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U HRVATSKOJ SVE GORI OD USTAŠLUKA I PRETNjI SRBIMA: Ispisane jezive poruke, gde je sad Picula? (FOTO/VIDEO)
Serbia🏛️ PolitikaZanemareno s desnaprije 4 h

U HRVATSKOJ SVE GORI OD USTAŠLUKA I PRETNjI SRBIMA: Ispisane jezive poruke, gde je sad Picula? (FOTO/VIDEO)

The article reports on recent incidents in Croatia involving graffiti and messages perceived as anti-Serb and pro-Ustasha, specifically in the area around Zadar. It mentions that such messages were written on traffic signs and tractor tires in the Serbian-majority village of Biljane Donje, which is administratively part of Benkovac. The article highlights the historical reference to the Ustasha regime and its association with ethnic cleansing during Operation Storm. Additionally, it notes that at a concert in Zagreb featuring Thompson, there was an emphasis on nationalist symbols, including a digital chessboard representing the NDH (Independent State of Croatia). The article also includes a separate unrelated piece about Ukraine's potential admission into the EU being conditional on rejecting certain policies.

In the small Serbian-majority village of Biljane Donje, near Zadar, tensions have reached a boiling point as provocative graffiti has appeared on public spaces, stirring fears of renewed ethnic conflict. The messages, which reference the infamous Ustasha regime and its association with the WWII Operation "Oluja," have sparked outrage among local residents and political representatives. These symbols, once associated with the persecution of Serbs during World War II, now appear alongside threats directed at the Serbian community, raising concerns about the resurgence of nationalist sentiments in Croatia.

The graffiti was discovered late last night, marking a disturbing return to historical grievances. The messages include the letter “U,” a symbol historically linked to the Ustasha movement, and references to the wartime atrocities committed against Serbs. In one instance, the word “Oluja” – meaning “Storm” in Croatian – appears alongside the Ustasha emblem, evoking memories of the brutal campaign conducted by the Ustasha forces during the Second World War. This operation, known internationally as Operation Storm, took place in 1995 and resulted in the displacement of thousands of Serbs from the region. The reappearance of such imagery has been interpreted by many as a deliberate attempt to revive old wounds and incite fear among the local Serbian population.

Local authorities have expressed alarm over the situation. The Serbian National Council (SNV), representing the interests of the Serbian minority in Croatia, has called for swift action from relevant institutions, urging them to investigate the incident thoroughly. According to their statement, they expect the police to take immediate steps to identify the perpetrators and remove the offensive graffiti. Additionally, they have requested that municipal services clean up the affected areas to prevent further provocation.

The location of these incidents is particularly sensitive. Biljane Donje, located within the administrative boundaries of Benkovac, is home to approximately 90% Serbian residents and 10% Croatians, according to the 2011 census. This demographic composition makes the area a focal point of interethnic relations, where historical tensions often resurface under political pressure. The presence of such graffiti suggests that there may be underlying frustrations or unresolved issues that some individuals or groups are attempting to address through symbolic means.

Meanwhile, other parts of Croatia have also seen similar expressions of discontent. In Zagreb’s Zaprešić district, a concert featuring the band Thompsons turned into a demonstration of nationalistic sentiment when attendees chanted “For our homeland, ready!” and a digital chessboard displayed the flag of the Independent State of Croatia (NDH), the puppet state established by the Ustasha regime during World War II. Such displays, though not directly linked to the Biljane Donje incident, reflect a broader trend of nostalgia for wartime-era symbols among certain segments of the population.

These developments come amid ongoing discussions about the role of historical memory in contemporary politics. While some argue that revisiting past conflicts can serve as a reminder of the importance of peace and reconciliation, others see it as a dangerous revival of divisive ideologies. As the situation unfolds, the international community will likely monitor how Croatian authorities respond to these acts of provocation, especially given the country's aspirations for closer ties with the European Union.

Looking ahead, the focus will remain on whether these incidents represent isolated acts of vandalism or part of a larger pattern of unrest. Local leaders, both Serbian and Croatian, will need to engage in dialogue to de-escalate tensions and ensure that historical sensitivities are respected while promoting mutual understanding. The coming days will be crucial in determining whether this episode leads to greater unity or deeper division in the region.

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2 izvještaja

Telegraf.rs logoTelegraf.rsStranački povezanLijevoČinjenice 85Objektivnost 65prije 10 h
Zastrašivanje Srba kod Benkovca: U većinski srpskom selu osvanuli grafiti s ustaškim simbolima

In the village of Biljane Donje, which is predominantly Serbian and part of the town of Benkovac, graffiti containing symbols associated with the Ustasha regime were painted overnight. The Serbian National Council (SNV) reported these incidents, linking the graffiti to the Croatian Operation 'Storm' and expressing concern over the offensive content. The SNV has called on relevant authorities to investigate and remove the graffiti, noting that local utility services are expected to assist in their removal. The graffiti appeared on traffic signs at the entrance and exit of the village, as well as on discarded tractor tires. According to the 2011 census, approximately 90% of the population in Biljane Donje are Serbs, while around 10% are Croats.

Procjena pristranosti (Lijevo): The article highlights the presence of Ustasha symbols in a predominantly Serbian village, which is a politically sensitive issue in the Balkans due to historical tensions between Serbs and Croats. The framing emphasizes the offensive nature of the graffiti and calls for action by authorities, align

Zašto ove ocjene (Činjenice 85 · Objektivnost 65): The article reports on graffiti with Ustasha symbols linked to Operation Storm, citing the Serbian National Council as a source. It mentions the location, demographics, and calls for police action. Factually accurate based on cross-source consensus, though slightly biased in tone. Objectivity is low

Večernje novosti logoVečernje novostiStranački povezanLijevoČinjenice 75Objektivnost 50prije 4 h
U HRVATSKOJ SVE GORI OD USTAŠLUKA I PRETNjI SRBIMA: Ispisane jezive poruke, gde je sad Picula? (FOTO/VIDEO)

The article reports on recent incidents in Croatia involving graffiti and messages perceived as anti-Serb and pro-Ustasha, specifically in the area around Zadar. It mentions that such messages were written on traffic signs and tractor tires in the Serbian-majority village of Biljane Donje, which is administratively part of Benkovac. The article highlights the historical reference to the Ustasha regime and its association with ethnic cleansing during Operation Storm. Additionally, it notes that at a concert in Zagreb featuring Thompson, there was an emphasis on nationalist symbols, including a digital chessboard representing the NDH (Independent State of Croatia). The article also includes a separate unrelated piece about Ukraine's potential admission into the EU being conditional on rejecting certain policies.

Procjena pristranosti (Lijevo): The article frames the graffiti and nationalist sentiments as politically charged actions against Serbs, aligning with left-wing narratives that often critique nationalist movements and emphasize minority rights. The focus on historical references to the Ustasha regime and the portrayal of these as

Zašto ove ocjene (Činjenice 75 · Objektivnost 50): This article uses strong inflammatory language like 'sve gori od ustašluka' and includes unrelated content about Thompson concert and Ukraine. While it reports on the graffiti incident, it frames it through a nationalist lens and includes speculative or irrelevant details. Factuality is moderate but

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