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Hinter den Hecken – Zen, Reben und Wildbienen: Ein Blick in drei Schweizer Gärten
CH🏛️ Politikaprije 22 h

Hinter den Hecken – Zen, Reben und Wildbienen: Ein Blick in drei Schweizer Gärten

The article explores three Swiss gardens that reflect their owners' deep connection to nature and unique gardening philosophies. The first garden, designed by Katharina and Martin Scheidegger in Ittigen, blends Japanese Zen aesthetics with Swiss elements, featuring meditation paths, rare plants imported from abroad, and symbolic elements like bonsai trees and a stone representing Earth and Heaven. While the garden is largely Martin’s passion, Katharina shares his enthusiasm for plants. The second garden, located in Bedano in Ticino, combines vineyards with flower beds, showcasing the couple’s integration of agriculture and horticulture. The third garden, though partially described, appears to focus on biodiversity and ecological harmony, emphasizing the role of private spaces in supporting wildlife such as wild bees.

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SRF News logoSRF NewsDržavni / javniSredinaprije 22 h
Hinter den Hecken – Zen, Reben und Wildbienen: Ein Blick in drei Schweizer Gärten

The article explores three Swiss gardens that reflect their owners' deep connection to nature and unique gardening philosophies. The first garden, designed by Katharina and Martin Scheidegger in Ittigen, blends Japanese Zen aesthetics with Swiss elements, featuring meditation paths, rare plants imported from abroad, and symbolic elements like bonsai trees and a stone representing Earth and Heaven. While the garden is largely Martin’s passion, Katharina shares his enthusiasm for plants. The second garden, located in Bedano in Ticino, combines vineyards with flower beds, showcasing the couple’s integration of agriculture and horticulture. The third garden, though partially described, appears to focus on biodiversity and ecological harmony, emphasizing the role of private spaces in supporting wildlife such as wild bees.

Procjena pristranosti (Sredina): The article focuses on personal stories of gardeners and their relationship with nature, without addressing political issues, policies, or societal debates. It presents descriptive content about individual hobbies and lifestyles, which are apolitical in nature. Therefore, the framing does not show a

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