not glamorous’: How Matt Preston found a renewed sense of purpose on TV

In August 2026, former MasterChef Australia judge Matt Preston began filming his new series 'Plating Locally,' which focuses on connecting with local food producers across Australia and New Zealand. The show features Preston engaging in hands-on activities like gathering pipis, cooking on the beach, and visiting oyster farms affected by algal blooms. He emphasizes the challenges faced by these producers, noting their non-glamorous work conditions and lack of financial reward. The series aims to highlight underrepresented stories in the food industry, showcasing everything from wineries to artisanal dairy products. While acknowledging the physical demands of the work, Preston expresses admiration for the quality of locally sourced ingredients and the dedication of the producers.

Bias read (Center): The article presents a balanced portrayal of Matt Preston's personal journey and professional endeavors without overtly favoring any political ideology. It highlights his engagement with local food producers and the challenges they face, but does not frame these issues through a politically charged,

Why factuality (85): The article accurately describes Matt Preston's new show 'Plating Locally' and his engagement with local growers. It references his past roles as a MasterChef judge and participant in 'Dancing with the Stars' and 'The Masked Singer', which align with public records. The mention of the algal bloom af

Why objectivity (78): The tone is reflective and empathetic, focusing on the challenges faced by local workers and the purpose behind Preston's new project. While the article presents information objectively, there is a subtle emphasis on the difficulties and emotional aspects of the work, which could be seen as slightly

The Age logoThe AgeIndependentCenterFactual 85Objective 7815 days ago
‘It’s not easy. It’s not glamorous’: How Matt Preston found a renewed sense of purpose on TV

In August 2026, former MasterChef Australia judge Matt Preston is filming his new television series, 'Matt Preston’s Plating Locally,' which focuses on local food producers across Australia and New Zealand. The show highlights the challenges faced by these producers, such as oyster farmers impacted by algal blooms in South Australia who felt abandoned during crises. Preston emphasizes the hard work and lack of glamour involved in food production, contrasting it with his previous high-profile roles in cooking competitions and entertainment. He travels to various regions, including Kangaroo Island, Margaret River, and New Zealand’s Milford Sound, exploring everything from wineries to seafood farms. Preston aims to tell meaningful stories through his work, focusing on the passion behind local food production.

Bias read (Center): The article discusses a television personality's new project focused on food production and local communities, with no mention of political figures, policies, or contentious issues. The content is centered around cultural and lifestyle topics, making it apolitical in nature.

Why factuality (85): This article mirrors the content of the first, providing similar details about Matt Preston's new show and his involvement with local growers. It includes the same references to his previous television appearances and the impact of the algal bloom on oyster farmers. Like the first article, it relies

Why objectivity (78): Similar to the first article, the tone is empathetic and highlights the challenging nature of the work involved in the show. While the information presented is consistent with the first article, the focus on the personal experiences and emotions of the individuals involved leans towards a narrative

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