'What to Do' Best Film of the 24th Liburnia Film Festival
The 24th Liburnia Film Festival concluded on Saturday at the picturesque Summer Theatre with the announcement of awards. Over five days, 32 films were shown, with 21 competing for prizes. The main theme of this year’s festival was the militarization of society. The documentary film 'Ono što treba činiti' by Srđan Kovačević won the Best Film Award and the Audience Award. The film explores three exceptional individuals in modern Europe, where cheap migrant labor is increasingly relied upon, who unite their efforts to speak out for those whose voices are rarely heard. It portrays the power of collective solidarity amidst challenges. The international jury, consisting of Ana Jurčić, Maja Malus Azhdari, Nenad Puhovski, Jan Klemsche, and Damian Nenadić, praised the film as a deeply emotional and inspiring portrayal of solidarity as a necessary form of resistance in contemporary society. Another notable award went to 'Vučja gozba' by Jadrana Boban, which received the Jury Special Mention and the Dragan Rubeša Critics Award. The film balances raw reality, humor, and absurdity, transforming a local story into a universal warning about a world where irrationality becomes the only explanation
The 24th edition of the Liburnia Film Festival concluded with the awarding of its top prizes at a ceremony held at the scenic Ljetna Pozornica in Opatija. The festival, which ran over five days, showcased 32 films, 21 of which were in competition for awards. This year’s theme focused on the militarization of society, reflecting contemporary concerns around conflict, control, and resistance. Among the standout entries was the documentary Ono što treba činiti (What Needs to Be Done), directed by Srđan Kovačević, which won both the Best Film Award and the Audience Award, receiving an average score of 4.77 from viewers. The film follows three remarkable individuals in modern Europe, where reliance on cheap migrant labor has become increasingly prevalent. It portrays their efforts to advocate for workers’ rights and dignity in a context where voices often go unheard. According to the festival organizers, the film offers an intimate and realistic depiction of collective solidarity, highlighting how such unity can inspire hope for a more just future despite ongoing challenges. The jury, composed of international critics and filmmakers including Ana Jurčić, Maja Malus Azhdari, Nenad Puhovski, Jan Klemsche, and Damian Nenadić, praised Ono što treba činiti as a deeply emotional and inspiring work. They described it as a powerful representation of solidarity as a necessary form of resistance against the forces shaping today's societies. The jury noted that the film captures the struggles of marginalized workers and underscores the potential for grassroots movements to drive meaningful social change. In addition to the main awards, several other honors were presented. The Special Jury Prize went to Vučja gozba (Wolf’s Feast), directed by Jadran Boban, while the Dragan Rubeša Critics’ Award was also awarded to this film. Known for its balance between harsh realism, humor, and absurdity, Vučja gozba transformed a local narrative into a universal warning about a world where irrationality becomes the only explanation for reality. The film, produced in collaboration with Hulahopa and Inkubator Rezona, was lauded for its visual storytelling and its commentary on rural decline, societal marginalization, and conspiracy theories. Another notable winner was Iva Kraljević, who received the Best Regional Film Award for Ovu sobu ostavite zakopanu (Leave This Room Buried). The film, produced by the Kreativni Sindikat, premiered in Opatija and was recognized for its ability to transcend regional boundaries through personal and poetic expression. Kraljević also took home the Best Sound Design Award for the same film. Other accolades included Tonći Gaćina, who won Best Direction for Koze!; Dora Slakoper, who was honored for her editing work on Koze! and Medo u šparugama; and Dubravka Kurobasa, who received the Best Cinematography Award for Čuvarica uspomena, directed by Jelena Ratko. The festival also featured a short video documenting a civil action organized in Opatija, which addressed themes of militarization. This piece, submitted to the festival’s short film competition, served as a direct message from the community, reinforcing the role of documentary filmmaking and civic engagement in challenging dominant narratives. As the festival drew to a close, its organizers emphasized the importance of continued dialogue on issues such as war, armament, and resistance to militarism. Through its programming and public discussions, the Liburnia Film Festival aimed to foster critical thinking and encourage active participation in shaping a more equitable society.
2 reports
Novi listIndependentCenterFactual 96Objective 888/29/2026
The 24th edition of the Liburnia Film Festival concluded with the awarding of the Best Film and Audience Award to Srđan Kovačević's documentary 'Ono što treba činiti.' The film was praised by both the international jury and audience for its emotional depth and portrayal of solidarity as a form of resistance in modern society, particularly relevant amid issues like labor market instability, migration, and exploitation of foreign workers. The audience gave it an average score of 4.771. Other notable awards included special recognition for Jadran Boban's 'Vučja gozba,' which blends local storytelling with universal themes, and Iva Kraljević's 'Ovu sobu ostavite zakopanu' for its regional and artistic achievements. Awards were also given for direction, editing, and cinematography, highlighting diverse aspects of filmmaking.
Bias read (Center): The article discusses a cultural event (film festival) and does not engage with politically charged topics such as government policies, elections, or social issues in a contentious manner. It focuses on artistic achievements and critical acclaim without taking a partisan stance.
Why factuality (96): This article confirms the same facts as the first, including the winning film, director, awards, and festival details. Additional context is provided about the film’s themes and the other prize-winning entries. All claims are supported by the cross-source consensus and appear accurate.
Why objectivity (88): The article maintains a neutral tone overall but includes more interpretive quotes from the jury and descriptions of the film’s themes. While this adds depth, it does not significantly skew the narrative. The language remains mostly objective and balanced.
The 24th Liburnia Film Festival concluded on Saturday at the picturesque Summer Theatre with the announcement of awards. Over five days, 32 films were shown, with 21 competing for prizes. The main theme of this year’s festival was the militarization of society. The documentary film 'Ono što treba činiti' by Srđan Kovačević won the Best Film Award and the Audience Award. The film explores three exceptional individuals in modern Europe, where cheap migrant labor is increasingly relied upon, who unite their efforts to speak out for those whose voices are rarely heard. It portrays the power of collective solidarity amidst challenges. The international jury, consisting of Ana Jurčić, Maja Malus Azhdari, Nenad Puhovski, Jan Klemsche, and Damian Nenadić, praised the film as a deeply emotional and inspiring portrayal of solidarity as a necessary form of resistance in contemporary society. Another notable award went to 'Vučja gozba' by Jadrana Boban, which received the Jury Special Mention and the Dragan Rubeša Critics Award. The film balances raw reality, humor, and absurdity, transforming a local story into a universal warning about a world where irrationality becomes the only explanation
Bias read (Center): The article focuses on cultural content related to a film festival, discussing artistic achievements, thematic elements, and critical reception. There is no political controversy or ideological framing involved. The tone remains objective, focusing on the creative and social aspects of the films, as
Why factuality (95): The article accurately reports the winner of the best film award at the 24th Liburnia Film Festival, citing the film title, director, and awards received. It also provides details about the festival theme, the number of films shown, and the jury members. The information aligns closely with the cross
Why objectivity (85): The article presents the information in a largely neutral manner, though some descriptive phrases like 'duboko emotivno i nadahnjujuće ostvarenje' may carry a slightly positive tone. However, there is no overt bias or opinion injection beyond standard reporting.
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