Ksenija Urličić, jedna od najpoznatijih i najutjecajnijih televizijskih urednica u Hrvatskoj, preminula je. Diplomirala je na Filozofskom fakultetu u Zagrebu i započela karijeru na televiziji 1958. godine. Tijekom svoje dugotrajne karijere na RTZ-u/HTV-u, vodila je brojne važne informativne emisije, uključujući središnji Dnevnik, a kao urednica Zabavno-glazbenoga programa pokrenula je niz emisija temeljenih na domaćoj zabavnoj glazbi, posebno u kontekstu Domovinskog rata. Autorica je mnogih specijalnih emisija tijekom tog razdoblja, uključujući telefonske igre s gledateljima i zabavni spektakl 'Sedma noć'. Pokrenula je Hrvatski TV festival u Opatiji i sudjelovala u projektu 'Hrvatska pjesma za pjesmu Europe'. Njezin prijatelj i suradnik Mirko Fodor opisao ju je kao osobe koja je željela odlučnost i radišnost, navodeći da je zabava bila za nju ozbiljan posao.
Ksenija Urličić, one of Croatia’s most influential television producers and former head of the entertainment department at HRT, has died. She was known for her work with both HRT and RTZ, where she spent nearly half a century before retiring in 2001. Her career began in 1958, and over the years, she rose through all major roles, from anchoring and hosting to producing and managing the entertainment division. She graduated from the Faculty of Philosophy in Zagreb and became a key figure in Croatian broadcasting history. Urličić joined RTZ/HTV in 1959 and remained active until her retirement. She co-created and hosted several early radio contact programs, including Zeleni megaherc, Četvrtkom zajedno, Nedjeljni semafor, and Plavi pingvin. As a top-tier anchor, she led some of the most important informational broadcasts of the old Zagreb Television, including the central Dnevnik program. From 1991 onward, as head of the Entertainment-Music Program, she launched a series of shows based primarily on domestic entertainment music production, especially during the Homeland War, focusing on patriotic songs. She was the author of numerous large-scale projects, often serving as both writer and host, particularly during the Homeland War. In that period, she also promoted live telephone games with viewers, notably in the 1991/92 holiday season. She created the largest-ever entertainment spectacle, Sedmа noć (Seven Nights), which aired 200 episodes, and produced the first comedy series for HTV, Jel’ me netko tražio? (Has Anyone Seen Me?). She authored programs such as Vinkovci su i jeseni jesu and Vukovar kao svjetlost emitiranih within the Za slobodu (For Freedom) program. Urličić also founded the Croatian TV Festival in Opatija and was the creator and organizer of the project Hrvatska pjesma za pjesmu Europe (Croatian Song for the Eurovision Song Contest) from 1993 to 2000. As a producer, she developed titles and wrote scripts for shows such as U duhu gosta (In the Spirit of the Guest), Večeras s vama (Tonight With You), Cro Pop Rock, Nek’ zvone tambure (Let the Drums Ring), Opera Box, Jazz oko ponoći (Jazz Around Midnight), Radar, Ispod duge (Under the Rainbow), Fluid Expo, and Iz stare škrinje (From an Old Chest), among others. She received the annual HRT award in 1996 for her contributions to Croatian media. Known affectionately as the "Steel Lady," this nickname reflected her strict discipline, dedication, and demanding approach to managing large teams. Despite the moniker, she once explained that it did not reflect her true personality. She admitted to being loud at times but emphasized that it stemmed from a desire to ensure major television projects were executed properly. Working with crews of up to 250 people, coordination was essential, and she would raise her voice when things deviated from the plan. However, she noted that after successful projects, everyone would embrace and forget minor conflicts. Her professional reputation was built on insistence on discipline, devotion to her work, and a firm leadership style. Colleagues remember her as someone who knew exactly what each person on her team was doing and what they needed to accomplish. While she had a reputation for being tough, her colleagues acknowledged that her demands were driven by a deep commitment to quality and excellence in broadcasting. Urličić's legacy includes shaping the landscape of Croatian entertainment programming, especially during challenging periods like the Homeland War, where she used media as a tool for national unity and morale. Her influence extended beyond television into cultural initiatives, such as organizing the Croatian participation in the Eurovision Song Contest, which helped elevate Croatian music on international stages. Her passing marks the end of an era in Croatian broadcasting. Those who worked alongside her remember her as a formidable yet passionate leader whose vision left an indelible mark on the industry. The exact cause of her death has not been disclosed, but tributes have poured in from colleagues, fans, and institutions across the country.
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Ksenija Urličić, bivša voditeljica i urednica zabavnog programa Hrvatske radiotelevizije (HRT), poznata je po nadimku 'Čelična Lady', koji je bio vezan uz njen strogi i zahtjevan način rada. Nadimak je nastao zbog njezine sposobnosti da vodi velike ekipa i osigurava uspješno izvođenje televizijskih projekata, često koristeći jake riječi kada je bilo potrebno. Urličić je objasnila da je taj nadimak u potpunosti suprotan njezinom karakteru, ali da je bio rezultat njezine profesionalne discipline i predanosti poslu. Njezina priča ističe njezinu ulogu kao ključnu osobu u HRT-u i njezin utjecaj na televizijsku industriju u Hrvatskoj.
Bias read (Center): The article provides a balanced overview of Ksenija Urličić's professional life and her explanation of the nickname 'Čelična Lady.' It does not exhibit clear bias toward any political side but focuses on her role within HRT and her personal reflections on her career. The framing remains neutral, and
Why factuality (75): Article accurately reports Ksenija Urličić’s nickname 'Čelična Lady', her professional style, and quotes from her interview with Gloria. It aligns closely with the primary source document, though it omits some personal details like her health struggles and reflections on life. The information is wel
Why objectivity (80): Tone remains neutral and informative, focusing on facts and career highlights. There is no overt emotional bias or one-sided framing, maintaining a balanced narrative.
Ksenija Urličić, jedna od najpoznatijih i najutjecajnijih televizijskih urednica u Hrvatskoj, preminula je. Diplomirala je na Filozofskom fakultetu u Zagrebu i započela karijeru na televiziji 1958. godine. Tijekom svoje dugotrajne karijere na RTZ-u/HTV-u, vodila je brojne važne informativne emisije, uključujući središnji Dnevnik, a kao urednica Zabavno-glazbenoga programa pokrenula je niz emisija temeljenih na domaćoj zabavnoj glazbi, posebno u kontekstu Domovinskog rata. Autorica je mnogih specijalnih emisija tijekom tog razdoblja, uključujući telefonske igre s gledateljima i zabavni spektakl 'Sedma noć'. Pokrenula je Hrvatski TV festival u Opatiji i sudjelovala u projektu 'Hrvatska pjesma za pjesmu Europe'. Njezin prijatelj i suradnik Mirko Fodor opisao ju je kao osobe koja je željela odlučnost i radišnost, navodeći da je zabava bila za nju ozbiljan posao.
Bias read (Center): The article provides a factual overview of Ksenija Urličić's career and contributions to Croatian television, focusing on her professional achievements rather than taking a stance on any political issue. The content is neutral, highlighting her work across various programs and her role during theHom
Why factuality (75): Article provides detailed information about Ksenija Urličić’s career, including her roles at HRT, educational background, and notable projects. It aligns with the primary source document by mentioning her nickname 'Čelična lady' and her work on the 'Zabavno-glazbeni program'. However, it does not me
Why objectivity (60): The tone is somewhat celebratory and reverent towards Ksenija Urličić’s professional achievements, which may lean towards a positive bias. The article focuses primarily on her career contributions without addressing any controversies or personal challenges mentioned in the primary source.
Ksenija Urličić, jedna od najpoznatijih i najutjecajnijih televizijskih urednica u povijesti Hrvatske radiotelevizije (HRT) i Radiotelevizije Zagreb (RTZ), preminula je. Hrvatska radiotelevizija objavila je ovo obavijest u ponedjeljak. Urličić je karijeru započela 1958. godine, prošla sve važne stepenice u televiziji, od spikerice i voditeljice do urednice i glavne urednice Zabavnog programa. Diplomirala je na Filozofskom fakultetu u Zagrebu i radila je na RTZ-u/HTV-u od 1959. do 2001. godine. Njezin doprinos uključuje vodstvo informativnih emisija, urednicu Zabavno-glazbenog programa, autorstvo specijalnih emisija tijekom Domovinskog rata, te organizaciju zabavnih spektakala i projekata kao što su Hrvatski TV festival u Opatiji i Hrvatska pjesma za pjesmu Europe.
Bias read (Center): Čak i ako se priča o političkim temama, ovaj članak se fokusira na biografiju i profesionalnu karijeru Ksenije Urličić, bez direkte političke polemike ili strane perspektive. Stoga se smatra da je članak neutralan i ne predstavlja značajan politički nagon.
Why factuality (70): Article provides accurate historical background on Ksenija Urličić’s career and mentions her nickname. However, it lacks specific quotes from the primary source and focuses more on her legacy rather than recent interviews. Some details are repeated from the primary source but not fully contextualize
Why objectivity (85): Presentation is largely objective, focusing on her contributions and reputation. No strong emotional language or editorializing is present, keeping the focus on factual content.
Novi listIndependentCenterFactual 65Objective 858/31/2026
Ksenija Urličić, jedna od najpoznatijih i najutjecajnijih televizijskih urednica u povijesti Hrvatske radiotelevizije (HRT) i Radiotelevizije Zagreb (RTZ), preminula je. Poznata je po svojoj čvrstoći i profesionalizmu, a imala je dugotrajnu karijeru koja se proteže od 1958. do 2001. godine. Tijekom Domovinskog rata, pokrenula je brojne emisije koje su se oslanjale na domaću zabavnu glazbu i domoljubne pjesme. Napisala je scenarije za mnoge popularne emisije, a također je bila autorka i organizatorica brojnih projektima, uključujući Hrvatski TV festival u Opatiji i Hrvatsku pjesmu za pjesmu Europe. Dobitnica je godišnje nagrade HRT-a 1996.
Bias read (Center): The article provides a factual overview of Ksenija Urličić’s career and contributions to Croatian television, focusing on her professional achievements and roles during significant historical periods such as the Homeland War. There is no overt ideological framing, biased language, or emphasis on any
Why factuality (65): Article gives a comprehensive overview of Ksenija Urličić’s career and includes her nickname. However, it cuts off mid-sentence in the quote section, leading to incomplete information. It also lacks direct quotes from the primary source and emphasizes her professional achievements over personal refl
Why objectivity (85): Overall neutral and focused on her professional impact. While there is some emphasis on her role as a leader, there is no clear editorial bias or emotional manipulation evident.
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