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The world's full of bullshit these days, and I'm sure the old man would be disappointed to see how right he was.
Croatia🏛️ PoliticsCenter11 hr. ago

The world's full of bullshit these days, and I'm sure the old man would be disappointed to see how right he was.

The article discusses the new play 'Na čijoj strani' by the Ulysses Theatre, co-produced with the Sarajevo War Theatre (SARTR), directed by Lenka Udovički and starring Ozren Grabarić. The play explores themes of artistic integrity, moral responsibility, and the dangers of superficiality in art. It references historical examples of artists who supported authoritarian regimes, such as Knut Hamsun, Ezra Pound, and Leni Riefenstahl. The article also highlights the contemporary issue of celebrities supporting leaders like Vladimir Putin and Donald Trump, raising questions about whether their political affiliations affect the evaluation of their artistic work. The play examines the tension between personal freedom of expression and ethical obligations, particularly during times of tyranny.

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1 reports

tportal logotportalIndependentCenter11 hr. ago
The world's full of bullshit these days, and I'm sure the old man would be disappointed to see how right he was.

The article discusses the new play 'Na čijoj strani' by the Ulysses Theatre, co-produced with the Sarajevo War Theatre (SARTR), directed by Lenka Udovički and starring Ozren Grabarić. The play explores themes of artistic integrity, moral responsibility, and the dangers of superficiality in art. It references historical examples of artists who supported authoritarian regimes, such as Knut Hamsun, Ezra Pound, and Leni Riefenstahl. The article also highlights the contemporary issue of celebrities supporting leaders like Vladimir Putin and Donald Trump, raising questions about whether their political affiliations affect the evaluation of their artistic work. The play examines the tension between personal freedom of expression and ethical obligations, particularly during times of tyranny.

Bias read (Center): The article presents a balanced discussion of historical and contemporary issues regarding artists' political affiliations and their impact on their work. It raises questions without taking a clear stance, focusing more on the thematic exploration of morality and politics rather than advocating fora

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