COThe article highlights three Colombian films making their international debut at major film festivals: 'Donde comienza el río' at TIFF 2026, 'Meteorito' at the 41st International Critics' Week, and 'El fin de los tiempos' at the same event. 'Donde comienza el río,' directed by Juan Andrés Arango García, follows a young indigenous woman and her daughter fleeing violence in Bogotá toward the Andágueda River, reflecting themes of displacement, memory, and national healing. The film is described as Arango's most personal work and aims to give voice to displaced communities. 'El fin de los tiempos,' directed by Juan David Cárdenas and Bibiana Rojas Gómez, explores family history through the lens of 'Anarquivismo Audiovisual,' using AI to examine systemic issues like colonial exploitation and capitalist structures. The piece emphasizes the cultural significance of these films within Colombia’s cinematic landscape.
Bias read (Progressive): The article frames the films as socially conscious works addressing historical trauma, displacement, and systemic oppression, particularly focusing on marginalized communities and critiques of capitalism. While the films themselves are artistic endeavors, the emphasis on social justice and critique,
