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In the Pulk Arena and the former quarry of Cave Romane come the stars of the club and techno scene
Croatia⚽ Sportsyesterday

In the Pulk Arena and the former quarry of Cave Romane come the stars of the club and techno scene

The article reports on two major electronic music events taking place in Istria this summer, organized by the Croatian music brand BSH. The first event, at the Pula Arena, features international artists such as Black Coffee, a renowned South African Afrobeats producer known for his unique blend of house, soul, and cinematic textures. The second event takes place at the former limestone quarry Cave Romane in Vinkuran, hosted by Carl Cox, a leading figure in modern club and techno culture. The article highlights the historical connection between the region’s limestone quarries and the construction of the Pula Arena, emphasizing how these events symbolically bridge past and present through music. It also provides background on Black Coffee’s career, including his Grammy-winning album 'Subconsciously' and his influence on global electronic music scenes.

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Jutarnji list logoJutarnji listIndependentCenteryesterday
In the Pulk Arena and the former quarry of Cave Romane come the stars of the club and techno scene

The article reports on two major electronic music events taking place in Istria this summer, organized by the Croatian music brand BSH. The first event, at the Pula Arena, features international artists such as Black Coffee, a renowned South African Afrobeats producer known for his unique blend of house, soul, and cinematic textures. The second event takes place at the former limestone quarry Cave Romane in Vinkuran, hosted by Carl Cox, a leading figure in modern club and techno culture. The article highlights the historical connection between the region’s limestone quarries and the construction of the Pula Arena, emphasizing how these events symbolically bridge past and present through music. It also provides background on Black Coffee’s career, including his Grammy-winning album 'Subconsciously' and his influence on global electronic music scenes.

Bias read (Center): The article focuses on cultural and entertainment events related to electronic music, which are not politically charged. There is no discussion of politics, governance, or public policy. The framing remains neutral, presenting factual information about the artists, venues, and historical context ofP

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