A Medea for the ages returns to Epidaurus

A Medea for the ages returns to Epidaurus

Last Saturday, June 20, 2026, the Ancient Theater of Epidaurus witnessed the much-anticipated revival of Luigi Cherubini's "Medea," marking a significant moment in Greece's cultural calendar. This performance, held during the opening of this year's Epidaurus Festival, was more than just a return to a classic work—it represented a bold attempt to reconnect with the past while addressing contemporary sensibilities. The production, which had been absent from the theater for decades, drew a record crowd of 10,000 spectators, all eager to witness the resurrection of a landmark opera once considered a cornerstone of Greek theatrical history.

The revival, directed by Panaghis Pagoulatos, sought to honor the legacy of the 1961 production, which was originally staged by Alexis Minotis and featured iconic designs by Yannis Tsarouchis and choreography by Maria Hors. The decision to revisit this historic staging sparked considerable anticipation among both critics and fans, who were curious about how well the artistic choices of the 1960s would hold up against today's standards. The challenge was twofold: bringing opera back to a space where it had long been absent and reviving a production that had become almost mythical in its influence on Greek culture.

The success of the performance was evident in the enthusiastic response from the audience. Despite some elements of the original staging that might have felt dated to modern viewers, the overall artistic vision remained strikingly coherent. The production avoided treating ancient themes as mere historical curiosities, instead grounding them in a modern theatrical language that resonated with contemporary audiences. This approach allowed the timeless story of Medea to feel fresh and relevant, even after nearly six decades since its initial run.

Musically, the performance was equally impressive. Jacques Lacombe conducted the Greek National Opera Orchestra and Chorus with steady precision and a keen understanding of dramatic pacing. His leadership ensured that the emotional weight of the score was fully realized, enhancing the narrative power of the piece. Anna Pirozzi delivered a consistent and powerful portrayal of the title character, embodying the complexity of Medea's emotions with remarkable depth. Meanwhile, Alisa Kolosova stood out as one of the evening's most memorable performers, her interpretation adding a new layer of nuance to the role.

Among the notable attendees was Prime Minister Kyriakos Mitsotakis, accompanied by his wife Maréva Grambófski. Their presence underscored the cultural significance of the event, which was not only a celebration of classical art but also a reflection of Greece's ongoing commitment to preserving and reinterpreting its rich heritage. The performance also marked a reunion with the legendary Maria Callas, whose 1961 portrayal of Medea remains one of the most revered in operatic history. While the current production did not feature Callas herself, it paid homage to her legacy through its meticulous recreation of the original staging and its dedication to the traditions she helped shape.

As the festival continues, the success of this revival sets a promising precedent for future productions. It demonstrates that even works from the past can find new life when approached with respect, creativity, and a deep understanding of their historical and artistic contexts. With such a strong foundation, the upcoming performances at Epidaurus are poised to captivate audiences and further solidify the theater's reputation as a premier venue for world-class opera and drama.