Lotijev dom ohranja odmeve osmanskega oblikovanja

A newly restored museum in Rochefort, France, offers a glimpse into the life and imagination of Pierre Loti, a 19th-century French novelist, naval officer, and traveler whose works were deeply influenced by his experiences in the Ottoman Empire. The museum, housed in the former home of Loti, born Julien Viaud in 1850—has been fully renovated after a multiyear conservation project, allowing visitors to explore the unique blend of Ottoman, Arab, Asian, and European architectural styles that reflect the author's global journeys. Located in the western French port city of Rochefort, the museum is situated within a modest-looking townhouse that belies the richness of its interior. Inside, visitors encounter a series of distinct rooms, each reflecting different cultural influences. These include a Turkish salon, an Arab room, a chamber referred to as the "mosque," a Japanese pagoda, a Chinese room, a Gothic chamber, and a Renaissance hall. The transformation of this house into a cultural mosaic began in the mid-1870s, as Loti sought to recreate in his hometown the places that had left a lasting impression on him during his extensive travels. According to Claude Stefani, curator of the Rochefort Museums, the house combines Loti’s birthplace with a neighboring property he acquired in 1895. The Turkish salon, for instance, was created after Loti's first major visit to Istanbul. Among the most notable features of the museum is the "mosque" room, which is not a place of worship but rather a tribute to Loti’s time in Istanbul’s historic Eyüp district. This space is adorned with an eclectic array of ceramics from the Middle East and Anatolia, including rare İznik tiles known for their intricate floral patterns and vibrant "tomato red" coloration. The room also includes Arabic inscriptions, carved wooden furniture, manuscript stands, sarcophagus-like chests, and a painted wooden ceiling. The ceiling itself holds historical significance, having been purchased by Loti during a trip to Syria in the 1890s from a Damascene palace. Additional elements such as twisted columns from Algeria and ceramic panels from Syria and İznik contribute to the room's layered aesthetic. The "mosque" room also serves as a personal homage to Aziyadé, the Circassian woman who inspired Loti’s famous novel. The room contains a portrait of Aziyadé and a replica of her gravestone. Stefani mentioned that Loti returned to Istanbul in 1887, where he found and restored her grave before commissioning the replica displayed in his home. This gesture allowed Loti to maintain a connection to the woman who profoundly influenced his work. Other items in the museum include a large blue carpet gifted to Loti by a Turkish delegation that visited him in Rochefort in 1922, when he was seriously ill. After Loti passed away in 1923, the house remained in the family’s possession until his only son, Samuel, sold it along with many of its contents to the local municipality in 1969. The museum officially opened in 1973 but closed in 2012 for a comprehensive restoration. The renovation cost over 13 million euros due to structural issues, including damage caused by wood-boring insects. In a separate development, nearly two million visitors have visited the Selimiye Mosque in Edirne, northwest Turkey, since its reopening on February 18. This marks the end of a four-and-a-half-year restoration process aimed at preserving the architectural integrity of the site, which is considered one of the masterpieces of Ottoman architecture. The Selimiye Mosque, designed by the renowned architect Mimar Sinan, has become a popular destination for both domestic and international tourists seeking to experience its historical and cultural significance.