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The premiere of the documentary film The New Classmates by Tony Cahunek
Slovenia🏛️ PoliticsCenter9/6/2026

The premiere of the documentary film The New Classmates by Tony Cahunek

The documentary film 'Novi sošolci' by director Toni Cahunek explores the challenges faced by children from Kosovo who are newly integrating into the Slovenian education system. The film highlights their struggle with learning the Slovenian language and adapting to a new cultural environment. It features several children, including Suela, Floralba, Masar, and Ledrij, whose experiences are documented through school visits and interactions with family members on Kosovo. The film was premiered on September 23, 2026, at RTV Slovenia, and aims to raise awareness about the integration process and foster a more inclusive society. The creators emphasize that the film seeks to inform the Slovenian public about the lives of these children and empower the community of Kosovo immigrants, which is often marginalized and isolated.

The documentary film Novi sošolci by director Toni Cahunek will have its premiere on Television Slovenia at 11:05 p.m. on September 1, 2026. The film explores the experiences of children from Kosovo who are just beginning to navigate Slovenian culture and language in school. A repeat screening is scheduled for September 6. The film was produced in collaboration with RTV Slovenija and several co-producers. The documentary follows the lives of four students, Suela, Florab, Masar and Ledri, who have recently arrived in Slovenia from Kosovo. It captures their initial encounters with the Slovenian language, education system, and societal prejudices they face. Much of the footage was shot in Kosovo, where the children visit family members and former schools, highlighting the evolution of the educational system there and the reasons behind their migration. The film aims to shed light on the challenges these young migrants encounter as they integrate into Slovenian society. Cahunek, an actor and presenter, stated that his inspiration came from observing changes in his hometown of Kranj. He noted that due to economic growth and high demand for labor, many immigrants from Kosovo have settled in Slovenia, bringing their children with them. Cahunek wanted to inform the Slovenian public about how these children live and study, while empowering the immigrant community from Kosovo, which he described as isolated and marginalized. The film has already drawn considerable attention following its initial screenings. Attendees included many immigrants from Kosovo, some of whom were deeply moved by the portrayal of their children's struggles. One viewer described feeling initially emotional but later speechless, adding that the film might help others connect with the experiences of these young migrants, regardless of their origins. Another attendee called the film a bridge between cultures that otherwise lack communication due to linguistic differences, stating that the children often live separately and struggle to interact because they cannot speak each other’s languages. The documentary is set to continue its tour with local premieres across Slovenia before its autumn distribution and school screenings. These events aim to reach broader audiences and foster discussions around integration and cultural inclusion. The film highlights the academic challenges faced by these students, noting that due to their non-Slavic backgrounds and varying levels of knowledge, they often achieve the lowest grades among migrant children in the region. As the film prepares for wider release, it comes at a time when Slovenian society remains divided over the presence of immigrants from Kosovo. Cahunek and his team are aware of this polarization and hope the documentary can contribute to a more inclusive dialogue. They emphasize that the film does not seek to present a single narrative but rather offers a multifaceted view of the realities faced by these young migrants and their families. The premiere date marks the culmination of months of work by Cahunek and his collaborators, who aimed to create a piece that would resonate beyond the personal stories of the individuals featured. With its focus on education, identity, and belonging, Novi sošolci is positioned as a significant contribution to the discourse on migration and multiculturalism in Slovenia.

How this report was made. Objective News wrote this report from 2 source articles, using AI-assisted synthesis under our methodology. It is our own text, not a copy of any single outlet. Read our methodology.

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2 reports

N1 Slovenija logoN1 SlovenijaIndependentCenterFactual 95Objective 759/6/2026
"Just a hook on the attendance list!"

The article highlights the experiences and insights of Melisa Gutmann and Sandi Horvat, members of the Roma Academic Club (RAK) in Slovenia, which was founded in 2008. The club aims to promote education among Roma communities and has received national recognition for its work in lifelong learning. Gutmann and Horvat emphasize that the challenges faced by Roma people stem from systemic issues rather than inherent problems within the community itself. They discuss the stigma, stereotypes, and discrimination that Roma individuals often encounter, contrasting this with their own successful integration into society through higher education and professional careers. The article also addresses misconceptions about Roma culture, such as forced marriages, and highlights the role of women in the community.

Bias read (Center): The article presents perspectives from Roma community leaders without overtly favoring any particular political stance. It focuses on systemic issues and societal challenges faced by the Roma population, avoiding direct criticism of specific policies or politicians. The tone remains balanced, aiming

Why factuality (95): The article presents information about Melisa Gutmann and Sandi Horvat, members of the Roma Academic Club (RAK), and their perspectives on systemic issues affecting Roma communities. It references their professional backgrounds and discusses common stereotypes and systemic failures. While no primary

Why objectivity (75): The article has a clear advocacy tone, emphasizing the systemic issues faced by Roma communities and criticizing institutional responses. While informative, it frames the discussion through the lens of the interviewees' experiences rather than presenting a balanced view of multiple perspectives. Thi

RTV Slovenija (MMC) logoRTV Slovenija (MMC)State / PublicCenterFactual 85Objective 759/1/2026
The premiere of the documentary film The New Classmates by Tony Cahunek

The documentary film 'Novi sošolci' by director Toni Cahunek explores the challenges faced by children from Kosovo who are newly integrating into the Slovenian education system. The film highlights their struggle with learning the Slovenian language and adapting to a new cultural environment. It features several children, including Suela, Floralba, Masar, and Ledrij, whose experiences are documented through school visits and interactions with family members on Kosovo. The film was premiered on September 23, 2026, at RTV Slovenia, and aims to raise awareness about the integration process and foster a more inclusive society. The creators emphasize that the film seeks to inform the Slovenian public about the lives of these children and empower the community of Kosovo immigrants, which is often marginalized and isolated.

Bias read (Center): While the documentary addresses sensitive issues related to immigration and social integration, it presents a balanced portrayal of the challenges faced by children from Kosovo without overtly taking a political stance. The focus is on educational and cultural adaptation rather than partisan debate.

Why factuality (85): The article provides factual information about the documentary 'Novi sošolci' by Tonij Cahunek, including its production collaboration with RTV Slovenia and the date of its premiere. It aligns with the cross-source consensus regarding the film's focus on Kosovo children learning Slovenian culture an

Why objectivity (75): The tone is generally informative but includes emotionally charged language such as 'film je most med kulturama' and personal testimonials that may lean towards a positive portrayal of the film's impact. The article also emphasizes the film's significance without presenting alternative viewpoints.

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