4 reports
Jutarnji listIndependentCenter4 hr. ago This film terrified generations in Yugoslavia, and it was said that a man in Macedonia died watching it...The article discusses the legacy of Đorđe Kadijević, a Serbian filmmaker known for his 1973 horror film 'Leptirica,' considered the first Yugoslav horror film. The film was produced by Belgrade Television and based on a Serbian storyteller’s tale, adapted into a horror narrative by Kadijević. It gained attention for its intense scenes of fear, with a popular urban legend claiming someone died while watching it in Macedonia. Despite limited success in cinemas, the film has since achieved cult status. Kadijević faced challenges in finding suitable locations in Serbia, leading him to shoot in the village of Sopotnik across the Drina River. The film features a short runtime of 62 minutes and includes a memorable scene where a miller is attacked by a monstrous creature.
Bias read (Center): The article focuses on cultural heritage and film history, discussing a classic movie and its impact without taking a political stance or showing bias toward any political group or ideology.
Telegram.hrIndependentCenter5 hr. ago Djordje Kadijevic, the creator of cult horror that terrified generations of Yugoslavs, has diedĐorđe Kadijević, poznati jugoslovanski režiser, povjesničar umjetnosti i likovni kritičar, umro je u 94. godini. Rođen je 6. siječnja 1933. u Šibeniku, Kadijević je postao poznat po svojoj radnji u žanru horora, posebno zahvaljujući filmu 'Leptirica' iz 1973. godine, koji je smatrano jednim od najkultnijih u tom žanru. Njegovi radovi, poput ratne drame 'Praznik' iz 1967. godine, ostavili su dubok trag na kulturnoj sceni bivše Jugoslavije. Iako je planirao nastavak svog najpoznatijeg filma, projekt nije bio realiziran. Međutim, remake filma 'Leptirica' će biti sniman u Podravini pod redateljskom palicom Karle Lulić, koja je dobio pravo izravno od Kadijevića.
Bias read (Center): The article presents a biographical overview of Đorđe Kadijević, focusing on his contributions to cinema and cultural heritage. While the subject relates to national identity and cultural legacy, which can have political implications, the tone remains neutral and factual. The article does not take a
tportalIndependentCenter5 hr. ago Djordje Kadijevic, director of the first horror film in the former Yugoslavia, has diedRežiser Đorđe Kadijević, poznati kao autor kultnog horora 'Leptirica', preminuo je u 94. godini života. Rođen je 1933. u Šibeniku, Kadijević je bio pionir horora na prostoru bivše Jugoslavije, sa svojim najpoznatijim delom koje se smatra prvim takvim filmom u regiji. 'Leptirica', snimljena 1973. godine, kombinuje folklorne motive i vampirske elemente, ostavljajući trajan uticaj na publiku. Kadijević je takođe režirao druge horore, među kojima je 'Sveto mjesto' smatrano jednim od najkvalitetnijih njegovih dela. Njegove radove još uvijek ceni nove generacije autora, kao što je režiserica Karla Lulić, koja radi na remakeu njegova najpoznatijeg filma.
Bias read (Center): The article discusses the death of a filmmaker and his cultural contributions, which is considered apolitical. The content focuses on artistic legacy, film history, and cultural impact without any political controversy or ideological framing.
Jutarnji listIndependentCenter6 hr. ago Djordje Kadijevic has diedĐorđe Kadijević, srpski redatelj i povjesničar umjetnosti, umro je u 94. godini. Rođen je u Šibeniku 1933. godine, u istoj ulici gdje je rođen i Arsen Dedić. Poznat je po horror-filmu 'Leptirica', smatranoj prvim ex-YU hororom i najstrašnijim filmom u tom stilu. Njegov film je bio značajan zaželjan i inspirativan, sa specifičnim elementima feminističke tematike. Kadijević je također režirao drame i doprinio televizijskim produkcijama. Planirao je remake filma 'Leptirica' koji je u planu režirava Karla Lulić, koja je izrazila svoju podršku i blagostanje Kadijevića.
Bias read (Center): The article focuses on the death of Đorđe Kadijević, a cultural figure known for his work in cinema, particularly the horror film 'Leptirica'. While the subject has some political implications due to the historical context of former Yugoslavia, the article does not take a clear political stance. It
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