Umro je u 78. godini glumac Enrique Otranto, dugogodišnji glumac na filmu, kazalištu i televiziji.

Actor Enrique Otranto, known for his extensive career spanning film, theater, and television, has died at the age of 78. His passing was announced through a statement issued by the Argentine Actors' Association. Born on December 2, 1947, Otranto's death occurred on July 31, marking the end of a long and influential artistic journey. Otranto began his theatrical career collaborating with actor Danilo Devizia in various cabaret performances, including “¡…Y dos de cuerpo!” These early works were presented in small venues across different parts of the country, establishing his presence in the local performing arts scene. Over time, he became a regular in numerous stage productions, such as “¡No te mueras nunca…!”, “El misántropo”, “El chalé de Gardel”, “Las aventuras de Paloma”, “Lily-Lily”, “Escándalo internacional”, “Las ridículas preciosas”, “Soufflé”, “A la lata, al latero (historia de un pueblo entero)”, “El Zorro”, “Dando pasos”, “Dos señores malcriados”, “Diatriba de amor contra un hombre sentado”, “Las de enfrente”, “Cuatrimonios” and “Me llamo Juan Ramón Jiménez”. He also took part in the “Teatro Abierto 83” cycle with the play “Hoy se comen al flaco.” In cinema, Otranto appeared in films such as “Historias mínimas”, “Tiempo de revancha”, “Los chicos de la guerra”, “Flores robadas en los jardines de Quilmes”, “Tacos altos”, “Correccional de mujeres”, “Siempre es difícil volver a casa”, “El sueño de los héroes”, “La discoteca del amor” and “Ay, Juancito,” among others. His television work included roles in series like “Hombres de ley”, “Nano”, “Los buscas de siempre”, “Los especiales de ATC”, “Lo imperdonable”, “Mesa de Noticias”, “Agustina”, “La Casa Nostra”, “La bonita página”, “El ciclo de Guillermo Bredeston y Nora Cárpena”, “Un cortado, historias de café”, “Es de noche” and the television adaptation of “El Chantecler,” alongside the version of “Esperando la carroza.” Throughout his career, Otranto worked alongside many prominent figures in Argentine theater, including Julio De Grazia, Arturo Maly, José Andrada, Miguel Ángel Solá and Ulises Dumont. His collaborations helped shape some of the most memorable performances in national entertainment. In early July, the Argentine Actors' Association made public a call for blood donations for Otranto, who was hospitalized at the Sanatorio de la Providencia. This highlighted the ongoing health challenges he faced toward the end of his life. His legacy continues to influence the cultural landscape of Argentina, leaving behind a body of work that reflects decades of dedication to the performing arts. Colleagues and fans are mourning the loss of a respected figure whose contributions span multiple mediums and generations. The impact of his career will likely endure in both the memory of audiences and the continued influence on future artists.