"Odyssey" in XL: Why Most People Only See Half of the Movie

Christopher Nolan’s The Odyssey, shot entirely in analog Imax film format, has become a rare cinematic experience, with only a handful of theaters worldwide capable of screening its original 70mm format. Among these, just three in continental Europe and three in England remain operational, making the Prague premiere at Cinema City in the Palac Flora Shopping Center a particularly special occasion. Located east of the Old Town near the Olšany Cemetery, this theater has taken steps to accommodate the unique demands of the film, including hiring retired projectionists to handle the analog screenings. The film, which marks Nolan's return to analog filmmaking, features a high aspect ratio of 1:1.43, combined with a steep seating arrangement and advanced spatial audio technology to enhance immersion. Unlike traditional 35mm or 70mm films, The Odyssey uses a horizontal film path through the camera and projector, stabilized by vacuum before the lens. This technique allows for significantly more image area than digital formats, offering resolution up to 12,000 to 18,000 pixels, far surpassing the 2,000 to 4,000 horizontal pixels found in standard digital televisions. Only around 40 cinemas globally can still screen 70mm film, with just three in Europe and three in the UK remaining active. Since the release of The Odyssey, one additional cinema in Brussels has joined the list. The Prague venue, which typically operates as a digital Imax theater, has made special arrangements to ensure the film’s original format is preserved. According to staff, they have brought back projectionists from retirement or other professions to manage the analog showings. The production of The Odyssey represents a bold departure from modern digital workflows. It is the first feature-length film ever shot entirely using an analog Imax camera, with post-production largely relying on analog exposure techniques. Many visual effects were achieved directly during filming rather than being added later via CGI. This approach, while technically challenging, results in a distinct aesthetic that many viewers find compelling. Despite initial controversies over diversity in casting, the film has exceeded expectations both in terms of audience turnout and box office earnings. Projections suggest the film could generate $120 million in the U.S. alone and $258 million globally. The success of The Odyssey underscores the enduring appeal of analog filmmaking, even in an era dominated by digital technology. The film’s unique presentation extends beyond its technical aspects. The use of a real wooden horse pulled through the sand during filming highlights the physicality and scale of the production. Such elements contribute to the immersive quality of the experience, reinforcing the idea that certain cinematic moments are best captured through analog methods. As the film continues its theatrical run, audiences who seek the complete experience will need to travel to one of the few venues still equipped to handle the 70mm format. For those unable to attend, the film remains available in digital versions, though the loss of the original analog presentation is a point of discussion among cinephiles. The rarity of such screenings ensures that The Odyssey will be remembered not only for its storytelling but also for its commitment to preserving a fading cinematic tradition.