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The first FORT-X Festival
Slovenia🎭 Culture9/7/2026

The first FORT-X Festival

The first edition of the FORT-X music festival took place at Mokrica Castle on September 7, 2026, after three years of preparation. Organized by Slovenian, Croatian, and British organizers, the event featured performances by international artists and attracted over 2,000 visitors, more than half of whom were foreign. The festival combined selected music, impressive settings, minimalist production, and energy from attendees traveling from nearby and distant locations, including New Zealand. Highlights included sets by Jimi Jules, Dixon, Butch, Nic Fanciulli, and others, with some performers creating unique musical blends across genres. The event was described as a once-in-a-lifetime experience, marking the beginning of the summer festival season.

Festival FORT-X made its debut at Mokrice Castle after three years of preparation, drawing over 2,000 visitors, more than half from abroad. Organized by Slovenian, Croatian, and British teams, the event featured world-class electronic music artists and offered a unique blend of music, visuals, and energy. Attendees from near and far, including New Zealanders, contributed to an unforgettable experience, marking the finale of the summer festival season. The event began with a vibrant atmosphere as the main stage filled with dancers. French artist Einfakinn, who will soon perform under the pyramids of Giza, set the tone with a compelling house track, preparing the crowd for Jimi Jules' energetic set, which delivered the first peak of the festival. A highlight came later when Dixon, four-time winner of the Resident Advisor Top DJs poll, took the stage, followed by his participation in the party outside the castle. On the outdoor stage, three female acts opened the evening: Croatian Elena Mikac and the Serbian-Greek duo Mimi & Fy, whose musical journey spans the relationship between Belgrade and Mykonos. An hour before midnight, Butch and Nic Fanciulli took control of the decks, setting the stage for another high point. Their sets have become a hot topic in Slovenia, with their collaborative tracks gaining traction over the past decade. They performed a mix of genres, spanning centuries, while keeping the audience engaged for nearly two hours. Maceo Plex’s absence due to scheduling conflicts was cleverly addressed by organizers, allowing for a smooth transition. Âme, or Kristian Beyer, took the stage with a set that seamlessly connected with previous performances, incorporating authentic German techno elements. His performance, along with others, helped ease the transition into dawn. The inaugural edition of FORT-X, organized by BSH Events in collaboration with British partners, marked the start of a long-term project. The festival, designed alongside popular European events such as Forbidden Forrest, Kala, and Snowboxx, attracted international attention, leading to a surge in attendance from neighboring countries like Germany, England, and Scotland. The success of the first edition has already drawn praise, described as “wild and unforgettable” by attendees returning home. What comes next remains to be seen, but the opening night set the stage for future editions.

How this report was made. Objective News wrote this report from 2 source articles, using AI-assisted synthesis under our methodology. It is our own text, not a copy of any single outlet. Read our methodology.

Responsible editor: Matej BašaSpotted an error? Report it

2 reports

Si21 logoSi21IndependentCenterFactual 85Objective 709/7/2026
The first FORT-X Festival

The first edition of the FORT-X music festival took place at Mokrica Castle on September 7, 2026, after three years of preparation. Organized by Slovenian, Croatian, and British organizers, the event featured performances by international artists and attracted over 2,000 visitors, more than half of whom were foreign. The festival combined selected music, impressive settings, minimalist production, and energy from attendees traveling from nearby and distant locations, including New Zealand. Highlights included sets by Jimi Jules, Dixon, Butch, Nic Fanciulli, and others, with some performers creating unique musical blends across genres. The event was described as a once-in-a-lifetime experience, marking the beginning of the summer festival season.

Bias read (Center): The article focuses on a cultural event, music festival, with no mention of politics, policy, or public figures. It provides a descriptive account of the event, its organization, and highlights without any apparent ideological framing or bias.

Why factuality (85): The article provides detailed information about the FORT-X festival held in Mokrice, including the organizers, attendance figures, and specific events. It aligns with the cross-source consensus regarding the festival's international appeal and the involvement of notable artists. However, some detail

Why objectivity (70): The article has a promotional tone, emphasizing the uniqueness and success of the festival. It uses emotionally charged language to describe the experience, such as 'enakdo doživetje' and 'vredno finala poletne festivalske sezone,' which suggests a positive bias towards the event.

24ur (POP TV) logo24ur (POP TV)IndependentCenterFactual 75Objective 609/6/2026
The first FORT-X impressed with its unique building scenery, music and energy

The article describes the premiere event of the FORT-X festival held in Mokrice after three years of preparation. The festival was organized by Slovenian, Croatian, and British organizers and attracted over 2,000 visitors, more than half from abroad. The event combined unique visual aesthetics, music, and energy, creating an unforgettable experience. International artists such as Einfakinn, Fiona Kraft, Jimi Jules, Dixon, Butch, Nic Fanciulli, Âme, and Maceo Plex performed, contributing to the success of the festival. The atmosphere was vibrant, with attendees from various parts of the world, including New Zealand.

Bias read (Center): The article focuses on a music festival, which falls under the category of sports according to the provided guidelines. The content does not involve any politically charged topics, such as government policies, elections, or social issues. Therefore, the political charge is low, and the lean is set '

Why factuality (75): The article provides detailed descriptions of the FORT-X festival, including attendance numbers, international participation, and specific performances by artists like Einfakinn, Fiona Kraft, Dixon, and others. While there is no primary source document, the information aligns with typical reporting

Why objectivity (60): The article has a strong promotional tone, emphasizing the energy and uniqueness of the event. It uses emotionally charged language to describe the atmosphere and performances, which suggests a more enthusiastic and less neutral perspective. The focus on the international audience and the success of

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