On July 25, 2026, artist Andrej Štular unveiled a new exhibition titled Ostri ritmi at the Layerjevo hiše gallery in Ljubljana, showcasing his visual interpretations of the poetry of Srečko Kosovel. The exhibition features drawings, collages, photographs, strips, and ready-made objects, all inspired by Kosovel’s work. Štular has been interpreting Kosovel’s poetry for over two decades, with his earlier efforts culminating in the publication of the book Ostri ritmi in 2021. This latest exhibition includes additional works created specifically for the show, including three large posters displayed outside the gallery, each featuring a different artistic interpretation of Kosovel’s texts alongside visual elements by Štular and graphic designer Dušan Grobovšek. The exhibition runs concurrently with a special display at the Mergenthaler Street Gallery, which presents a triptych of posters based on literary suggestions by Kosovel, visual interpretations by Štular, and graphical designs by Grobovšek. The triptych, titled Pocestnice, was inspired by a quote from Kosovel: “You recognize a person only when they have power in their hands.” Štular’s commentary on the triptych reflects on the enduring relevance of Kosovel’s work despite centuries of political upheaval and societal change. The exhibition coincides with the centenary of Kosovel’s death, marking a significant moment in Slovenian cultural history. Štular’s long-standing engagement with Kosovel’s poetry began in the late 1990s, influenced by Kosovel’s collection Integrali and the poem Kons. 5, particularly its verse: “Gnoj je zlato in zlato je gnoj.” This line inspired Štular’s comic album Lustri, which was later praised by Serbian cartoonist Aleksandar Zograf. Štular’s approach to interpreting Kosovel’s work emphasizes complexity and ambiguity, creating space for multiple readings of both the original poems and their visual adaptations. His work is described as intimate, empathetic, socially critical, politically charged, and provocative, reflecting a shared vision with Kosovel despite the vast temporal distance between them. In addition to the main exhibition, the city of Tržič hosted a series of creative workshops for children during its summer break, focusing on Slovenian literary figures. These activities, organized by the Tržič library, included interactive sessions where children explored the lives and works of Kosovel, Zofka Kveder, Ivan Cankar, and Vojteh Kurnik through play, art, and storytelling. Children engaged with Kosovel’s poem Marjetice by singing, drawing, and acting it out, while other sessions focused on hunting for poetic verses using clay, exploring local landscapes through Cankar’s story Pehar suhih hrušk, and creating their own games based on literary themes. The workshops were designed to make literature accessible and engaging, encouraging creativity and curiosity among young participants. The success of these events led to plans for further programs, including Grajske pravljice, a series of fairy tale-themed events starting on August 30, offering families a chance to explore magical stories and characters. The ongoing celebration of Kosovel’s legacy extends beyond exhibitions and educational initiatives. In Ljubljana, the exhibition Ostri ritmi continues to draw visitors interested in the intersection of visual art and literary tradition. Štular’s work, rooted in a deep respect for Kosovel’s poetic voice, challenges viewers to reconsider the relationship between text and image, past and present. His contributions to the field of visual arts, particularly through collaborations with other artists such as Grobovšek, highlight the evolving nature of artistic interpretation across generations. As the exhibition progresses, it invites audiences to reflect on the lasting impact of Kosovel’s words and the ways in which contemporary artists continue to engage with his legacy.
5 reports
Gorenjski glasIndependentCenterFactual 85Objective 857 days agoThe article discusses an exhibition featuring the visual works of artist Andrej Štular inspired by the poetry of Srečko Kosovel. Štular has created various artistic pieces such as drawings, collages, photographs, and ready-made objects that reinterpret Kosovel's poetic themes. The exhibition, titled 'Ostri ritmi,' is currently on display at the Gallery of Layerjevo House. Additionally, there are three posters displayed at the Mergenthaler Street Gallery, which include interpretations of Kosovel's work by Štular and graphic designs by Dušan Grobovšek. These artworks reflect on the enduring relevance of Kosovel's poetry over time, highlighting themes of power and societal change. The exhibition emphasizes the collaborative nature between Štular and Kosovel, showcasing their shared vision through a blend of visual art and literary interpretation.
Bias read (Center): The article focuses on cultural and artistic collaboration without any overt political commentary or ideological leaning. It presents the exhibition and its thematic elements neutrally, emphasizing the creative process and the lasting impact of Kosovel's work without taking a specific political side
Why factuality (85): The article introduces the exhibition 'Mehka polja' by Slađana Matić Trstenjak, describing her artistic approach and the impact of her work. It includes direct quotes from Nina Šardi, providing detailed descriptions of the exhibition and its thematic elements, which align well with the text.
Why objectivity (85): The article is written in a neutral and descriptive style, focusing on the characteristics of the exhibition and the artist's methodology without expressing personal views or bias.
Gorenjski glasIndependentCenterFactual 80Objective 8510 days ago Uncovering the Great OnesThe article describes a cultural educational program for children in Tržič, Slovenia, titled 'Od besede do podobe,' organized by the local library. The event focused on Slovenian literary figures through creative workshops combining art, play, and exploration. Topics included the 100th anniversary of the death of Srečko Kosovel and Zofka Kveder, the 150th anniversary of Ivan Cankar's birth, and the 200th anniversary of Vojteh Kurnik's birth. Children engaged with these themes through interactive activities such as music, painting, sculpture, storytelling, and sensory experiences. The program aimed to make learning about literature fun and engaging, rather than academic. The event was part of a series continuing into August with new themed sessions based on fairy tales.
Bias read (Center): The article presents a cultural educational initiative with no political implications. It focuses on literary heritage and artistic engagement for children, using neutral language and balanced reporting without ideological framing.
Why factuality (80): The article discusses Andrej Štular's visual interpretation of Srečko Kosovel's poetry, referencing his book 'Ostri ritmi' and an exhibition at Gallery Layerjeva Hiša. Specific details about the artwork and its conceptual background are included, supporting the factual claims.
Why objectivity (85): The tone is objective and analytical, focusing on the artistic collaboration between Štular and Kosovel without injecting personal opinions or biased language.
DeloIndependent🔒CenterFactual 75Objective 8513 days agoVeronika Simoniti, pisateljica in prevajalka, predstavi svoj nov roman 'Kako umirajo ladje', ki ga spremlja gledališka skupina na poti po Grčiji. Njeno prejšnje delo 'Ivan pred morjem' je bilo nagrajeno z nagradom kresnik, in zdaj čaka na odrsko uprizoritev. Simoniti meni, da jo dobra plača izhaja iz udobja in počasnega življenja. Roman bo zaživen kot monodrama z Ivo Babić na odru Male drame v oktobru.
Bias read (Center): The article focuses on cultural content related to literature and theater, which is generally considered apolitical. There is no discussion of political issues, policies, or societal controversies. The framing remains neutral, focusing on artistic achievements and upcoming performances without any倾向
Why factuality (75): The article describes a children's literary workshop in Tržišče focused on Slovenian literary figures. It includes specific names like Srečko Kosovel, Zofka Kveder, Ivan Cankar, and Vojteh Kurnik, along with activities and themes, indicating solid factual grounding based on the text.
Why objectivity (85): The article maintains a neutral and informative tone throughout, presenting the event objectively without any apparent bias or emotional language.
DeloIndependent🔒CenterFactual 60Objective 7513 days ago Veronika Simoniti: Machine translation is a concern for all literary translatorsVeronika Simoniti, pisateljica in prevajalka, predstavi svoj nov roman 'Kako umirajo ladje', ki ga spremlja gledališka skupina na poti po Grčiji. Njeno prejšnje delo 'Ivan pred morjem' je bilo nagrajeno z nagradom kresnik, in zdaj čaka na odrsko uprizoritev. Simoniti meni, da jo dobra plača izhaja iz udobja in počasnega življenja. Roman bo zaživen kot monodrama z Ivo Babić na odru Male drame v oktobru.
Bias read (Center): The article focuses on cultural content related to literature and theater, which is generally considered apolitical. There is no discussion of political issues, policies, or societal controversies. The framing remains neutral, focusing on artistic achievements and upcoming performances without any倾向
Why factuality (60): This article duplicates the content of item 1, mentioning Veronika Simoniti and her new book 'Kako umirajo ladje', as well as the upcoming theatrical adaptation. However, it lacks specific details about events or exhibitions, similar to item 1.
Why objectivity (75): The tone is neutral and descriptive, focusing on the author’s new works and future plans. No strong bias or subjective language is present.
DružinaParty-alignedCenterFactual 40Objective 3012 days agoThe article from Družina publishing house highlights their belief that language serves as a bridge connecting people across differences and fostering dialogue rather than division. They emphasize the role of language in uniting the human and divine, thought and speech, and speech and silence. The publisher aims to create books that build bridges in a fragmented world by promoting goodness, beauty, and truth. They annually publish around 80 books covering diverse themes such as theology, literature, social issues, and children’s literature. Each book is the result of collaboration with top domestic and international authors, translators, editors, and designers, making every publication a unique story of collective creativity.
Bias read (Center): While the article discusses the role of language and literature in bridging divides, which could be interpreted as having a progressive or cultural emphasis, there is no overt political framing or ideological slant. The focus remains on the universal value of language and collaborative creation, and
Why factuality (40): The article does not present any specific factual claims beyond promotional statements about the publishing house Družina and its values. It lacks concrete details about events, people, or outcomes that can be verified against other sources. The content appears more like a marketing message than a n
Why objectivity (30): The tone is highly promotional and biased toward promoting the publisher’s mission and values. It uses emotionally charged language such as 'most' and 'resničnemu' (truth) without providing objective evidence or counterpoints. There is no attempt at neutrality or balance.
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