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AR🎭 Culture18 hr. ago

Resistance, the city that turned art into landscape

Resistencia, a city in Argentina, has transformed itself into an open-air museum where sculptures are integrated into the urban landscape rather than being confined within buildings. The International Sculpture Biennale, held every two years, turns the city into a stage for artistic creation, inviting both artists and the public to participate in the process. During the 2026 edition, nearly 1.5 million people visited the event at Parque 2 de Febrero, watching ten sculptors work openly in front of them. This year’s participants came from 70 countries, including Argentina, Belarus, Bulgaria, Chile, Spain, Italy, Poland, Turkey, Ukraine, and Uzbekistan. Chilean sculptor Mauricio Guajardo won first prize for his piece 'Cubo etéreo,' which emphasizes negative space over solid form. His sculpture was created by carving out the interior of a marble block, leaving behind clean lines, light, and shadow. Guajardo believes public art should be interactive and accessible, and his design allows people to engage with the piece directly.

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Perfil logoPerfilIndependentCenter18 hr. ago
Resistance, the city that turned art into landscape

Resistencia, a city in Argentina, has transformed itself into an open-air museum where sculptures are integrated into the urban landscape rather than being confined within buildings. The International Sculpture Biennale, held every two years, turns the city into a stage for artistic creation, inviting both artists and the public to participate in the process. During the 2026 edition, nearly 1.5 million people visited the event at Parque 2 de Febrero, watching ten sculptors work openly in front of them. This year’s participants came from 70 countries, including Argentina, Belarus, Bulgaria, Chile, Spain, Italy, Poland, Turkey, Ukraine, and Uzbekistan. Chilean sculptor Mauricio Guajardo won first prize for his piece 'Cubo etéreo,' which emphasizes negative space over solid form. His sculpture was created by carving out the interior of a marble block, leaving behind clean lines, light, and shadow. Guajardo believes public art should be interactive and accessible, and his design allows people to engage with the piece directly.

Bias read (Center): The article focuses on cultural expression through public art and does not take a stance on political issues. It provides factual information about the International Sculpture Biennale, the artists involved, and their creative processes without any apparent ideological framing or bias.

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